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- I ran T1™s mounted on each the microphone stands controlling the L1™ directly behind it. I had a Scene worked o * Vocal plus Acoustic Guitar with Piezo pickup.4 KB (819 words) - 12:30, 9 April 2011
- ...udience that simply was never possible before in the history of delivering vocal to an audience. It is empowering and deeply spiritual. And from this real ...audience. In large concerts, amplifying electric guitar tone by placing a microphone pickup in the "right" place is good for the audience but the artist never h27 KB (4,639 words) - 18:37, 26 March 2017
- [[Image:T1zEQ.png|right|T1 zEQ settings for vocal microphone]] __NOEDITSECTION__ ...lping to identify the instrument they are using (or in the case of a vocal microphone, that they're a vocalist). With this information, it's possible to design c7 KB (1,211 words) - 15:42, 9 December 2019
- ...nsity of the sound will be at a maximum when it points at the listener (or microphone), The sound intensity will increase as the rotating source approaches dead Ah, yes. Audio racing in the streets. Imagine thousands hearing a vocal track through a Leslie... a Leslie that can be heard over a guitar player<n39 KB (6,630 words) - 16:45, 23 March 2011
- {{Microphone Information |ToneMatch Preset= Vocal Microphones / Neumann KMS 1054 KB (491 words) - 03:25, 15 January 2022
- There aren’t many of us here using this microphone with the L1 System, but for any curious folks on prospective performance, l ...ow how naturally-reproduced our voices are using the L1, but with a custom vocal preset, it is really, really fine.3 KB (571 words) - 10:28, 16 October 2008
- {{Microphone Information ...Microphones / Sennheiser e 855 OR<br> Vocal Microphones / Beyer M88 OR <br>Vocal Microphones / Neumann KMS 1052 KB (222 words) - 21:53, 18 August 2021
- The Ocean Way RM1-B microphone was designed, developed and engineered by pro-audio transducer inventor and ...r-knit acoustically transparent pop/debris filter that also improves close vocal applications and added ribbon protection.6 KB (872 words) - 11:24, 15 February 2020
- ...nstance, if you are a singing bassist, use a highpass filter on your vocal microphone to keep your bass signal out of the regeneration loop. Use only the range ...he beater for a strong signal. This way, you can reduce system gain on the microphone. Also, get the kick drum as far from the drum’s bass box(es) as possible.6 KB (1,016 words) - 21:04, 16 January 2023
- Phantom power is a DC voltage that powers the preamplifier of a condenser microphone. It can be in a range of 11 – 48 volts. ...ry inputs 1 and 2 are intended to receive signals from an instrument and a vocal mic. Each musician's instrument and voice can be heard through his or her o60 KB (9,859 words) - 05:33, 26 March 2017
- ...ed speaker system (page 15). Moreover, you can automatically apply various Vocal Harmony effects to your voice as you sing, or you can use Synth Vocoder to #Connect the microphone to the T1 Channel 1 XLR input <br>[[File:T1 Phantom to Tyros 4 mic input 2.3 KB (474 words) - 13:59, 23 April 2019
- === Controlling Vocal Microphone Feedback === :A microphone responds to the movement of air and it does not care what caused the air to6 KB (952 words) - 15:34, 8 June 2021
- .../americas/products/microphones/classic/55sh-series-ii-iconic-unidyne-vocal-microphone Shure 55SH] Category: Vocal Mics939 bytes (121 words) - 12:27, 18 July 2013
- ...c that brings up a screen where it's easy to control the relative volumes. Vocal volume is set. You can raise and lower the other inputs on the TC-Helicon P ...parately on the T1® then set the TC-Helicon Play Acoustic Output mode to Vocal / DI. See page 31 of the [http://www.tc-helicon.com/media/2440/tc-helicon_p5 KB (825 words) - 04:27, 26 March 2017
- ...nsity of the sound will be at a maximum when it points at the listener (or microphone). The sound intensity will increase as the rotating source approaches dead Ah, yes; Audio racing in the streets. Imagine thousands hearing a vocal track through a Leslie... a Leslie that can be heard over a guitar player's42 KB (7,262 words) - 13:29, 2 September 2008
- === Two {{PS1}}s for one Vocal === * Run your microphone into the first {{l1 nl}} PS1 Powerstand (let's say - Channel 1).3 KB (488 words) - 10:45, 26 May 2011
- You'll be using the parametric equalizer on the {{T1}} to improve vocal microphone feedback. The parametric equalizer has a frequency adjustment to select the # Turn the volume down on the microphone channel; mute any other microphone channels.3 KB (522 words) - 15:37, 8 June 2021
- First and most importantly, please make sure that you have a microphone connected when you turn up the Channel 1 Volume control. As other memb ...n microphones so we’ve elected to include a higher amount of gain on the microphone channel.2 KB (405 words) - 22:50, 22 July 2009
- ...a/ga/ul/6291080154/inlineimg/Y/1ts.gif Vocal Neumann KMS105. Preset: Vocal Microphone KMS 105 ...rums/a/ga/ul/6291080154/inlineimg/Y/1ts.gif Vocal AKG C1000s Preset: Vocal Microphone Hi Gain "Normal"3 KB (516 words) - 23:20, 4 June 2021
- Now you look at the Bose System and the Remote unit on the microphone stand. There's four controls (three tone and a level) for each channel. The ...ople uses a System as his or her sole form of amplification for his or her vocal and instrument.16 KB (2,913 words) - 11:43, 9 May 2011