Difference between revisions of "Vocal and Guitar Performance Techniques"
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Revision as of 05:28, 21 March 2008
Contents |
Presentation by Tom Munch This is a video recorded at the 2007 Fall Rocky Mountain Conference held in Cuchara Colorado in 2007. Videos
Related document: Acoustic Guitar Tone & the L1® also by Tom Munch. After you watch the videos please help us add some point form notes below. I started with Tom's outline for the headings. You can add content or other points. Then join the ongoing discussion in the Bose Musicians Community Message Boards. |
Vocal Tone
Good air
Diction
Consonants, Ending consonants
Plosives
- Having trouble with popping consonants? Move closer to the microphone. Eliminate plosives by keeping your lips on the windscreen
Chest, throat, nose
EQing with technique
Shape mouth, throat
Push forward or back
Working the Mic
- Moving back from the microphone robs you of tone.
- The ToneMatch® Filters were created for close microphone technique.
Stay Glued to the Windscreen
- If you move your head around the microphone, swivel so that you mouth is always pointed at the windscreen.
Mic is an instrument
Listen & experiment
Guitar Tone
Flesh/nail/pick
EQ with fingers
Flesh & nail
Picks
Hand position
Find good instrument tones for your instrument
Cover all frequencies
Tailor to function in mix
Listen & experiment
Performing
Dynamics
Stay out of own way
- Be aware of the relative roles and volumes of your Vocals and your Guitar. Don't compete with yourself by overplaying Guitar while singing.
Match EQ to mix
Don't push/press harmonica player
- Harmonica player = Larry Adler