Difference between revisions of "How Not To Hear What You've Got"

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I assumed that the problems I was hearing were in the Bose System.  
 
I assumed that the problems I was hearing were in the Bose System.  
  
I eventually realized that most of what I had been doing was compensating of problems that simply ceased to be issues with the new System. It was like sprinting with crutches after the broken leg had healed.
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I eventually realized that most of what I had been doing was compensating for problems that simply ceased to be issues with the new System. It was like sprinting with crutches after the broken leg had healed.
  
 
=== Mistake: Effects ===
 
=== Mistake: Effects ===
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==== Result ====
 
==== Result ====
I could now hear the problems being introduced in that chain and found greater presence and clarity by simplifying and drying out the sound. (dialing back a lot on the reverb and delays).
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I could now hear the problems being introduced in that chain and found greater presence and clarity by simplifying and drying out the sound. (dialling back a lot on the reverb and delays).
  
 
=== Mistake: My old Bass Preamp ===
 
=== Mistake: My old Bass Preamp ===

Revision as of 11:12, 19 January 2007

This is a few words of advise about getting to know your new L1 .

The Simple Version

In typical A/B comparisons we try to leave everything the same except for the one critical factor we are comparing.

If you want to compare your sound with/without the Bose System, then compare:

  • Your entire (old) signal chain (everything after the source to the listeners' ears)

to

  • The Bose System (just the source plus the Bose System).

The Back Story

When I got my L1 System I was anxious to hear it and compare it to what I had laying around here. I wanted to be fairly scientific about the comparisons and in some cases, completely missed the point.

Don't

  • Just make the Bose System the last step in your signal chain. That is... do what you've been doing before and take that last cord that would have gone to a mixer or power amp and put it into one of the inputs on the Bose System.

Do

Think of the Bose System as your entire signal chain, (this is a lot simpler), and then listen. That is:

  • Just take your input (a mic is a good place to start) ,
  • Choose the appropriate preset on Channel 1
  • Set the gain (see the manual)
  • Turn up the volume and listen
  • Work the tone controls on the Remote to tweak what you hear

If you want to add effects or processors add them one at a time and listen carefully at each step along the way.

Mistakes/Corrections I made along the way

Mistake: Assumed the L1 was like any other PA

I plugged the last output from my chain of vocal effects into the Bose System

Result

Every flaw and over compensation in my old signal chain was amplified flawlessly. I assumed that the problems I was hearing were in the Bose System.

I eventually realized that most of what I had been doing was compensating for problems that simply ceased to be issues with the new System. It was like sprinting with crutches after the broken leg had healed.

Mistake: Effects

I plugged outboard compression, EQ, and other compensatory devices into the L1 . The result - same as above: Every flaw and over compensation in my old signal chain was amplified flawlessly.

I assumed that the problems I was hearing were in the Bose System. I have since dropped all that other gear. It is just no longer necessary.

Mistake: Guitar Effects

I ran my Guitars through my old chain of effects.

Result

I could now hear the problems being introduced in that chain and found greater presence and clarity by simplifying and drying out the sound. (dialling back a lot on the reverb and delays).

Mistake: My old Bass Preamp

Ran my Bass through my old Bass preamp. Found that running the Bass directly into Channel 1 or 2 sounded much better.