Difference between revisions of "L1 Pro to S1 Pro+"
(Created page with "{{L1 Pro icon}} {{S1 Pro+ icon}} To connect an L1 Pro system to an {{S1 Pro+}} as a monitor or an extension to the L1 Pro #Use an XLR female to 1/4 inch (6.3 mm) Tip-Ring-Sle...") |
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#Use an XLR female to 1/4 inch (6.3 mm) Tip-Ring-Sleeve to connect the L1 Pro Line Out to the {{S1 Pro+}} input three. You can also connect to channels 1 or 2, but using channel 3 is preferred because this gives the best match to the output level of the L1 Pro. | #Use an XLR female to 1/4 inch (6.3 mm) Tip-Ring-Sleeve to connect the L1 Pro Line Out to the {{S1 Pro+}} input three. You can also connect to channels 1 or 2, but using channel 3 is preferred because this gives the best match to the output level of the L1 Pro. | ||
| − | #* Note: The L1 Pro Line Output (XLR) is LINE LEVEL so connect it to one of the S1 Pro 1/4 inch (6.3 mm) inputs. These are also LINE LEVEL. | + | #* Note: The L1 Pro Line Output (XLR) is LINE LEVEL, so connect it to one of the {{S1 Pro+}} 1/4 inch (6.3 mm) inputs. These are also LINE LEVEL. |
| − | #* The S1 Pro XLR inputs are MICROPHONE LEVEL, and the L1 Pro LINE LEVEL output | + | #* The S1 Pro XLR inputs are MICROPHONE LEVEL, and the L1 Pro LINE LEVEL output may be too hot for the XLR inputs. If the {{S1 Pro+}} input is clipping (RED LED), turn down the channel volume. |
| − | #Set the volume on the {{S1 Pro+}} to 10:00 o'clock and then adjust to suit the application. If you see solid red on the {{S1 Pro+}} turn down the channel volume. | + | #Set the volume on the {{S1 Pro+}} to 10:00 o'clock and then adjust it to suit the application. If you see solid red on the {{S1 Pro+}}, turn down the channel volume. |
;Note: | ;Note: | ||
| − | The L1 Pro Line Out is post-fader. | + | The L1 Pro Line Out is post-fader. It is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for {{ToneMatch Mixers}}). |
The Line Out is pre-System EQ. That is, the signal at the Line Out is flat. It is not affected by the setting of the System EQ switch. <ref>[https://www.facebook.com/groups/BoseL1/permalink/10159715041622446/?comment_id=10159715092547446 Craig Small - Bose]</ref> | The Line Out is pre-System EQ. That is, the signal at the Line Out is flat. It is not affected by the setting of the System EQ switch. <ref>[https://www.facebook.com/groups/BoseL1/permalink/10159715041622446/?comment_id=10159715092547446 Craig Small - Bose]</ref> | ||
Latest revision as of 12:08, 26 September 2024
To connect an L1 Pro system to an S1 Pro+ as a monitor or an extension to the L1 Pro
- Use an XLR female to 1/4 inch (6.3 mm) Tip-Ring-Sleeve to connect the L1 Pro Line Out to the S1 Pro+ input three. You can also connect to channels 1 or 2, but using channel 3 is preferred because this gives the best match to the output level of the L1 Pro.
- Note: The L1 Pro Line Output (XLR) is LINE LEVEL, so connect it to one of the S1 Pro+ 1/4 inch (6.3 mm) inputs. These are also LINE LEVEL.
- The S1 Pro XLR inputs are MICROPHONE LEVEL, and the L1 Pro LINE LEVEL output may be too hot for the XLR inputs. If the S1 Pro+ input is clipping (RED LED), turn down the channel volume.
- Set the volume on the S1 Pro+ to 10:00 o'clock and then adjust it to suit the application. If you see solid red on the S1 Pro+, turn down the channel volume.
- Note
The L1 Pro Line Out is post-fader. It is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for T4S/T8S ToneMatch® Mixers).
The Line Out is pre-System EQ. That is, the signal at the Line Out is flat. It is not affected by the setting of the System EQ switch. [1]
This applies to any L1 Pro system (L1 Pro8, L1 Pro16, L1 Pro32).
