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• DI
  ...ee the term DI used to refer to devices used to modify the tone as well as other properties of a signal. This is often in the context of Acoustic Guitar and
  4 KB (608 words) - 15:46, 23 January 2013
• Processors
  ...d between an instrument and an amplification system to modify the tone and other aspects of the sound of the instrument. Some musicians are using these in p
  2 KB (233 words) - 11:58, 20 April 2019
• Bose L1® Musicians Conference Fall 2006/Contact Information
  your email and other info on the next line
  2 KB (251 words) - 18:34, 26 March 2017
• Bose L1® Musicians Conference Fall 2006/Accomodations
  ...ren Center has given to us to use as our main room for music and lectures. Other generous rooms are available to us for breakout sessions if that's what we
  4 KB (735 words) - 18:33, 26 March 2017
• Bose L1® Musicians Conference Fall 2006/Discussion Topics
  : I've had the opportunity to with Buddy Catlett and other upright players dialing in the bass tone they hear and where they expect it
  4 KB (677 words) - 05:43, 26 March 2017
• L1® System Holistic View
  ...s are driven identically. One drives the top half of the {{L1 CR}} and the other drives the bottom half. Because the {{L1 CR}} should always be operated as
  2 KB (371 words) - 15:15, 26 March 2017
• Bose L1® Musicians Conference Fall 2006/Music
  I have charts for all of the above, and we can also do any other charts available (Tower of Power, Blues Bros, Chicago etc that people might
  8 KB (1,390 words) - 18:35, 26 March 2017
• Korg T1
  ...screws on the bottom. This allows you to open the lid in the future to fix other problems (replacment of switches, keys, buttons, etc.).
  6 KB (1,011 words) - 03:07, 13 August 2011
• Bass Regeneration
  ...coustic kick drum. KickGate both allows high gain on the kick but prevents other instruments from regenerating through the kick drum mic.
  6 KB (1,016 words) - 21:04, 16 January 2023
• Mixing Yourself
  <!-- this article is included in several other articles on the site. Original version by Ken Jacob September 2006 from [[L
  2 KB (431 words) - 23:51, 28 November 2007
• Mixer / Alesis / MultiMix 6FX
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs. '''
  1 KB (167 words) - 02:46, 21 December 2008
• Mixer / Behringer / Eurorack / MX1604A
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs.
  1 KB (164 words) - 02:53, 21 December 2008
• Musical Instruments
  * [[Drums]] / [[Other Percussion]]
  594 bytes (73 words) - 09:30, 21 October 2009
• Support
  :Other support for the Bose {{L1 nl}} can be accessed either by calling Bose UK He
  6 KB (900 words) - 14:52, 7 September 2018
• Hearing the Same Thing
  ...only one point of amplified sound for each performer, everyone (performer, other performers, audience) are all listening to the same sound source. But becau
  4 KB (665 words) - 14:02, 3 December 2006
• Stereo Mini to 1/4
  <!-- Most likely to be used as an inclusion in other things -->
  3 KB (513 words) - 04:18, 17 June 2017
• Acoustic Guitar Bass Frequencies
  ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
  2 KB (256 words) - 15:28, 22 December 2008
• Microphone/Testing
  * Note which of the two you like better -- then swap the other mic ''(the one not chosen)'' for a third mic, and start again from the top
  3 KB (474 words) - 15:12, 24 December 2006
• Critical Distance
  ...sound pressure level of the direct and the reverberant field are equal. In other words, the point in space where the echo from a sound source is at the same
  940 bytes (154 words) - 19:17, 7 November 2021
• Reverberant Field
  In the reverberant field, reflections from walls and other objects may be just as strong as the direct sound from the source.
  310 bytes (45 words) - 11:53, 15 March 2008

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