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• T1 Compatibility With L1 Pro Systems
  ...r Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources. ...a proprietary connection for legacy L1 products which allows them to carry other data such as firmware updates. The T4S and T8S ToneMatch mixers use an upda
  3 KB (441 words) - 20:35, 8 December 2021
• Bose L1 Pro for Singer/Songwriter/Electric Guitarist
  My views on the new L1 Pro line are different when considering other applications. ...The big difference is the weight of the power stand. By comparison to the other units, it's a hefty 41 pounds. You can forgive this though. The bass output
  7 KB (1,193 words) - 21:40, 14 June 2021
• Gibson Howard Roberts Artist
  ...model, the original Howard Roberts was discontinued in 1969 along with all other USA-made Epiphone models. In 1974 Gibson brought back the Howard Roberts mo ...erts (who recorded the themes for the Munsters, the Twilight Zone and many other TV classics), this signature model was originally built as an Epiphone in t
  4 KB (575 words) - 08:23, 4 April 2021
• Is Your Repertoire Defined by Your Memory?
  I had lunch the other day with a dear friend, a career musician, performer, teacher, adjudicator, It was an interesting talk in other ways.
  6 KB (1,036 words) - 21:08, 4 May 2021
• Sub1/Sub2
  Use the Sub1 or Sub 2 bass modules with other PA systems (e.g., Bose S1 Pro or third-party systems) Although the comparisons are approximate and this assumes that other variables like input power are similar:
  6 KB (935 words) - 20:29, 5 December 2023
• Sennheiser EW IEM G4
  ...aware that there may be a small amount of bleed from one channel into the other during quiet passages. The other hiss that is sometimes noticed is the internal workings of the unit itself.
  5 KB (854 words) - 20:31, 17 April 2022
• Sennheiser MD 445
  [[Category:Other]] See how it [[Review_/_Microphone_/_Various#Dynamic|compares with other dynamic microphones in my microphone shootout]].
  3 KB (437 words) - 22:12, 24 September 2023
• Line 6 Helix to L1 Pro
  [[Category:Other]] This leaves inputs 1 and 2 open for other inputs.
  3 KB (516 words) - 01:51, 5 January 2023
• Kemper Profiler to L1 Pro
  [[Category:Other]] This leaves inputs 1 and 2 open for other inputs.
  5 KB (706 words) - 01:49, 5 January 2023
• Presets 2.0/Cliff Notes
  ...aged spectral response of 12” guitar speakers and is useful in many ways other than guitar. (Use your ears). Basically it bumps up around 2KHz and rolls o ...z bandpass) is just for us. We get one, you get 98. You come first. On the other hand, this might be a good bongo drum preset, you never know.
  10 KB (1,572 words) - 16:16, 21 January 2024
• Mixer to L1 Pro
  [[Category:Other]] Connect the mixer Right Output to the other L1 Pro input 3 using the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jack.
  4 KB (677 words) - 00:26, 29 February 2024
• Bass Frequencies
  In fact our B1 goes actually deeper than most other bass cabinets. But it does stop at 40 Hz and does so very abruptly. You wil
  2 KB (444 words) - 13:45, 22 August 2006
• Mixer Outline Template
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (372 words) - 02:49, 21 December 2008
• Mixer / Numark / CDMix-2
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (374 words) - 03:14, 21 December 2008
• Mixer / Behringer / UB1222FX-Pro
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (392 words) - 02:59, 21 December 2008
• Mixer / Alesis / MultiMix 8USB
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs. '''
  1 KB (173 words) - 02:43, 21 December 2008
• Effects for the PS1 Powerstand
  ...(stereo) 1/4” connector on one side and 2 mono 1/4” connectors on the other side.
  4 KB (675 words) - 11:34, 8 July 2010
• Stage Layouts / Model I & Classic / Two Systems
  ...performers at the outer edges of the stage are having trouble hearing each other, try adjusting the position of the {{L1 nl}}s. Moving the {{L1 nl}}s toward
  968 bytes (142 words) - 12:19, 24 November 2010
• Stage Layouts / Four Systems
  ...in front of their Systems. This lets them turn up the volume and hear each other.
  2 KB (302 words) - 19:11, 4 January 2009
• Comb Filtering
  ...entical (or nearly identical) signals, one delayed in time relative to the other, are added. Depending on the delay time, the resulting summed signal can so
  753 bytes (106 words) - 11:51, 29 September 2007

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