Difference between revisions of "Talk:Introducing Performers to the Bose System"
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| − | + | :You can't make that point enough, emphasizing that what you hear on stage is what the audience hears. | |
and replaced it with the link [[Hearing the Same Thing|same sound source]] (synonym for [[Hearing the Same Thing]]). The great advice about mixing the ensemble, I'd save until later. At the very first introduction to the System I'm just trying to explain some obvious differences between the {{L1}} approach and other systems. | and replaced it with the link [[Hearing the Same Thing|same sound source]] (synonym for [[Hearing the Same Thing]]). The great advice about mixing the ensemble, I'd save until later. At the very first introduction to the System I'm just trying to explain some obvious differences between the {{L1}} approach and other systems. | ||
I moved this | I moved this | ||
| − | + | :If you can't hear the vocals, turn down. If it's your solo, be above the rest of the band. You can explain that it's like mixing an album live. Or, that it's like an old school acoustic jam but much louder. | |
a little lower in the page into the new section called [[Introducing Performers to the Bose System#Mixing_Live|Mixing Live]] | a little lower in the page into the new section called [[Introducing Performers to the Bose System#Mixing_Live|Mixing Live]] | ||
[[User:ST|ST]] 22:44, 23 November 2006 (GMT-7) | [[User:ST|ST]] 22:44, 23 November 2006 (GMT-7) | ||
Latest revision as of 14:52, 19 November 2012
Hearing the Same Thing
I frequently say that everyone is listening to the same sound source, but I NEVER say "Everyone is hearing the same thing".
It is true that if there is only one point of amplified sound for each performer, everyone (performer, other performers, audience) are all listening to the same sound source. But because of room acoustics, what is heard may be different depending on where you are in the listening area. Acoustics vary because of one's position in a room (proximity to sound sources, nodes, anti-nodes, boundaries, Bass Regeneration and Psychoacoustics).
See Hearing the Same Thing for more.
I took this out
- You can't make that point enough, emphasizing that what you hear on stage is what the audience hears.
and replaced it with the link same sound source (synonym for Hearing the Same Thing). The great advice about mixing the ensemble, I'd save until later. At the very first introduction to the System I'm just trying to explain some obvious differences between the L1 approach and other systems.
I moved this
- If you can't hear the vocals, turn down. If it's your solo, be above the rest of the band. You can explain that it's like mixing an album live. Or, that it's like an old school acoustic jam but much louder.
a little lower in the page into the new section called Mixing Live
ST 22:44, 23 November 2006 (GMT-7)