PS1 Powerstand / Daisy Chain: Difference between revisions
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(=== Two {{PS1}}s for Mono Tracks (or one side of stereo pair) ===) |
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On the relatively rare occasion where you might need to connect the output from one {{PS1}} to another {{PS1}} | {{Model I icon}}{{Classic icon}} | ||
<table><tr><td>__TOC__</td><td>On the relatively rare occasion where you might need to connect the output from one {{PS1}} to another {{PS1}}. | |||
Here are some ways to approach it. | |||
</td></tr></table> | |||
=== Two {{PS1}}s for one Vocal === | === Two {{PS1}}s for one Vocal === | ||
You can | You can | ||
* Run your microphone into the first | * Run your microphone into the first {{l1 nl}} PS1 Powerstand (let's say - Channel 1). | ||
* In Channel 1 | * In the Channel 1 section run an XLR cable from the Channel 1 Line Out | ||
* At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | * At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | ||
** {{Why Use a -20 dB Pad}} | |||
* Connect the [[Pad]] to the second {{PS1}} Channel 1 or 2. | * Connect the [[Pad]] to the second {{PS1}} Channel 1 or 2. | ||
* On the first {{PS1}}, set the input trim appropriately. | * On the first {{PS1}}, set the input trim appropriately. | ||
| Line 23: | Line 28: | ||
You can | You can | ||
* Run your input into the first L1™ PS1 Powerstand (let's say - Channel 2). | * Run your input into the first L1™ PS1 Powerstand (let's say - Channel 2). | ||
* In Channel 2 | * In Channel 2 section run an XLR cable from the Channel 2 Line Out | ||
* At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | * At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad. | ||
** {{Why Use a -20 dB Pad}} | |||
* Connect the [[Pad]] to the second {{PS1}} Channel 2. | * Connect the [[Pad]] to the second {{PS1}} Channel 2. | ||
* On the first {{PS1}}, set the input trim appropriately. | * On the first {{PS1}}, set the input trim appropriately. | ||
| Line 35: | Line 41: | ||
* [[PS1 Powerstand Connections/Interactive|Close up view of the Input Panel]] | * [[PS1 Powerstand Connections/Interactive|Close up view of the Input Panel]] | ||
=== XLR Female to ¼ Inch Tip-Sleeve Male === | |||
Here is another method - use a cable with a XLR Female to ¼ Inch Tip-Sleeve Male from a Powerstand Line OUT to Channels 1, 2, 3 or 4 on a second Powerstand. | |||
[[Image:XlrFtxM.png]] | |||
---- | ---- | ||
<references/> | <references/> | ||
[[category:PS1 Powerstand]] | [[category:PS1 Powerstand]] | ||
[[ | [[Category:L1® System]] | ||
[[Category:Daisy Chain]] | |||
Latest revision as of 09:45, 26 May 2011
| On the relatively rare occasion where you might need to connect the output from one PS1 Power Stand (Classic) / Model I to another PS1 Power Stand (Classic) / Model I.
Here are some ways to approach it. |
Two PS1 Power Stand (Classic) / Model Is for one Vocal
You can
- Run your microphone into the first L1® PS1 Powerstand (let's say - Channel 1).
- In the Channel 1 section run an XLR cable from the Channel 1 Line Out
- At the other end of the cable connect a Pad. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad.
- Why use a -20 dBu Pad?
- The XLR connects to a balanced low impedance input stage with a lot of gain. The 1/4" input is unbalanced, has about 20 dB less overall gain but a very high input impedance. [1]
- Connect the Pad to the second PS1 Power Stand (Classic) / Model I Channel 1 or 2.
- On the first PS1 Power Stand (Classic) / Model I, set the input trim appropriately.
- Choose the best preset for your microphone.
- On the second PS1 Power Stand (Classic) / Model I, the input trim should be similar to what you set on the first one, but check the trim o/l light for a solid green light (occasional red flickers are okay).
- On the second PS1 Power Stand (Classic) / Model I, use the same preset as you used for the first one.
Arrows indicate the direction the signal is flowing.
- Position the two L1 s at least 20 feet apart if possible to avoid the possibility of odd phase effects in the audience. More detail: Phase Cancellation
- Close up view of the Input Panel
Two PS1 Power Stand (Classic) / Model Is for Mono Tracks (or one side of stereo pair)
In this example, we are using Channel 2 so that you leave Channel 1 available for another input like a vocal.
You can
- Run your input into the first L1™ PS1 Powerstand (let's say - Channel 2).
- In Channel 2 section run an XLR cable from the Channel 2 Line Out
- At the other end of the cable connect a Pad. The people-at-Bose usually recommend a -20 dBu pad. Some owners have reported success with a -10 dBu pad.
- Why use a -20 dBu Pad?
- The XLR connects to a balanced low impedance input stage with a lot of gain. The 1/4" input is unbalanced, has about 20 dB less overall gain but a very high input impedance. [2]
- Connect the Pad to the second PS1 Power Stand (Classic) / Model I Channel 2.
- On the first PS1 Power Stand (Classic) / Model I, set the input trim appropriately.
- Choose the best preset for your microphone.
- On the second PS1 Power Stand (Classic) / Model I, the input trim should be similar to what you set on the first one, but check the trim o/l light for a solid green light (occasional red flickers are okay).
- On the second PS1 Power Stand (Classic) / Model I, use the same preset as you used for the first one.
- For prerecored music or tracks or keyboards you want B1 Bass Modules as close together as possible, and the L1™s close together -or- at least 20 feet apart.
XLR Female to ¼ Inch Tip-Sleeve Male
Here is another method - use a cable with a XLR Female to ¼ Inch Tip-Sleeve Male from a Powerstand Line OUT to Channels 1, 2, 3 or 4 on a second Powerstand.
