Difference between revisions of "Larrivée Guitar Models"
m (→B- Bass) |
m (→Older Model Comparisons: Construction - Internal Back Strip) |
||
Line 138: | Line 138: | ||
=== Older Model Comparisons === | === Older Model Comparisons === | ||
{{:Larrivée Feature Comparison Archive}} | {{:Larrivée Feature Comparison Archive}} | ||
+ | |||
+ | === Construction - Internal Back Strip === | ||
+ | :Jean’s first guitars had the internal back strip as mentioned. I believe he used it somewhere through to about 1983-84. If I remember correctly it stopped when we moved to North Vancouver. At the time the strip did serve to reinforce the back because we had a decorative strip of purfling down the center seem. When that purfling strip was removed from the design, the mahogany re-enforcement was no longer necessary. | ||
+ | |||
+ | :Fast forward to 2007 when we made the JCL re-issue guitars… We put the re-enforcement strip on these guitars because we added the purfling strip again. We looked at it and realized we liked the look of it inside the instrument and so we decided to put the strip on all of the glossy guitars in the California shop. The Canadian shop also puts the strips on -05 series and up guitars but does not put them on -03’s because of the added cost involved. We do sometimes add the strips to special run -03’s that we make in California. | ||
+ | |||
+ | :The strip is mostly decorative – It does help somewhat on extremely oily woods, but really the center seam join we do is so strong that it is un-necessary. | ||
+ | |||
+ | Source - [http://www.larriveeforum.com/smf/index.php?topic=33670.msg309597#msg309597 Matthew Larrivée] | ||
---- | ---- | ||
[[Category:Larrivee]] | [[Category:Larrivee]] |
Revision as of 11:09, 9 September 2010
Contents
Body Styles
Overview
More details below
B - Bass
- Lower Bout: 17"
- Upper Bout: 12.5"
- Waist: 10.75"
- Depth: 4.75"
- Scale Length: 34"
- Nut Width: 1 & 3/4"" (44.3mm or 1.75")
- Length 20 5/8"
D - Dreadnought
- Lower Bout · 16”
- Upper Bout · 11.875”
- Waist · 10.875”
- Depth · 5”
- Overall Length · 41”
- Scale Length · 25.5”
J - Jumbo
- Lower Bout · 17"
- Upper Bout · 12.5"
- Waist · 10.75"
- Depth · 4.75" - 4.875"
- Scale Length · 25.5"
- Nut Width · 1 & 3/4"" (44.3mm or 1.75")
- Scale Length · 25.5”
- Length · 20 5/8"
L - Larrivée Body
- Lower Bout · 16”
- Upper Bout · 11.625”
- Waist · 10.25”
- Depth · 4.75”
- Overall Length · 40.75”
- Scale Length · 25.5”
LJ-body or CJ-body
- Lower Bout: 17"
- Upper Bout: 12.5"
- Waist: 10.75"
- Depth: 4.75"
- Scale Length: 25.5"
- Nut Width: 1 & 3/4"" (44.3mm or 1.75")
- Length 20 5/8"
LS - Larrivée Small Body
- Lower Bout · 15”
- Upper Bout · 11.875“
- Waist · 9.75”
- Depth · 4.25”
- Overall Length · 40.5”
- Scale Length · 25.5”
LSV - Larrivée Small Body - Venetian Cutaway
- Lower Bout · 15.125”
- Upper Bout · 11.375“
- Waist · 9.75”
- Depth · 4.125”
- Overall Length · ___ ”
- Scale Length · 24.75”
- Fretboard Radious: 16-21" Compound
- Setup for Medium Gauge Strins
- Frets: Nickel Silver
- Frets Width: 2.5 mm (0.0985")
- Frets Height 1.0mm (0.0394")
- Gloss UV Finish Body & Neck
OM - Orchestra Model
- Lower Bout · 15.25”
- Upper Bout · 11.75”
- Waist · 9.5”
- Depth · 4.25”
- Overall Length · 40.5”
- Scale Length · 25.5”
OO Body
- Lower Bout: 14"
- Upper Bout: 10"
- Waist: 8.25"
- Depth: 4"
- Scale Length: 25.5",
- 12 fret to body
- Nut Width: 1 & 3/4"" (44.3mm or 1.75")
- Body Length 19-1/8"
P - Parlor
- Lower Bout · 13.25”
- Upper Bout · 9.5“
- Waist · 7.75”
- Depth · 4.5”
- Overall Length · 36.75”
- Scale Length · 24”
SD - Slope Dreadnaught
- Lower Bout · 15”
- Upper Bout · 11.25“
- Waist · 10.5”
- Depth · 4.875”
- Overall Length · 40.5”
- Scale Length · 25.5”
Classical
- Lower Bout · 15”
- Upper Bout · 11.875“
- Waist · 9.75”
- Depth · 4.25”
- Overall Length · 40.5”
- Scale Length · 660 mm (approximately 26”)
- Nut Width: 2"
Example: Larrivée Classical Model 38
Current Model Comparisons
Source: Larrivée web site December 2009
Introduction from the Larrivée Site
- This page contains the information which allows you to quickly compare multiple
models. Remember that every guitar we manufacture is hand-built, which means that they specs are the guidelines we use, but that the final specification may vary slightly.
