Difference between revisions of "Larrivée Guitar Models"

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=== Older Model Comparisons ===
 
=== Older Model Comparisons ===
 
{{:Larrivée Feature Comparison Archive}}
 
{{:Larrivée Feature Comparison Archive}}
 +
 +
=== Construction - Internal Back Strip ===
 +
:Jean’s first guitars had the internal back strip as mentioned. I believe he used it somewhere through to about 1983-84. If I remember correctly it stopped when we moved to North Vancouver. At the time the strip did serve to reinforce the back because we had a decorative strip of purfling down the center seem. When that purfling strip was removed from the design, the mahogany re-enforcement was no longer necessary.
 +
 +
:Fast forward to 2007 when we made the JCL re-issue guitars… We put the re-enforcement strip on these guitars because we added the purfling strip again. We looked at it and realized we liked the look of it inside the instrument and so we decided to put the strip on all of the glossy guitars in the California shop. The Canadian shop also puts the strips on -05 series and up guitars but does not put them on -03’s because of the added cost involved. We do sometimes add the strips to special run -03’s that we make in California.
 +
 +
:The strip is mostly decorative – It does help somewhat on extremely oily woods, but really the center seam join we do is so strong that it is un-necessary.
 +
 +
Source - [http://www.larriveeforum.com/smf/index.php?topic=33670.msg309597#msg309597 Matthew Larrivée]
  
 
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[[Category:Larrivee]]
 
[[Category:Larrivee]]

Revision as of 11:09, 9 September 2010

Body Styles

Overview

LarriveeBodyPaths.gif

More details below

B - Bass

  • Lower Bout: 17"
  • Upper Bout: 12.5"
  • Waist: 10.75"
  • Depth: 4.75"
  • Scale Length: 34"
  • Nut Width: 1 & 3/4"" (44.3mm or 1.75")
  • Length 20 5/8"

D - Dreadnought

  • Lower Bout · 16”
  • Upper Bout · 11.875”
  • Waist · 10.875”
  • Depth · 5”
  • Overall Length · 41”
  • Scale Length · 25.5”

J - Jumbo

  • Lower Bout · 17"
  • Upper Bout · 12.5"
  • Waist · 10.75"
  • Depth · 4.75" - 4.875"
  • Scale Length · 25.5"
  • Nut Width · 1 & 3/4"" (44.3mm or 1.75")
  • Scale Length · 25.5”
  • Length · 20 5/8"

L - Larrivée Body

  • Lower Bout · 16”
  • Upper Bout · 11.625”
  • Waist · 10.25”
  • Depth · 4.75”
  • Overall Length · 40.75”
  • Scale Length · 25.5”

LJ-body or CJ-body

  • Lower Bout: 17"
  • Upper Bout: 12.5"
  • Waist: 10.75"
  • Depth: 4.75"
  • Scale Length: 25.5"
  • Nut Width: 1 & 3/4"" (44.3mm or 1.75")
  • Length 20 5/8"

LS - Larrivée Small Body

  • Lower Bout · 15”
  • Upper Bout · 11.875“
  • Waist · 9.75”
  • Depth · 4.25”
  • Overall Length · 40.5”
  • Scale Length · 25.5”

LSV - Larrivée Small Body - Venetian Cutaway

  • Lower Bout · 15.125”
  • Upper Bout · 11.375“
  • Waist · 9.75”
  • Depth · 4.125”
  • Overall Length · ___ ”
  • Scale Length · 24.75”
  • Fretboard Radious: 16-21" Compound
  • Setup for Medium Gauge Strins
  • Frets: Nickel Silver
  • Frets Width: 2.5 mm (0.0985")
  • Frets Height 1.0mm (0.0394")
  • Gloss UV Finish Body & Neck

OM - Orchestra Model

  • Lower Bout · 15.25”
  • Upper Bout · 11.75”
  • Waist · 9.5”
  • Depth · 4.25”
  • Overall Length · 40.5”
  • Scale Length · 25.5”

OO Body

  • Lower Bout: 14"
  • Upper Bout: 10"
  • Waist: 8.25"
  • Depth: 4"
  • Scale Length: 25.5",
  • 12 fret to body
  • Nut Width: 1 & 3/4"" (44.3mm or 1.75")
  • Body Length 19-1/8"

P - Parlor

  • Lower Bout · 13.25”
  • Upper Bout · 9.5“
  • Waist · 7.75”
  • Depth · 4.5”
  • Overall Length · 36.75”
  • Scale Length · 24”

SD - Slope Dreadnaught

  • Lower Bout · 15”
  • Upper Bout · 11.25“
  • Waist · 10.5”
  • Depth · 4.875”
  • Overall Length · 40.5”
  • Scale Length · 25.5”

Classical

  • Lower Bout · 15”
  • Upper Bout · 11.875“
  • Waist · 9.75”
  • Depth · 4.25”
  • Overall Length · 40.5”
  • Scale Length · 660 mm (approximately 26”)
  • Nut Width: 2"
LS-30 Classical

Example: Larrivée Classical Model 38

Current Model Comparisons

Source: Larrivée web site December 2009

Introduction from the Larrivée Site

This page contains the information which allows you to quickly compare multiple

models. Remember that every guitar we manufacture is hand-built, which means that they specs are the guidelines we use, but that the final specification may vary slightly.

