Difference between revisions of "Template:T1 ToneMatch® Audio Engine / Connections to Power Stands"
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+ | === Analog Connection from the Second T1® to the {{{Applicable Model}}} === | ||
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+ | {{#lst:T1 ToneMatch® Audio Engine / 1/4 inch Output Connections to L1® Family Members |Balanced}} | ||
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Latest revision as of 03:38, 26 March 2017
Usage:
{{T1 ToneMatch® Audio Engine / Connections to Power Stands |Applicable Model={{Model 1S}} (or {{Model II}} }}
The {{{Applicable Model}}} can accept two inputs.
This makes it easy for two performers to connect their own T1®s to a {{{Applicable Model}}} Power Stand.
Contents
ToneMatch® Input
The ToneMatch® connection is specifically designed for a T1 ToneMatch Audio Engine. The ToneMatch® cable is supplied with the T1 ToneMatch Audio Engine and uses a male Ethercon connector at both ends.
Analog Input
The Analog connection is a ¼ inch phone jack. You can use this for a the second T1® using the T1® Analog Master output (¼ inch phone jack).
This connection is made with a standard ¼ inch jack instrument cable. This can be Tip-Sleeve or Tip-Ring-Sleeve connectors.
Set Power Stand Analog Input Trim to 3 to have approximately the same level as you would have if you had connected with the ToneMatch® connection. You may have to adjust this, but 3 is a good place to start.
Note: A T1® connected to the the Analog input will require the optional T1 ToneMatch® Audio Engine power supply.
Analog Connection from the Second T1® to the {{{Applicable Model}}}
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)
A balanced connection is preferred and will provide better noise rejection over greater distances than the unbalanced connection.
¼ Inch Tip-Ring-Sleeve (unbalanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine but a balanced connection (immediately above) is preferred especially if you will have cable runs in excess of 20 feet (6 meters) or if you hear line noise, hum or hiss.