Larrivée Guitar Models

2012 45th Anniversary Model

Larrivée 45th Anniversary Model

Body Styles

Overview

More details below

B - Bass

• Lower Bout: 17"
• Upper Bout: 12.5"
• Waist: 10.75"
• Depth: 4.75"
• Scale Length: 34"
• Nut Width: 1 & 3/4" (44.3mm or 1.75")
• Length 20 5/8"

D - Dreadnought

• Lower Bout · 16”
• Upper Bout · 11.875”
• Waist · 10.875”
• Depth · 5”
• Overall Length · 41”
• Scale Length · 25.5”
• Nut Width: 1 & 11/16"

J - Jumbo

• Lower Bout · 17"
• Upper Bout · 12.5"
• Waist · 10.75"
• Depth · 4.75" - 4.875"
• Scale Length · 25.5"
• Nut Width · 1 & 3/4" (44.3mm or 1.75")
• Scale Length · 25.5”
• Length · 20 5/8"

L - Larrivée Body

• Lower Bout · 16”
• Upper Bout · 11.625”
• Waist · 10.25”
• Depth · 4.75”
• Overall Length · 40.75”
• Scale Length · 25.5”
• Nut Width: 1 & 3/4" (44.3mm or 1.75")

LJ-body or CJ-body

• Lower Bout: 17"
• Upper Bout: 12.5"
• Waist: 10.75"
• Depth: 4.75"
• Scale Length: 25.5"
• Nut Width: 1 & 3/4" (44.3mm or 1.75")
• Length 20 5/8"

LS - Larrivée Small Body

• Lower Bout · 15”
• Upper Bout · 11.875“
• Waist · 9.75”
• Depth · 4.25”
• Overall Length · 40.5”
• Scale Length · 25.5”
• Nut Width: 1 & 3/4" (44.3mm or 1.75")

LSV - Larrivée Small Body - Venetian Cutaway

• Lower Bout · 15.125”
• Upper Bout · 11.375“
• Waist · 9.75”
• Depth · 4.125”
• Overall Length · ___ ”
• Scale Length · 24.75”
• Nut Width: 1 & 3/4" (44.3mm or 1.75")
• Fretboard Radious: 16-21" Compound
• Setup for Medium Gauge Strings
• Frets: Nickel Silver
• Frets Width: 2.5 mm (0.0985")
• Frets Height 1.0mm (0.0394")
• Gloss UV Finish Body & Neck

• Source: LSV11]

OM - Orchestra Model

• Lower Bout · 15.25”
• Upper Bout · 11.75”
• Waist · 9.5”
• Depth · 4.25”
• Overall Length · 40.5”
• Scale Length · 25.5”
• Nut Width: 1 & 3/4" (44.3mm or 1.75")

OO Body

• Lower Bout: 14"
• Upper Bout: 10"
• Waist: 8.25"
• Depth: 4"
• Scale Length: 25.5",
• 12 fret to body
• Nut Width: 1 & 3/4" (44.3mm or 1.75")
• Body Length 19-1/8"

P - Parlor

• Lower Bout · 13.25”
• Upper Bout · 9.5“
• Waist · 7.75”
• Depth · 4.5”
• Overall Length · 36.75”
• Scale Length · 24”

SD - Slope Dreadnaught

• Lower Bout · 15”
• Upper Bout · 11.25“
• Waist · 10.5”
• Depth · 4.875”
• Overall Length · 40.5”
• Scale Length · 25.5”

Classical

• Lower Bout · 15”
• Upper Bout · 11.875“
• Waist · 9.75”
• Depth · 4.25”
• Overall Length · 40.5”
• Scale Length · 660 mm (approximately 26”)
• Nut Width: 2"

LS-30 Classical

Example: Larrivée Classical Model 38

Current Model Comparisons

Source: Larrivée web site December 2009

Introduction from the Larrivée Site

This page contains the information which allows you to quickly compare multiple

models. Remember that every guitar we manufacture is hand-built, which means that they specs are the guidelines we use, but that the final specification may vary slightly.