Series Details

Feature Comparison


FEATURE
-03
-05
-09
-10
-19
-50
-60
SD-50
SD-60
-30
All Solid Wood Construction
Symetrical X Bracing
 
Hand Fit Dove Dail Neck Join
Ebony Fingerboard
Ebony Bridge
 
Single Piece Mahogany Neck
Ivroid Fretboard Binding
 
Solid Wood Body Binding
Limited Lifetime Warranty
Abalone Rosette  
 
Satin Finish Neck
 
Satin Finish Body
 
 
 
 
 
 
 
 
 
Transparent Pickguard
 
 
 
 
 
 
 
 
Exclusive Beveled Pickguard  
 

FEATURE
-03
-05
-09
-10
-19
-50
-60
SD-50
SD-60
-30
Gloss Finish Body  
Mother of Pearl Logo  
 
 
Microdot fretboard Markers  
 
 
 
 
 
 
 
Abalone Soundboard Purfling  
 
 
 
 
 
 
 
 
Deluxe Fretboard Inlays  
 
 
 
 
 
 
 
 
Deluxe Bridge Wing Inlays  
 
 
 
 
 
 
 
Vine Fretboard Inlays  
 
 
 
 
 
 
 
 
Vine Headstock Inlays w/ Logo  
 
 
 
 
 
 
 
 
Open Back Stainless Steel Tuners  
 
 
 
 
 
 
 
Flat Top Headstock w/ Volute  
 
 
 
 
 
 
 
Pearl Diamond Fretboard Inlays  
 
 
 
 
 
Herringbone Soundboard Purfling  
 
 
 
 
 
Stainless Steel Side Mounted Tuners  
 
 
 
 
 
 
 
Slotted Headstock w/ Volute  
 
 
 
 
 
 
 
Symetrical Fan Bracing  
 
 
 
 
 
 
 
 
Rosewood Bridge  
 
 
 
 
 
 
 
 
Ebony Fretboard Binding  
 
 
 
 
 
 
 
 
Handmade Classical Tuners  
 
 
 
 
 
 
 
 
Classical Slotted Headstock  
 
 
 
 
 
 
 
 
Mosaic Rosette  
 
 
 
 
 
 
 
 
                     


Nut Width Comparison

Model
1 & 11/16"
1 & 3/4"
1 & 7/8"
2"
Dreadnoughts
     
Larrivee Bodies (All Series 6-String)  
   
Orchestra Models (All Series 6-String)  
   
Parlors  
   
Slope Dreadnaughts    
 
All Twelve Strings    
 
Classical Guitars      


Older Model Comparisons

Source: Webarchive

 

 

Parlor

-02 Series

-03 Series

-04 Series

-05 Series

-09 Series

-10 Series

All solid wood construction

Symmetrical bracing

Hand-fit dovetail neck joint

Ebony fretboard & bridge

Single piece mahogany neck

Transparent pick guard

Composite nut & saddle

Fretboard binding

Limited lifetime warranty

Satin finish

 

 

 

 

Gloss finish

 

 

 

Wood body binding

 

 

 

 

Inlaid silver headstock border

 

 

 

 

Pearl Larrivee headstock logo

 

 

 

 

Abalone rosette

 

 

 

 

Deluxe fretboard inlay

 

 

 

 

 

 

Abalone purfling around top

 

 

 

 

 

 

Pearl position markers

 

 

 

 

 

 



Construction - Internal Back Strip

Jean’s first guitars had the internal back strip as mentioned. I believe he used it somewhere through to about 1983-84. If I remember correctly it stopped when we moved to North Vancouver. At the time the strip did serve to reinforce the back because we had a decorative strip of purfling down the center seem. When that purfling strip was removed from the design, the mahogany re-enforcement was no longer necessary.
Fast forward to 2007 when we made the JCL re-issue guitars… We put the re-enforcement strip on these guitars because we added the purfling strip again. We looked at it and realized we liked the look of it inside the instrument and so we decided to put the strip on all of the glossy guitars in the California shop. The Canadian shop also puts the strips on -05 series and up guitars but does not put them on -03’s because of the added cost involved. We do sometimes add the strips to special run -03’s that we make in California.
The strip is mostly decorative – It does help somewhat on extremely oily woods, but really the center seam join we do is so strong that it is un-necessary.

Source - Matthew Larrivée