Difference between revisions of "White Papers"
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== Bose White Papers == | == Bose White Papers == | ||
| + | === L1™ === | ||
| + | * [http://bose.infopop.cc/eve/forums/a/ga/ul/9721034854/BoseWhitePaper_ed2b.pdf Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}. | ||
| − | * [http://bose.infopop.cc/eve/forums/a/ga/ul/ | + | * [http://bose.infopop.cc/eve/forums/a/ga/ul/6781015315/whitepaperLine6.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group |
| + | Summary: Amplified guitars are the source of some truly remarkable musical instrument | ||
| + | sounds. At the same time, we found they are the source of acoustical problems that | ||
| + | often prevent musicians and members of the audience from hearing the guitar as | ||
| + | intended... | ||
| + | === Other === | ||
| + | |||
| + | * [http://pro.bose.com/pdf/pro/app_notes/panaray_ma12/an_panaray_ma12.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data] | ||
| + | One uses polar plots to describe the behavior of conventional speakers such as | ||
| + | constant directivity horns or small arrays built up using smaller transducers. Line | ||
| + | arrays produce cylindrical waves in the near field and therefore, the vertical polar | ||
| + | plots change as a function of distance. To describe the vertical radiation of a line | ||
| + | array an industry accepted method is to use validated modeling programs and paint a | ||
| + | picture of the radiation as a function of distance. This paper addresses the radiation | ||
| + | characteristics of the MA12 and in addition shows measured polar plots, on-axis | ||
| + | frequency response, controller curves, and impedance curves. | ||
| + | |||
| + | * [http://pro.bose.com/pdf/pro/technical_papers/tp_panaray_ma12.pdf ] | ||
---- | ---- | ||
[[category:Reference]] | [[category:Reference]] | ||
Revision as of 11:20, 24 December 2007
Bose White Papers
L1™
- Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the L1 . It speaks to the intent, technology and the application of the Bose® Personalized Amplification System™ family of products.
- Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated,
Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group
Summary: Amplified guitars are the source of some truly remarkable musical instrument sounds. At the same time, we found they are the source of acoustical problems that often prevent musicians and members of the audience from hearing the guitar as intended...
Other
One uses polar plots to describe the behavior of conventional speakers such as constant directivity horns or small arrays built up using smaller transducers. Line arrays produce cylindrical waves in the near field and therefore, the vertical polar plots change as a function of distance. To describe the vertical radiation of a line array an industry accepted method is to use validated modeling programs and paint a picture of the radiation as a function of distance. This paper addresses the radiation characteristics of the MA12 and in addition shows measured polar plots, on-axis frequency response, controller curves, and impedance curves.