Difference between revisions of "Preset 58"
m |
m |
||
| Line 11: | Line 11: | ||
Preset 58 is optimized for higher volume music. Some of the bass is boosted and some of the upper mids are reduced to have a more natural sound at these higher volumes. | Preset 58 is optimized for higher volume music. Some of the bass is boosted and some of the upper mids are reduced to have a more natural sound at these higher volumes. | ||
| + | |||
| + | |||
| + | ;Preset 57 | ||
| + | |||
| + | is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so. | ||
| + | |||
| + | [[Presets_2.0/Cliff_Notes#Prerecorded_Music|Source: Cliff-at-Bose]] | ||
---- | ---- | ||
[[Category:Presets]] | [[Category:Presets]] | ||
Revision as of 12:20, 14 June 2012
Preset #58 (High Volume Pre Recorded Music) is included in ToneMatch® Presets Version 3.0. For information about how to obtain it please see:
Preset 57 is optimized for low volume music. The low bass is boosted to better match the physics/psychoacoustics of our own auditory system.
Preset 58 is optimized for higher volume music. Some of the bass is boosted and some of the upper mids are reduced to have a more natural sound at these higher volumes.
- Preset 57
is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so.