Difference between revisions of "Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine"
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Here's a quick rundown of the additions and changes: | Here's a quick rundown of the additions and changes: | ||
| + | * Stereo outputs and processing | ||
| + | ** T4S: Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve | ||
| + | ** T8S: Two XLR analog outputs two analog 1/4" Tip-Ring-Sleeve | ||
| + | ** Pan | ||
* Combo inputs | * Combo inputs | ||
** T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs | ** T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs | ||
** T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs | ** T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs | ||
| − | * Auxilliary inputs | + | * Auxilliary inputs (routed to Main with Level and Pan controls) |
** T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve | ** T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve | ||
** T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve | ** T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve | ||
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* Headphone jack | * Headphone jack | ||
* 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware, | * 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware, | ||
* Tap-tempo delay | * Tap-tempo delay | ||
* Aux Outputs | * Aux Outputs | ||
| − | * Dedicated Reverb on Aux 1 | + | ** Dedicated Reverb on Aux 1 |
| − | ** T4S:Additional Aux out - Aux 2 | + | *** T4S: Additional Aux out - Aux 2 |
| − | ** T8S:Additional Aux outs - Aux 2 Aux 3, Aux 4 | + | *** T8S: Additional Aux outs - Aux 2 Aux 3, Aux 4 |
* 3-band Parametric EQ per channel | * 3-band Parametric EQ per channel | ||
* Master out 6-band EQ, | * Master out 6-band EQ, | ||
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* Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert) | * Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert) | ||
| − | * Removed the preamp outs based on customer feedback that | + | * Removed the preamp outs based on customer feedback that they were seldom used |
* {{T4S/T8S Scenes Changed}} | * {{T4S/T8S Scenes Changed}} | ||
| − | * Global Reverb Time parameter is expressed in percentage compared to the T1® in seconds ([[T4S/T8S_ToneMatch%C2%AE_Mixer#Reverb_Settings|details]]) | + | * New Reverb engine |
| + | ** Global Reverb Time parameter is expressed in percentage compared to the T1® in seconds ([[T4S/T8S_ToneMatch%C2%AE_Mixer#Reverb_Settings|details]]) | ||
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Revision as of 22:14, 15 July 2018
Here's a quick rundown of the additions and changes:
- Stereo outputs and processing
- T4S: Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve
- T8S: Two XLR analog outputs two analog 1/4" Tip-Ring-Sleeve
- Pan
- Combo inputs
- T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs
- T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs
- Auxilliary inputs (routed to Main with Level and Pan controls)
- T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve
- T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve
- Headphone jack
- 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware,
- Tap-tempo delay
- Aux Outputs
- Dedicated Reverb on Aux 1
- T4S: Additional Aux out - Aux 2
- T8S: Additional Aux outs - Aux 2 Aux 3, Aux 4
- Dedicated Reverb on Aux 1
- 3-band Parametric EQ per channel
- Master out 6-band EQ,
- USB playback (WAV/MP3) from thumb drives
- New industrial design
- New magnetic cover
Removed/Changed
- Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert)
- Removed the preamp outs based on customer feedback that they were seldom used
- There are eleven scenes available in the T4S/T8S ToneMatch® Mixers:
- Five Bose Scenes (that can be overwritten) and
- Six user scenes
- The T1® has eleven user read/writeable Scenes and five Bose read only Scenes.
- T1 Scenes backed up to a computer can not be restored to a T4S/T8S (different architecture for reverb)
- New Reverb engine
- Global Reverb Time parameter is expressed in percentage compared to the T1® in seconds (details)