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  • ...ode for Japanese (4) and 4-431-96331-? would also have check digit ? = 6. Other Springer books in English have publisher code 817, and 0-817-96331-? would ...her'', ''title'' and ''check digit'') with either a [[hyphen]] or a space. Other than the check digit, no part of the ISBN has a fixed number of digits.<ref
    33 KB (4,545 words) - 12:17, 21 January 2013
  • ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.
    12 KB (2,063 words) - 13:56, 21 September 2023
  • ...24dB down and below crossover the L1's are 24dB down. They get out of each other's way pretty quickly. &mdash; Cliff-at-Bose In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens
    7 KB (1,241 words) - 00:41, 28 June 2018
  • ..., other than a cleaner stage, it sort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, giv ...firm understanding of the fact that you are finally in total contact with other players and with your audience is powerfully useful. It is actually a spiri
    5 KB (900 words) - 00:41, 12 January 2012
  • ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr
    13 KB (2,352 words) - 07:12, 20 November 2010
  • This is not the case for most other instruments. Keyboard synthesizers, for example, rely on internal sound gen ...standpoint is if the system replaces both a conventional bass rig ''and'' other equipment.
    21 KB (3,673 words) - 15:29, 22 December 2008
  • === Mistake: Assumed the {{L1}} was like any other PA === I plugged outboard compression, EQ, and other compensatory devices into the {{L1}}. The result is the same as above: Ever
    3 KB (595 words) - 14:02, 28 May 2021
  • ...now about the other factors or, more likely, they may be hoping that those other factors can be ignored. The temptation to extrapolate beyond the part that ...l. If you hear a change, it is because you've moved the grille relative to other Bass Modules or relative to boundaries. Don't shove the grille into a wall
    10 KB (1,856 words) - 20:49, 13 July 2021
  • .... The correct setting for any particular source may be different from your other sources. ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. Input impedance on Channels
    13 KB (1,983 words) - 11:55, 22 May 2018
  • ...s linked to the KickGate, so you won't lose any special preset goodness or other drum sweetening. ...the L/R group mix. Your sound module must have at least one extra output other than the L/R mix. The Roland TD-12 has L/R and additional outputs 1 & 2.
    4 KB (718 words) - 04:48, 26 March 2017
  • ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide
    8 KB (1,303 words) - 09:31, 7 April 2019
  • Copyright laws and international copyright treaties, as well as other intellectual properly laws and treaties protect this Software. The Software # Connect the other end of the audio patch cable to the Data IN jack (RCA-type jack with a whit
    7 KB (1,127 words) - 15:32, 1 November 2016
  • ...ue the use of bulky and heavy transformer components typically required in other high-powered designs. ...The input stage of this amplifier is designed for the power stand. On the other hand, has an input impedance appropriate for most pro audio components such
    17 KB (2,728 words) - 05:42, 26 March 2017
  • ...in the corner and the room was arranged around that. We have done this in other years, but that was for a single performer (Voice and Guitar). I really wan This was the first show for me where I had {{T1r}}s on the stage for other performers to use. Although it would have been easy to run the {{T1r}}s fro
    9 KB (1,752 words) - 19:00, 4 January 2009
  • ...y person who had been available for a sound check. I knew roughly what the other performers were going to be using for instruments so I made up generic Scen ...is, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settin
    4 KB (819 words) - 12:30, 9 April 2011
  • ...t music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Communit * Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you conn
    5 KB (904 words) - 13:56, 9 October 2008
  • # Other == Other Comments ==
    776 bytes (117 words) - 02:16, 7 September 2008
  • # Other == Other Comments ==
    2 KB (322 words) - 01:59, 12 September 2008
  • Please tell us the model of {{L1}} you have and any other Bose components you are using. Examples ...and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or
    5 KB (845 words) - 11:16, 19 September 2008

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