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  • ...m that when we bring up the master volumes, they will hear all the natural reverb from the room as it responds to them at performance levels.
    7 KB (1,205 words) - 14:43, 31 December 2016
  • ...nd a mono or stereo microphone receive. You could put it in a studio, in a reverb room (or in the bathroom) during the mix, or you might use it live. The pos
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...nt or microphone. I would run a relatively clean sound with no effects (no reverb, chorus or delay). You are listening for tone.
    5 KB (858 words) - 11:55, 13 April 2011
  • ...nd a mono or stereo microphone receive. You could put it in a studio, in a reverb room (or in the bathroom) during the mix, or you might use it live. The pos
    42 KB (7,262 words) - 13:29, 2 September 2008
  • ...larity by simplifying and drying out the sound. (dialing back a lot on the reverb and delays).
    3 KB (595 words) - 14:02, 28 May 2021
  • ...quencies and less absorption at low frequencies. Less absorption makes the reverb time longer, the reverberant field level higher, and the critical distance
    4 KB (705 words) - 05:44, 26 March 2017
  • ...or those other gigs, but I forget. I go in and change presets, and look at reverb & echo, but always forget about the Gate.
    4 KB (718 words) - 04:48, 26 March 2017
  • ...lay, parametric EQ, etc. on each channel. The only thing that is shared is reverb. This is equivalent of having pretty much 4 multi-effects processors at the
    2 KB (360 words) - 04:45, 26 March 2017
  • The other effects (Mod, Delay) and Reverb operate the same way. You can only choose one function within the family of
    7 KB (1,047 words) - 15:58, 16 June 2019
  • ...d before the audience can be very disruptive to your psyche. (Sing without reverb? You've got to be kidding).
    16 KB (2,913 words) - 11:43, 9 May 2011
  • ...organic" quality to the mix that you really can't create using dry tracks, reverb and mixing. It was sort-of molecular air-mixing of the music. Also, we had
    15 KB (2,673 words) - 03:45, 27 April 2013
  • ...ither the VL2 Mic Out or the Guitar Out. I also do not use any of the VL2 reverb or other effects.
    2 KB (428 words) - 18:09, 26 March 2017
  • ...al applications, given the outdoor area and music style, a light amount of reverb, gave a nice enhancement to the vocal, with out feedback problems. Using mo
    4 KB (614 words) - 14:24, 11 March 2020
  • ...s perfect for checking overall instrument tone and balance, especially the reverb levels. Multiple monitoring systems are typical in most all studios, and t
    5 KB (798 words) - 18:12, 26 March 2017
  • ...to make adjustments to paramaters such as zEQ, Parametric EQ, Compression, Reverb etc for the individual channels and then save each complete set as a differ
    2 KB (270 words) - 04:24, 26 March 2017
  • FX Mute specifically mutes: Delay, Mod (Chorus, Flange,Phaser,Trem) and Reverb.
    307 bytes (43 words) - 22:27, 2 August 2011
  • [[Image:reverb.jpg]]
    13 KB (2,304 words) - 10:55, 24 April 2011
  • * If you are using vocal effects like reverb, chorus or delay, turn them off until you can get sufficient [[Gain Before
    3 KB (528 words) - 16:12, 7 January 2009
  • ...c act. (ex: I use either two customized Blues Jr's in stereo, my '65 Super Reverb, or my ProTube Twin Amp on stage) The tonematch's Noise Gate solved the fee
    1 KB (206 words) - 13:31, 29 November 2018
  • Note: You cannot send Reverb through the Aux Output - see: [[T1 ToneMatch® Audio Engine / Aux]] for det
    3 KB (477 words) - 04:48, 26 March 2017

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