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- ...ue the use of bulky and heavy transformer components typically required in other high-powered designs. ...The input stage of this amplifier is designed for the power stand. On the other hand, has an input impedance appropriate for most pro audio components such17 KB (2,728 words) - 05:42, 26 March 2017
- ...in the corner and the room was arranged around that. We have done this in other years, but that was for a single performer (Voice and Guitar). I really wan This was the first show for me where I had {{T1r}}s on the stage for other performers to use. Although it would have been easy to run the {{T1r}}s fro9 KB (1,752 words) - 19:00, 4 January 2009
- ...y person who had been available for a sound check. I knew roughly what the other performers were going to be using for instruments so I made up generic Scen ...is, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settin4 KB (819 words) - 12:30, 9 April 2011
- ...t music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Communit * Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you conn5 KB (904 words) - 13:56, 9 October 2008
- # Other == Other Comments ==776 bytes (117 words) - 02:16, 7 September 2008
- # Other == Other Comments ==2 KB (322 words) - 01:59, 12 September 2008
- Please tell us the model of {{L1}} you have and any other Bose components you are using. Examples ...and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or5 KB (845 words) - 11:16, 19 September 2008
- ...a and that was causing some thudding with my guitar so I moved them to the other side of the tower. To compare the two, the Bose seems fuller across all par ...ust to clean up the beginnings and ends. I didn't do any EQing or make any other changes:17 KB (3,271 words) - 18:10, 26 March 2017
- * [[Connecting to Other Equipment / Musical Instruments]] * [[Connecting to Other Equipment / Mixers, DI Boxes, Etc.]]3 KB (387 words) - 15:36, 4 May 2009
- * '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr ...idirectional. All sound waves impinging on the microphone from a direction other than the intended signal is "noise" and will lower the threshold of feedbac3 KB (528 words) - 16:12, 7 January 2009
- === One {{Model II nl}} and any other kind of {{L1 nl}} === ...I, and use a ¼ inch jack cable from the Analog Master output to the other L1®. See detailed explanation here: [[T1 ToneMatch® Audio Engine to Two M2 KB (348 words) - 16:53, 4 September 2023
- ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr13 KB (2,347 words) - 20:56, 19 August 2024
- ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.12 KB (2,163 words) - 00:17, 16 September 2024
- ...s linked to the KickGate, so you won't lose any special preset goodness or other drum sweetening. ...the L/R group mix. Your sound module must have at least one extra output other than the L/R mix. The Roland TD-12 has L/R and additional outputs 1 & 2.4 KB (735 words) - 12:43, 21 September 2024
- ...ooking for differences from the way we might have approached this with the other L1® models ...far apart won't hear stereo — but his or her audience will. On the other hand, space the L1 systems closer so that the player gets stereo, and you w9 KB (1,447 words) - 19:54, 21 September 2024
- *The other 3 dB is gained by doubling of acoustic volume, cone area and close coupling == Compatibility with Other Members of the L1® Family of Products ==10 KB (1,586 words) - 00:10, 17 February 2019
- ...direct sound from the {{L1}} falls off with distance more slowly than most other speakers, including all bass speakers, and including {{B1}}s. We rarely not ...ve, no matter what EQ or presets we use, and it will also happen if we use other subs, no matter how big they are. The only ways to fully prevent it would b5 KB (995 words) - 12:52, 21 November 2010
- == Connecting Other Equipment (inputs) == This section is an overview of connections you can make from a other equipment (mixer, music storage device, etc.) to the {{PS1}}.4 KB (654 words) - 10:36, 5 November 2010
- === Adaptations from other sources === ...shelf solution. I made the dividers out of 1/8 inch sheets of something or other wrapped in contact paper. Over two years and not a scratch on the radiators7 KB (1,057 words) - 11:12, 25 June 2016
- [[Category:Other]] ...m 24. Interestingly, the new guitar has the "sparkle and shimmer" that the other one lacked. This is a subtle nuance that could easily be lost in a conventi23 KB (3,709 words) - 18:12, 10 September 2022