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• Precedence Effect
  ...ustic signal arriving first at the ears suppresses the ability to hear any other signals, including ECHOes and REVERBERATION, that arrive up to about 40 ms ...irst wave front. These effects, in conjunction with sensory reaction(s) to other physical differences (such as phase differences) between perceived sounds,
  5 KB (753 words) - 00:57, 30 April 2008
• L1® Timeline
  ...plain the benefits of the Personalized Amplification System™ approach to other musicians. We believe you need spend only a few minutes reading their unedi ...honored six individuals who have been extraordinarily generous in helping other musicians understand our new approach to live music amplification. ... &mda
  21 KB (2,953 words) - 18:18, 16 October 2022
• Feedback / T1 ToneMatch® Audio Engine
  # Turn the volume down on the microphone channel; mute any other microphone channels. ...feeds; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them).
  3 KB (522 words) - 15:37, 8 June 2021
• Microphone Sensitivity and Feedback
  It is a common misconception that a microphone that has lower sensitivity (in other words, a sound of a given intensity at the microphone produces a lower elec ...umption is that other variables in comparing two microphones are equal. In other words, only the sensitivity differs.
  2 KB (369 words) - 13:08, 16 April 2009
• Les Paul Ultima
  **Other Also available with flame maple top **Other Dynamic sound chambers
  5 KB (764 words) - 17:41, 16 January 2023
• Bose Engineer Ken Jacob Helps Artists Communicate with Audiences
  ...lopment money on this idea of “big sound from small speakers” than any other design dimension. Many, many patents apply to this area as well. And as the ...es where the amplification system is very much a part of the act. For many other performances—for example, for singer/songwriters, or many acoustic-instru
  12 KB (2,083 words) - 19:34, 25 April 2012
• L1® Model 1S
  ...analog input accepts 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems. Trim c == Compatibility with Other Members of the L1® Family of Products ==
  8 KB (1,264 words) - 01:56, 20 May 2021
• Ipod to Compact to L1
  To connect backing tracks (e.g. iPod or other device with headphone output) to Compact, and the connect to an L1®. ===== Other Devices using RCA (phono) jacks =====
  2 KB (346 words) - 12:16, 17 July 2013
• T4S/T8S ToneMatch® Mixer
  A scene does not remember or change the settings of the other scenes. ...Scene: A user-definable scene for saving settings you want to share with other T4S/T8S ToneMatch® mixer users. This scene can be uploaded to a computer u
  9 KB (1,484 words) - 23:55, 13 December 2023
• Should I get an L1 Pro8 or L1 Pro16
  ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{ ...had to use it to replace another piece of L1 equipment, I have bailed out other people with it when their gear went down.
  7 KB (1,176 words) - 02:40, 27 January 2024
• Bwiki
  ...underlying programming language (PHP) and Database (MySQL), than with the other wiki (.NET and SQL Server). ...grated features like blogs, forums as well as wikis. We may not need those other features.
  2 KB (353 words) - 20:33, 23 August 2006
• PS1 Powerstand Bass
  In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
  5 KB (806 words) - 11:47, 15 March 2008
• Presets/Model I and Classic
  == Other Languages ==
  9 KB (1,459 words) - 21:40, 18 November 2016
• White Papers
  === Other ===
  4 KB (651 words) - 13:44, 29 March 2017
• Psychoacoustics
  ...ore difficult to understand and instrumental notes more difficult to hear, other things being equal. ...masking. The tonality of a sound partially determines its ability to mask other sounds. A sinusoidal masker, for example, requires a higher intensity to ma
  3 KB (545 words) - 04:30, 29 December 2006
• Presets - Finding What Works
  * On the other channel, switch to the next preset on the list * Keeping the one you like on one channel, try the next preset on the other channel.
  5 KB (858 words) - 11:55, 13 April 2011
• L1® Traditional Music System
  ...res and words what we found from my perspective. I'm sure that some of the other participants will add their voices to <a href="http://bose.infopop.cc/eve/ ...img/Y/3g.gif"> Microphones should be "toed in" by about 10-15 degrees: in other words,should be turned so that their diaphram is pointed a little in toward
  15 KB (2,537 words) - 04:04, 2 April 2017
• XLR Cables - Technical Discussion
  All those 'features' cease to exist when one end or the other is 'unbalanced' -- when only one wire (signal) is compared to the reference So, other than throwing up one's hands in frustration, what can we non-wiring-technic
  8 KB (1,420 words) - 22:59, 18 July 2007
• Backing Tracks
  ===== Other Devices using RCA (phono) jacks =====
  3 KB (340 words) - 14:50, 1 December 2022
• L1® Classic
  == Compatibility with Other Members of the L1® Family of Products ==
  2 KB (232 words) - 11:54, 20 May 2019

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