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• Balanced vs Unbalanced
  When talking about cables the terms Stereo, Mono, Balanced, Unbalanced refer to applications (how a cable is being used). ...end up with poor results. For example, if you connect a stereo signal to a balanced input, you may hear very little, or just effects with none of the original
  8 KB (1,267 words) - 16:43, 7 February 2023
• XLR Male to 1/4 TRS Balanced Cable
  [[Image:XLR Male to TRS.jpg|200px|TRS Male to XLR Male balanced cable]]
  248 bytes (40 words) - 14:11, 13 March 2008
• Balanced and Unbalanced
  {{:Balanced vs Unbalanced}}
  27 bytes (3 words) - 10:03, 19 March 2015

Page text matches

• Balanced vs Unbalanced
  When talking about cables the terms Stereo, Mono, Balanced, Unbalanced refer to applications (how a cable is being used). ...end up with poor results. For example, if you connect a stereo signal to a balanced input, you may hear very little, or just effects with none of the original
  8 KB (1,267 words) - 16:43, 7 February 2023
• PS1 Powerstand Connections
  ...uts are either balanced (three conductors) or unbalanced (two conductors). Balanced signals have the potential to be more resistant to hum and noise. * XLR, male (prongs) and female (receptacles for prongs), usually balanced
  4 KB (654 words) - 09:36, 5 November 2010
• T1 ToneMatch® Audio Engine / 1/4 inch Output Connections to L1® Family Members
  You can use TS (Tip-Sleeve) unbalanced cables, OR TRS (Tip-Ring-Sleeve) balanced cables. If the cable uses ¼ inch jack plugs and the ends are the sam ==== ¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced) ====
  3 KB (394 words) - 21:20, 16 November 2019
• Mixer Outline Template
  === XLR Balanced +4 === === XLR Balanced with built-in-pad ===
  2 KB (372 words) - 01:49, 21 December 2008
• Mixer / Soundcraft / EPM
  The {{Model II nl}} Analog Input is balanced and accepts balanced or unbalanced ¼ inch jacks. * Monitor Out — balanced ¼ inch jack outputs
  3 KB (472 words) - 04:04, 21 December 2008
• Mixer / Behringer / UB1222FX-Pro
  === XLR Balanced +4 === ==== XLR (balanced) to XLR (balanced) ====
  2 KB (392 words) - 01:59, 21 December 2008
• Kemper Profiler to L1 Pro
  * All XLR outputs are balanced, line-level * All XLR inputs are balanced, microphone level (not a good match for the Kemper XLR outputs)
  5 KB (706 words) - 00:49, 5 January 2023
• Mixer
  =====¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced) ===== =====¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced) =====
  4 KB (558 words) - 05:14, 3 February 2015
• XLR Cables - Technical Discussion
  What does it mean to have "balanced" vs. "unbalanced" cables and connections? ...d "ground". That's why a "balanced" system (balanced output, 3-wire cable, balanced receiving input) can be better at rejecting any "noise" which might exist b
  8 KB (1,420 words) - 21:59, 18 July 2007
• T1 ToneMatch® Audio Engine to F1 System
  ;Balanced connections. '''For best results use a balanced connection
  6 KB (1,027 words) - 12:37, 29 October 2019
• L1 Inputs General Information
  : For line-level, balanced sources These are balanced line-level inputs. Use balanced connections with a 1/4-inch Tip-Ring-Sleeve plug. Using a 1/4 inch (6.3mm)
  6 KB (881 words) - 01:15, 14 September 2024
• Ground Loop
  ...Radial PRODI for the electric organ. I recommend a balanced line-level to balanced line-level direct box for the L1™ inputs. The Radial Twin ISO is a two c ...ise currents. This is one reason for the bad reputation sometimes given to balanced interconnect.
  8 KB (1,303 words) - 08:31, 7 April 2019
• Mixer / Yamaha / MG124 CX
  This mixer has ¼ inch jack balanced outputs. Any of the cables shown below should work. ===== ¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced) =====
  2 KB (250 words) - 13:02, 19 September 2012
• S1 Pro Line Out to a Third Party Device
  ...anced, it's usually okay to use a Tip-Sleeve cable. If that connection is balanced, then a Tip-Ring-Sleeve cable is a better choice. If you don't know for sur ...-Ring-Sleeve cable from the S1 Pro system Line Out, then the connection is balanced.
  3 KB (500 words) - 21:20, 16 November 2019
• Mixer to Two L1 Model II
  The L1 Model II Analog Inputs are 1/4 inch (6.3 mm) Tip-Ring-Sleeve balanced inputs. ...e refer to the owners guide for your mixer to determine if the outputs are balanced.
  2 KB (300 words) - 20:45, 15 September 2022
• Line 6 Helix to L1 Pro
  ;For best results for long cable runs, use a Line Level balanced connection ;Note: The 1/4 inch (6.3 mm) Tip-Ring-Sleeve inputs are line-level balanced. <br>
  3 KB (516 words) - 00:51, 5 January 2023
• DI
  * differences in wiring or connectors (e.g. Balanced [[XLR]] to Unbalanced 1/4" [[TRS|Tip-Sleeve]]) 2. Unbalanced to balanced conversion.
  4 KB (608 words) - 14:46, 23 January 2013
• Mixer / Yamaha / MX12/4
  === XLR Balanced with built-in-pad === === XLR Balanced +4 ===
  2 KB (249 words) - 02:20, 21 December 2008
• Mixer / LEM / RD Series
  === XLR Balanced +4 === === XLR Balanced with built-in-pad ===
  960 bytes (121 words) - 02:09, 21 December 2008
• Phantom Power
  ...line external source. The voltage is equal on Pin 2 and Pin 3 of a typical balanced, XLR-type connector. For a 48 volt phantom source, for example, Pin 2 is 48 ...age to a dynamic microphone even if it is shorted or miswired. In general, balanced dynamic microphones can be connected to phantom powered mixer inputs with n
  8 KB (1,252 words) - 18:43, 10 March 2020

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