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  • ...ontent of the page. If they feel it would benefit the discussion to allow other users to view the page content, administrators may [[Wikipedia:Restore|rest ...apply protection to non-existent pages with the same procedure as with all other pages. A list of protected titles may be found at [[Special:Protectedtitles
    13 KB (1,886 words) - 01:31, 30 March 2008
  • ...l and adjust it according to the other instruments they heard (through the other L1’s) onstage. ...s of sounding like real voices. Shure SM58’s were used and later several other mics were used to see which ones worked best with our system.
    6 KB (973 words) - 18:29, 26 March 2017
  • first time in years, companies other than Gibson and Fender were having accounted for the bulk of electric production, there were other models
    9 KB (1,530 words) - 06:58, 22 January 2013
  • Performance Name, Slot Name, Rig Name, Amp Name, Cabinet Name, other tags... are all different animals. People can use these for different purpo ...er Slot. If you store now, only the edits of the current Slot survive, the other four Slots 4 stay as these were stored before.
    24 KB (3,721 words) - 12:54, 8 August 2023
  • ...usicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probab Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder
    12 KB (2,071 words) - 02:57, 26 March 2017
  • ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris ...oks like two horn assemblies; in fact, only one is operable as a horn. The other side, a "dummy", acts as a counterweight or dynamic balancer, providing sym
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...del I}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www. ...l II}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www.
    4 KB (550 words) - 15:27, 11 May 2022
  • One of the other things we knew about was a rapidly growing category of products: earplugs f ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    14 KB (2,567 words) - 00:59, 16 October 2008
  • One of the other things they knew about was a rapidly growing category of products: earplugs ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    13 KB (2,304 words) - 10:55, 24 April 2011
  • ...t use a ToneMatch preset when using the {{ToneMatch Mixer}} or {{T1}} with other systems?''' ...might lead you to conclude that a ToneMatch preset shouldn't be used with other systems.
    2 KB (379 words) - 11:08, 10 December 2023
  • ...ode for Japanese (4) and 4-431-96331-? would also have check digit ? = 6. Other Springer books in English have publisher code 817, and 0-817-96331-? would ...her'', ''title'' and ''check digit'') with either a [[hyphen]] or a space. Other than the check digit, no part of the ISBN has a fixed number of digits.<ref
    33 KB (4,545 words) - 12:17, 21 January 2013
  • ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.
    12 KB (2,063 words) - 13:56, 21 September 2023
  • ...24dB down and below crossover the L1's are 24dB down. They get out of each other's way pretty quickly. &mdash; Cliff-at-Bose In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens
    7 KB (1,241 words) - 00:41, 28 June 2018
  • ..., other than a cleaner stage, it sort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, giv ...firm understanding of the fact that you are finally in total contact with other players and with your audience is powerfully useful. It is actually a spiri
    5 KB (900 words) - 00:41, 12 January 2012
  • ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr
    13 KB (2,352 words) - 07:12, 20 November 2010
  • This is not the case for most other instruments. Keyboard synthesizers, for example, rely on internal sound gen ...standpoint is if the system replaces both a conventional bass rig ''and'' other equipment.
    21 KB (3,673 words) - 15:29, 22 December 2008
  • === Mistake: Assumed the {{L1}} was like any other PA === I plugged outboard compression, EQ, and other compensatory devices into the {{L1}}. The result is the same as above: Ever
    3 KB (595 words) - 14:02, 28 May 2021
  • ...now about the other factors or, more likely, they may be hoping that those other factors can be ignored. The temptation to extrapolate beyond the part that ...l. If you hear a change, it is because you've moved the grille relative to other Bass Modules or relative to boundaries. Don't shove the grille into a wall
    10 KB (1,856 words) - 20:49, 13 July 2021
  • .... The correct setting for any particular source may be different from your other sources. ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. Input impedance on Channels
    13 KB (1,983 words) - 11:55, 22 May 2018

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