Difference between revisions of "T1 ToneMatch® Audio Engine / Daisy Chain"

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[[Image:T1x2IntoModelIIa.gif]]  
 
[[Image:T1x2IntoModelIIa.gif]]  
  
In this example we have two {{T1}}s. (T1®s)  
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In this example, we have two {{T1}}s. (T1®s)  
  
 
#{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]]  
 
#{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]]  
 
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
 
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
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 +
Use a balanced (Tip-Ring-Sleeve) cable if possible.
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 +
[[File:T4S to F1 Model 812 TRS x 2.jpg|300px]]
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If you use an unbalanced cable (Tip-Sleeve) between the first and second {{T1}}, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because you will have to turn up the volume on the second {{T1}} you will be amplifying the noise.
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This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2  
 
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2  
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[[Image:T1 Daisy Chain to Compact.png]]
 
[[Image:T1 Daisy Chain to Compact.png]]
  
In this example we have two {{T1}}s. (T1®s)  
+
In this example, we have two {{T1}}s. (T1®s)  
  
 
#{{t1r}} on the left connected to  [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]]   
 
#{{t1r}} on the left connected to  [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]]   

Revision as of 23:45, 31 March 2020

You can daisy chain (connect) one T1 ToneMatch Audio Engine into another.

T1x2IntoModelIIa.gif

In this example, we have two T1 ToneMatch Audio Engines. (T1®s)

  1. T1® on the left connected to the L1 Model II through the ToneMatch® Port
  2. T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4

Use a balanced (Tip-Ring-Sleeve) cable if possible.

T4S to F1 Model 812 TRS x 2.jpg

If you use an unbalanced cable (Tip-Sleeve) between the first and second T1 ToneMatch Audio Engine, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because you will have to turn up the volume on the second T1 ToneMatch Audio Engine you will be amplifying the noise.


This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2


Notes:

Here's how you can do the same thing with a L1 Compact

T1 Daisy Chain to Compact.png

In this example, we have two T1 ToneMatch Audio Engines. (T1®s)

  1. T1® on the left connected to Compact Channel 2
  2. T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4

This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2


Notes: