Difference between revisions of "Duo"

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This is an application guide for people who use their {{L1 nl}} in a duo format. <br>  
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<td valign="top" width="250">__TOC__</td>
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<td valign="top">This is an application guide for people who use their {{L1 nl}} in a duo format.  
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In addition to the notes below that apply to Duo shows, check out:
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*[[L1® Unofficial Users' Guide]]
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*[[Feedback / Microphone]]
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*[[Troubleshooting]]
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Running one {{L1 nl}} for each performer in a duo format is a wonderful experience for both the performers and the audience. This gives the audience all the benefits of localization, and the best possible monitoring experience for the performers.  
 
Running one {{L1 nl}} for each performer in a duo format is a wonderful experience for both the performers and the audience. This gives the audience all the benefits of localization, and the best possible monitoring experience for the performers.  
  
=== Model I / Classic ===
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=== Model I / Classic ===
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{{#Click:Stage Layouts / ST Duo Classic / Model I|Image:STDuoModelIClassic.png||ST Duo with Model I / Classics}}  
 
{{#Click:Stage Layouts / ST Duo Classic / Model I|Image:STDuoModelIClassic.png||ST Duo with Model I / Classics}}  
  
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<br>
  
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=== Model II  ===
  
=== Model II ===
 
 
{{#Click:Stage Layouts / ST Duo|Image:STDuoModelII.png||ST Duo with Model IIs}}  
 
{{#Click:Stage Layouts / ST Duo|Image:STDuoModelII.png||ST Duo with Model IIs}}  
  

Revision as of 17:49, 6 December 2008

This is an application guide for people who use their L1® in a duo format.

In addition to the notes below that apply to Duo shows, check out:


Ideal Application: One L1® per Performer

Running one L1® for each performer in a duo format is a wonderful experience for both the performers and the audience. This gives the audience all the benefits of localization, and the best possible monitoring experience for the performers.

Model I / Classic

{{#Click:Stage Layouts / ST Duo Classic / Model I|Image:STDuoModelIClassic.png||ST Duo with Model I / Classics}}


Model II

{{#Click:Stage Layouts / ST Duo|Image:STDuoModelII.png||ST Duo with Model IIs}}


Connecting Two T1 ToneMatch® Audio Engine to a L1 Model II

The L1 Model II can accept two inputs.

Model II inputs

This makes it easy for two performers to connect their own T1®s to a L1® Model II Power Stand.

ToneMatch® Input

The ToneMatch® connection is specifically designed for a T1 ToneMatch Audio Engine. The ToneMatch® cable is supplied with the T1 ToneMatch Audio Engine and uses a male Ethercon connector at both ends.

Analog Input

Model II/Model 1S analog input

The Analog connection is a ¼ inch phone jack. You can use this for a second T1® using the T1® Analog Master output (¼ inch phone jack).

This connection is made with a standard ¼ inch jack instrument cable. This can be Tip-Sleeve or Tip-Ring-Sleeve connectors.

Set Power Stand Analog Input Trim to 3 to have approximately the same level as you would have if you had connected with the ToneMatch® connection. You may have to adjust this, but 3 is a good place to start.

Note: A T1® connected to the the Analog input will require the optional T1 ToneMatch® Audio Engine power supply.

Analog Connection from the Second T1® to the Model II Power Stand

T1x2IntoModelII.gif


¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)

A balanced connection is preferred and will provide better noise rejection over greater distances than the unbalanced connection.

Tip-Ring-Sleeve to Tip-Ring-Sleeve

¼ Inch Tip-Ring-Sleeve (unbalanced) to ¼ Inch Tip-Sleeve (unbalanced)

This should work fine but a balanced connection (immediately above) is preferred especially if you will have cable runs in excess of 20 feet (6 meters) or if you hear line noise, hum or hiss.

Tip-Sleeve to Tip-Sleeve