Difference between revisions of "Template:T1 to Model I or Classic"

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=== Connection to {{Model I}} / {{Classic}} with Remote ===
 
=== Connection to {{Model I}} / {{Classic}} with Remote ===
If you want to use the PS1 Power Stand Channels 1 or 2 or 4, then you will want to connect the R1 Remote to the PS1 Power Stand.
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If you are using Channel 3 for the {{t1 nl}} AND you want to use the PS1 Power Stand Channels 1 or 2 or 4 for other inputs, then you will want to connect the R1 Remote to the PS1 Power Stand.
  
 
[[Image:T1toPS1withRemote.png]]
 
[[Image:T1toPS1withRemote.png]]
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MikeZ-at-Bose gave us some more insight<ref>MikeZ-at-Bose talking about [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/100102183?r=5671030415#5671030415 T1&trade; to Model I Connections]</ref>
 
MikeZ-at-Bose gave us some more insight<ref>MikeZ-at-Bose talking about [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/100102183?r=5671030415#5671030415 T1&trade; to Model I Connections]</ref>
  
Without getting too deep into technical stuff, with regards to the T1 the two ways to interface with a {{Model I}} are:
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Without getting too deep into technical stuff, with regards to the {{t1 nl}} the two ways to interface with a {{Model I}} are:
  
1.) The way we generally recommend - 1/4" out from the T1 into Ch 3/4 with the Level at '''4'''.
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1.) The way we generally recommend - 1/4" out from the {{t1 nl}} into Ch 3/4 with the Level at '''3'''.
  
 
2.) 1/4" balanced {{TRS}} from the T1 to XLR input of Ch 1/2. Of course this requires a TRS to XLR cable which most folks don't have lying around - but is a common studio connector available at GC etc.
 
2.) 1/4" balanced {{TRS}} from the T1 to XLR input of Ch 1/2. Of course this requires a TRS to XLR cable which most folks don't have lying around - but is a common studio connector available at GC etc.
  
Both ways are equal as long as your distance from the model I is less than 25 or 30 feet. Longer than that I would lean toward option #2.Method #1 allows you not to use a preset Channel on the model I.
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Both ways are equal as long as your distance from the {{Model I}} or {{Classic}} is less than 25 or 30 feet. Longer than that I would lean toward option #2.Method #1 allows you not to use a preset Channel on the model I.
  
 
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With this setting you will not distort or clip the Model 1 no matter what you do on the T1. You can even use the Model 1 without the remote.  
 
With this setting you will not distort or clip the Model 1 no matter what you do on the T1. You can even use the Model 1 without the remote.  
  
The {{T1}} controls are a heck of a lot faster then the R1 controls. There is no perceivable lag.  
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The {{T1}} controls are a heck of a lot faster then the R1 controls. There is no perceivable lag.
  
 
=== Input setting recommendation now '''3'''  ===
 
=== Input setting recommendation now '''3'''  ===

Revision as of 02:44, 22 May 2009

This Page Reviewed By Bose

Here are details on how to connect a T1 ToneMatch Audio Engine to a L1 Classic or L1 Model I

T1toPS1.png

Notes:


T1 This information is applicable to the T1 ToneMatch® audio engine
L1 Model I This information is applicable to the L1 Model I
Classic This information is applicable to the L1® Classic

The recommended setting for Channel 3 or Channel 4 Level is 3 (see below).

With this setting you will not distort or clip the Model 1 no matter what you do on the T1. You can even use the Model 1 without the remote. More on this later.

For these conditions:

Classic This information is applicable to the L1® Classic
L1 Model I This information is applicable to the L1 Model I

  • T1 ToneMatch® Audio Engine going into L1® Model I/L1® Classic into Channel 3/4
  • Balanced OR Unbalanced 1/4" cable
  • Remote unplugged, OR, master volume on Remote at 12 o clock
  • Proper gain staging required on the T1® itself

This will give you the same gain going into the L1® Model I/L1® Classic as if you were going through the ToneMatch® input on a L1 Model II.

If you are using the Remote on your L1® Model I/L1® Classic, then you will need to compensate a bit. If you are running the Remote master volume at max, then stick with 2 on Ch 3/4. When using a T1®, run the master volume of the R1 above 12 o'clock .


Connection to L1 Model I / L1 Classic with Remote

If you are using Channel 3 for the T1 ToneMatch® Audio Engine AND you want to use the PS1 Power Stand Channels 1 or 2 or 4 for other inputs, then you will want to connect the R1 Remote to the PS1 Power Stand.

T1toPS1withRemote.png



Excerpt from the T1 ToneMatch Audio Engine Manual - page 20 - Note: this recommended input setting is now 3. See the note above.

T12ModelI.png

With this setting you will not distort or clip the Model 1 no matter what you do on the T1. You can even use the Model 1 without the remote.

The T1 ToneMatch Audio Engine controls are a heck of a lot faster then the R1 controls. There is no perceivable lag.

Input setting recommendation now 3

MikeZ-at-Bose wrote[1] Bill-at-Bose and I have revisited this.

For these conditions:

Classic This information is applicable to the L1® Classic
L1 Model I This information is applicable to the L1 Model I

  • T1 ToneMatch® Audio Engine going into L1® Model I/L1® Classic into Channel 3/4
  • Balanced OR Unbalanced 1/4" cable
  • Remote unplugged, OR, master volume on Remote at 12 o clock
  • Proper gain staging required on the T1® itself

I'm going to revise the original recommendation of 2 for Ch 3/4 to 3 - under the above conditions.

This will give you the same gain going into the L1® Model I/L1® Classic as if you were going through the ToneMatch® input on a L1 Model II.

If you are using the Remote on your L1® Model I/L1® Classic, then you will need to compensate a bit. If you running the Remote master volume at max, then stick with 2 on Ch 3/4. I would recommend against running the master volume below 12 o'clock when using a T1®.


Hopefully this is helpful - please ask away with any questions for clarification.

MikeZ