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• Clifford Henricksen / New Kind of Recording
  ...organic" quality to the mix that you really can't create using dry tracks, reverb and mixing. It was sort-of molecular air-mixing of the music. Also, we had
  15 KB (2,673 words) - 03:45, 27 April 2013
• Digitech Vocalist Live 2 - Alternative Method to Connect to a T1®
  ...ither the VL2 Mic Out or the Guitar Out. I also do not use any of the VL2 reverb or other effects.
  2 KB (428 words) - 18:09, 26 March 2017
• EV RE-2 Wireless Microphone Review
  ...al applications, given the outdoor area and music style, a light amount of reverb, gave a nice enhancement to the vocal, with out feedback problems. Using mo
  4 KB (614 words) - 14:24, 11 March 2020
• L1® for Studio Monitoring
  ...s perfect for checking overall instrument tone and balance, especially the reverb levels. Multiple monitoring systems are typical in most all studios, and t
  5 KB (798 words) - 18:12, 26 March 2017
• T1® Scenes Housekeeping
  ...to make adjustments to paramaters such as zEQ, Parametric EQ, Compression, Reverb etc for the individual channels and then save each complete set as a differ
  2 KB (270 words) - 04:24, 26 March 2017
• FX Mute
  FX Mute specifically mutes: Delay, Mod (Chorus, Flange,Phaser,Trem) and Reverb.
  307 bytes (43 words) - 22:27, 2 August 2011
• Catalog of Live Music Research Problems
  [[Image:reverb.jpg]]
  13 KB (2,304 words) - 10:55, 24 April 2011
• Microphone Feedback
  * If you are using vocal effects like reverb, chorus or delay, turn them off until you can get sufficient [[Gain Before
  3 KB (528 words) - 16:12, 7 January 2009
• Feedback / T1 ToneMatch® Audio Engine / Comp Gate
  ...c act. (ex: I use either two customized Blues Jr's in stereo, my '65 Super Reverb, or my ProTube Twin Amp on stage) The tonematch's Noise Gate solved the fee
  1 KB (206 words) - 13:31, 29 November 2018
• T1 ToneMatch® Audio Engine / Insert for External Effects
  Note: You cannot send Reverb through the Aux Output - see: [[T1 ToneMatch® Audio Engine / Aux]] for det
  3 KB (477 words) - 04:48, 26 March 2017
• Digitech GNX3000 Patches
  # on the rest of them it functions as a solo boost and adds a bit of reverb and engages the compressor as well.
  1 KB (185 words) - 15:46, 4 April 2010
• Bass Line Out - Key references
  ...quencies and less absorption at low frequencies. Less absorption makes the reverb time longer, the reverberant field level higher, and the critical distance
  8 KB (1,382 words) - 23:43, 11 June 2011
• Kemper Profiler
  ;Reverb: Bypassed
  24 KB (3,721 words) - 12:54, 8 August 2023
• Reverb Bypass
  #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
  57 bytes (7 words) - 10:39, 8 August 2014
• GK 250 ML
  is like a reverb/delay with no control over parameters. When hooked
  3 KB (476 words) - 19:52, 26 December 2014
• ToneMatch Mixer ToneMatch Presets, zEQ, ParaEQ
  ...ecessary, ParaEQ if necessary, then I might add some effects like Delay or Reverb.
  3 KB (446 words) - 00:54, 4 July 2023
• ToneMatch Mixer Scenes
  ...T8S}}. Although functionally similar there are too many differences (e.g., Reverb parameters, Panning, Aux routing).
  1 KB (222 words) - 16:11, 18 April 2023
• T1 ToneMatch® Audio Engine / Routing Multiple Effects
  <li>Channel 4 - Reverb</li>
  4 KB (493 words) - 04:55, 26 March 2017
• T1 ToneMatch® Audio Engine / Reverb Bypass
  #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
  57 bytes (7 words) - 04:54, 26 March 2017
• Bose S1 Pro Compared to Bose L1® Compact
  <td>Reverb
  6 KB (861 words) - 01:41, 7 March 2022

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