Series Details
Feature Comparison
FEATURE |
-03
|
-05
|
-09
|
-10
|
-19
|
-50
|
-60
|
SD-50
|
SD-60
|
-30
|
All Solid Wood Construction |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Symetrical X Bracing |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
Hand Fit Dove Dail Neck Join |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Ebony Fingerboard |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Ebony Bridge |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
Single Piece Mahogany Neck |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Ivroid Fretboard Binding |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
Solid Wood Body Binding |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Limited Lifetime Warranty |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Abalone Rosette |
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
Satin Finish Neck |
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
Satin Finish Body |
•
|
|
|
|
|
|
|
|
|
|
Transparent Pickguard |
•
|
|
|
|
|
|
|
|
|
•
|
Exclusive Beveled Pickguard |
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
|
FEATURE |
-03
|
-05
|
-09
|
-10
|
-19
|
-50
|
-60
|
SD-50
|
SD-60
|
-30
|
Gloss Finish Body |
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
•
|
Mother of Pearl Logo |
|
•
|
•
|
•
|
|
•
|
•
|
•
|
•
|
|
Microdot fretboard Markers |
|
•
|
•
|
|
|
|
|
|
|
|
Abalone Soundboard Purfling |
|
|
|
•
|
|
|
|
|
|
|
Deluxe Fretboard Inlays |
|
|
|
•
|
|
|
|
|
|
|
Deluxe Bridge Wing Inlays |
|
|
|
•
|
•
|
|
|
|
|
|
Vine Fretboard Inlays |
|
|
|
|
•
|
|
|
|
|
|
Vine Headstock Inlays w/ Logo |
|
|
|
|
•
|
|
|
|
|
|
Open Back Stainless Steel Tuners |
|
|
|
|
|
•
|
•
|
|
|
|
Flat Top Headstock w/ Volute |
|
|
|
|
|
•
|
•
|
|
|
|
Pearl Diamond Fretboard Inlays |
|
|
|
|
|
•
|
•
|
•
|
•
|
|
Herringbone Soundboard Purfling |
|
|
|
|
|
•
|
•
|
•
|
•
|
|
Stainless Steel Side Mounted Tuners |
|
|
|
|
|
|
|
•
|
•
|
|
Slotted Headstock w/ Volute |
|
|
|
|
|
|
|
•
|
•
|
|
Symetrical Fan Bracing |
|
|
|
|
|
|
|
|
|
•
|
Rosewood Bridge |
|
|
|
|
|
|
|
|
|
•
|
Ebony Fretboard Binding |
|
|
|
|
|
|
|
|
|
•
|
Handmade Classical Tuners |
|
|
|
|
|
|
|
|
|
•
|
Classical Slotted Headstock |
|
|
|
|
|
|
|
|
|
•
|
Mosaic Rosette |
|
|
|
|
|
|
|
|
|
•
|
Nut Width Comparison
Model |
1 & 11/16"
|
1 & 3/4"
|
1 & 7/8"
|
2"
|
Dreadnoughts |
•
|
|||
Larrivee Bodies (All Series 6-String) |
•
|
|||
Orchestra Models (All Series 6-String) |
•
|
|||
Parlors |
•
|
|||
Slope Dreadnaughts |
•
|
|||
All Twelve Strings |
•
|
|||
Classical Guitars |
•
|
Older Model Comparisons
|
Parlor |
-02
Series |
-03
Series |
-04
Series |
-05
Series |
-09
Series |
-10
Series |
All
solid wood construction |
• |
• |
• |
• |
• |
• |
• |
Symmetrical
bracing |
• |
• |
• |
• |
• |
• |
• |
Hand-fit
dovetail neck joint |
• |
• |
• |
• |
• |
• |
• |
Ebony
fretboard & bridge |
• |
• |
• |
• |
• |
• |
• |
Single
piece mahogany neck |
• |
• |
• |
• |
• |
• |
• |
Transparent
pick guard |
• |
• |
• |
• |
• |
• |
• |
Composite
nut & saddle |
• |
• |
• |
• |
• |
• |
• |
Fretboard
binding |
• |
• |
• |
• |
• |
• |
• |
Limited
lifetime warranty |
• |
• |
• |
• |
• |
• |
• |
Satin
finish |
• |
• |
• |
|
|
|
|
Gloss
finish |
|
|
|
• |
• |
• |
• |
Wood
body binding |
|
|
|
|
• |
• |
• |
Inlaid
silver headstock border |
|
|
|
|
• |
• |
• |
Pearl
Larrivee headstock logo |
|
|
|
|
• |
• |
• |
Abalone
rosette |
|
|
|
|
• |
• |
• |
Deluxe
fretboard inlay |
|
|
|
|
|
|
• |
Abalone
purfling around top |
|
|
|
|
|
|
• |
Pearl
position markers |
|
|
|
|
|
|
• |
Construction - Internal Back Strip
- Jean’s first guitars had the internal back strip as mentioned. I believe he used it somewhere through to about 1983-84. If I remember correctly it stopped when we moved to North Vancouver. At the time the strip did serve to reinforce the back because we had a decorative strip of purfling down the center seem. When that purfling strip was removed from the design, the mahogany re-enforcement was no longer necessary.
- Fast forward to 2007 when we made the JCL re-issue guitars… We put the re-enforcement strip on these guitars because we added the purfling strip again. We looked at it and realized we liked the look of it inside the instrument and so we decided to put the strip on all of the glossy guitars in the California shop. The Canadian shop also puts the strips on -05 series and up guitars but does not put them on -03’s because of the added cost involved. We do sometimes add the strips to special run -03’s that we make in California.
- The strip is mostly decorative – It does help somewhat on extremely oily woods, but really the center seam join we do is so strong that it is un-necessary.
Source - Matthew Larrivée