Series Details

Feature Comparison

FEATURE	-03	-05	-09	-10	-19	-50	-60	SD-50	SD-60	-30
All Solid Wood Construction	•	•	•	•	•	•	•	•	•	•
Symetrical X Bracing	•	•	•	•	•	•	•	•	•
Hand Fit Dove Dail Neck Join	•	•	•	•	•	•	•	•	•	•
Ebony Fingerboard	•	•	•	•	•	•	•	•	•	•
Ebony Bridge	•	•	•	•	•	•	•	•	•
Single Piece Mahogany Neck	•	•	•	•	•	•	•	•	•	•
Ivroid Fretboard Binding	•	•	•	•	•	•	•	•	•
Solid Wood Body Binding	•	•	•	•	•	•	•	•	•	•
Limited Lifetime Warranty	•	•	•	•	•	•	•	•	•	•
Abalone Rosette		•	•	•	•	•	•	•	•
Satin Finish Neck	•	•	•	•	•	•	•	•	•
Satin Finish Body	•
Transparent Pickguard	•									•
Exclusive Beveled Pickguard		•	•	•	•	•	•	•	•
FEATURE	-03	-05	-09	-10	-19	-50	-60	SD-50	SD-60	-30
Gloss Finish Body		•	•	•	•	•	•	•	•	•
Mother of Pearl Logo		•	•	•		•	•	•	•
Microdot fretboard Markers		•	•
Abalone Soundboard Purfling				•
Deluxe Fretboard Inlays				•
Deluxe Bridge Wing Inlays				•	•
Vine Fretboard Inlays					•
Vine Headstock Inlays w/ Logo					•
Open Back Stainless Steel Tuners						•	•
Flat Top Headstock w/ Volute						•	•
Pearl Diamond Fretboard Inlays						•	•	•	•
Herringbone Soundboard Purfling						•	•	•	•
Stainless Steel Side Mounted Tuners								•	•
Slotted Headstock w/ Volute								•	•
Symetrical Fan Bracing										•
Rosewood Bridge										•
Ebony Fretboard Binding										•
Handmade Classical Tuners										•
Classical Slotted Headstock										•
Mosaic Rosette										•

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Nut Width Comparison

Model	1 & 11/16"	1 & 3/4"	1 & 7/8"	2"
Dreadnoughts	•
Larrivee Bodies (All Series 6-String)		•
Orchestra Models (All Series 6-String)		•
Parlors		•
Slope Dreadnaughts			•
All Twelve Strings			•
Classical Guitars				•

Older Model Comparisons

Source: Webarchive

	Parlor	-02 Series	-03 Series	-04 Series	-05 Series	-09 Series	-10 Series
All solid wood construction	•	•	•	•	•	•	•
Symmetrical bracing	•	•	•	•	•	•	•
Hand-fit dovetail neck joint	•	•	•	•	•	•	•
Ebony fretboard & bridge	•	•	•	•	•	•	•
Single piece mahogany neck	•	•	•	•	•	•	•
Transparent pick guard	•	•	•	•	•	•	•
Composite nut & saddle	•	•	•	•	•	•	•
Fretboard binding	•	•	•	•	•	•	•
Limited lifetime warranty	•	•	•	•	•	•	•
Satin finish	•	•	•
Gloss finish				•	•	•	•
Wood body binding					•	•	•
Inlaid silver headstock border					•	•	•
Pearl Larrivee headstock logo					•	•	•
Abalone rosette					•	•	•
Deluxe fretboard inlay							•
Abalone purfling around top							•
Pearl position markers							•

Finishes

The first guitars were sprayed with hot laquer, and around '84 we changed to a modified Polyurethane varnish - Great stuff. We used that up until around 1995 (I think) when we started messing with Crown Metro's UV polyester. There were problems with crown metro and eventually we ended up using the MCfadden UV polyester. Mcfadden recently went bankrupt and we have switched to a new UV finish - which is relatively problem free and made locally in California.

The modified polyurethane was catalyzed. Up until 2 months ago the UV was not catalyzed. Now the UV is dual cured with partial catalyzation with cobalt & peroxide, and UV light.

Source: Matthew Larrivée October 2010

Construction - Internal Back Strip

Jean’s first guitars had the internal back strip [as mentioned]. I believe he used it somewhere through to about 1983-84. If I remember correctly it stopped when we moved to North Vancouver. At the time the strip did serve to reinforce the back because we had a decorative strip of purfling down the center seem. When that purfling strip was removed from the design, the mahogany re-enforcement was no longer necessary.

Fast forward to 2007 when we made the JCL re-issue guitars… We put the re-enforcement strip on these guitars because we added the purfling strip again. We looked at it and realized we liked the look of it inside the instrument and so we decided to put the strip on all of the glossy guitars in the California shop. The Canadian shop also puts the strips on -05 series and up guitars but does not put them on -03’s because of the added cost involved. We do sometimes add the strips to special run -03’s that we make in California.

The strip is mostly decorative – It does help somewhat on extremely oily woods, but really the center seam join we do is so strong that it is un-necessary.

Source - Matthew Larrivée

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