|
|
Line 26: |
Line 26: |
| ---- | | ---- |
| <references/> | | <references/> |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− |
| |
− | <div style="display:none">
| |
− | [l_sp_31]
| |
− | [http://neil-young-live-at-massey-hall.ocom.pl Neil Young Live at Massey Hall]
| |
− | [http://billy-currington-doin-somethin-right.ocom.pl Billy Currington Doing Something Right]
| |
− | [http://rodney-atkins-if-you-re-going-through-hell.ocom.pl Rodney Atkins If You are Going Through Hell]
| |
− | [http://brad-paisley-time-well-wasted.ocom.pl Brad Paisley Time Well Wasted]
| |
− | [http://stevie-nicks-crystal-visions-the-very-best-of-s.ocom.pl Stevie Nicks Crystal Visions The Very Best of Stevie Nicks]
| |
− | [http://dixie-chicks-taking-the-long-way.ocom.pl Dixie Chicks Taking the Long Way]
| |
− | [http://jennifer-lopez-como-ama-una-mujer.ocom.pl Jennifer Lopez Como Ama una Mujer]
| |
− | [http://dierks-bentley-long-trip-alone.ocom.pl Dierks Bentley Long Trip Alone]
| |
− | [http://elliott-yamin-elliott-yamin.ocom.pl Elliott Yamin Elliott Yamin]
| |
− | [http://gym-class-heroes-as-cruel-as-school-children.ocom.pl Gym Class Heroes As Cruel as School Children]
| |
− | [http://buckcherry-15.ocom.pl Buckcherry 15]
| |
− | [http://vicente-fernandez-la-historia-de-un-idolo.ocom.pl Vicente Fernandez La Historia de un Idolo]
| |
− | [http://ciara-the-evolution.ocom.pl Ciara The Evolution]
| |
− | [http://donny-osmond-love-songs-of-the-70-s.ocom.pl Donny Osmond Love Songs of the 70s]
| |
− | [http://the-fall-of-troy-manipulator.ocom.pl The Fall Of Troy Manipulator]
| |
− | [http://killers-sam-s-town.ocom.pl Killers Sams Town]
| |
− | [http://keith-urban-love-pain-and-the-whole-crazy-thing.ocom.pl Keith Urban Love, Pain and the Whole Crazy Thing]
| |
− | [http://young-jeezy-the-inspiration-thug-motivation-102.ocom.pl Young Jeezy The Inspiration Thug Motivation 102]
| |
− | [http://lily-allen-alright-still.ocom.pl Lily Allen Alright Still]
| |
− | [http://chevelle-vena-sera.ocom.pl Chevelle Vena Sera]
| |
− | [http://30-seconds-to-mars-a-beautiful-lie.ocom.pl 30 seconds to Mars A Beautiful Lie]
| |
− | [http://aaron-shust-anything-worth-saying.ocom.pl Aaron Shust Anything Worth Saying]
| |
− | [http://the-red-jumpsuit-apparatus-don-t-you-fake-it.ocom.pl The Red Jumpsuit Apparatus Dont You Fake It]
| |
− | [http://angelique-kidjo-djin-djin.ocom.pl Angelique Kidjo Djin Djin]
| |
− | [http://mims-music-is-my-savior.ocom.pl MIMS Music Is My Savior]
| |
− | [http://bright-eyes-cassadaga.ocom.pl Bright Eyes Cassadaga]
| |
− | [http://soundtrack-disney-mania-5.ocom.pl Soundtrack Disney Mania 5]
| |
− | [http://breaking-benjamin-phobia.ocom.pl Breaking Benjamin Phobia]
| |
− | [http://josh-groban-awake.ocom.pl Josh Groban Awake]
| |
− | [http://sugarland-enjoy-the-ride.ocom.pl Sugarland Enjoy the Ride]
| |
− | [http://larry-the-cable-guy-the-right-to-bare-arms.ocom.pl Larry The Cable Guy The Right to Bare Arms]
| |
− | [http://john-mayer-continuum.ocom.pl John Mayer Continuum]
| |
− | [http://il-divo-siempre.ocom.pl Il Divo Siempre]
| |
− | [http://hilary-duff-dignity.ocom.pl Hilary Duff Dignity]
| |
− | [http://miranda-lambert-crazy-ex-girlfriend.ocom.pl Miranda Lambert Crazy Ex Girlfriend]
| |
− | [http://blake-shelton-pure-bs.ocom.pl Blake Shelton Pure BS]
| |
− | [http://robin-thicke-the-evolution-of-robin--thicke.ocom.pl Robin Thicke The Evolution of Robin Thicke]
| |
− | </div>
| |
Out-of-Phase Overheads
Originally posted by Cliff-at-Bose: in Out of Phase Overheads [1]
These are not "overheads" but 57's placed below the cymbals and above the top heads of a small kit. The mics are wired out of phase, basically 2 and 3 reversed on an XLR. There's lots written about this on our forum. But the basic idea is that the pair will cancel onstage bass but pick up local instruments on the kit, in an effort to reduce rebroadcasting onstage bass from the drum mics. This way we get a stronger signal than typical overheads and cleaner bass onstage. To "mix" these, just move the mics closer to the instrument you want to emphasize. Typical setup is on either side of the snare facing the snare. Snare is everywhere and there is no need to put a mic directly on it. It's actually pretty easy to set up and adjust, moving the mics around for a good kit mix. With 3 mics and only 2 inputs on the PS1, we get a really nice amplified sound for our shows. I listened to the output of the pair recently (multitrack recordings of a recent show) and the cancelling thing really works great. Give it a try.
Hilmar-at-Bose talks about Wiring Two SM57s with a Y cord [2]
Here's the nerds view.
Wiring the the two mics out of phase creates essentially a "dipole". Everything that is in the middle (i.e. equal distance) between the two microphones will get equally but out-of-phase so it cancels when the two microphone signals are summed together. In essence it creates a "blind spot" for the microphones for whatever is right in the middle plane. For the drums, that's mainly the kick (as Larry pointed out) and also the drummer (when he/she is hemming and hawing, squeaking with the chair, yelling about or in general having a grand old time).
Another nice trick is to place the L1 that gets the mic signal somewhere the middle plane of the microphones. This drastically reduces potential for feedback and unwanted regeneration.
Sound sources that are significantly closer to any one of the microphones are not much affected by the whole procedure.
the original discussion ← is highly recommended.