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  • ;How do I set up a powered monitor with my {{T4S}} and an L1 with at ToneMatch Port? ({{Model II}} or {{Model ...Pro, L1 Compact, or S1 Pro see [[T4S/T8S Headphone Output to S1 Pro as a Monitor]]
    2 KB (421 words) - 15:59, 24 December 2023
  • === {{T1 nl}} with {{l1}} as stage monitor with F1 Model 812 as Front of House === == Master / Monitor ==
    6 KB (1,027 words) - 13:37, 29 October 2019
  • * To use of the T1 Master Output for a monitor mix. * One monitor mix via the T1 Master Output containing any ToneMatch preset, zEQ, Para EQ,
    5 KB (893 words) - 05:16, 26 March 2017
  • ...ve-sound-ew-iem-g4-twin Sennheiser EW IEM G4-TWIN - Double Wireless In-Ear-Monitor-System] ...offers a dedicated stereo MONITOR OUT. Therefore the output source of the MONITOR OUT might require your intervention.
    24 KB (3,721 words) - 12:54, 8 August 2023
  • * Monitor Out — balanced ¼ inch jack outputs *Use Monitor Left Out to one Model II Power Stand Analog Input
    3 KB (472 words) - 05:04, 21 December 2008
  • Use the {{S1 Pro}} as a monitor with a [https://3e7777c294b9bcaa5486-bc95634e606bab3d0a267a5a7901c44d.ssl.c [[File:JBL EON ONE PRO monitor outputs.png|800px]]
    1 KB (220 words) - 15:17, 14 February 2020
  • ...the recording a fuller room sound without the honk of a typical floor type monitor. ...s of washing machine size recorders, mixing consoles, and large wall mount monitor speakers are over...thankfully.
    5 KB (798 words) - 18:12, 26 March 2017
  • ...u listen to a merged profile at the MONITOR OUTPUT or SPEAKER OUTPUT with "Monitor Cab. Off" activated, the direct profile is there. Overall there is no sound difference. If you monitor via full-range equipment like in-ears, headphones, studio monitors, wedges,
    3 KB (544 words) - 23:50, 28 October 2021
  • === Monitor Placement === [[File:Microphone Polar Patterns and Monitor Placement.jpg|400px]]
    16 KB (2,433 words) - 20:03, 1 July 2023
  • ...serves as instrument amplifier (back-line amplifier), vocal and instrument monitor, and the main system through which he or she shares the voice and instrumen ...Maybe calling it a monitor trivializes it. I can't actually say that most monitor systems have allowed me to hear myself. Not really.
    16 KB (2,913 words) - 11:43, 9 May 2011
  • ...t right now, play that sucker (the .wav one) nice and loud and see if your monitor's cones can take it. The track is smacking with Nitro. I don't think I've e ...he unsupported end of the L1 line array. We could have used a little wedge monitor or something but the L1 cuts off so sharply top and bottom so it truly did
    15 KB (2,673 words) - 03:45, 27 April 2013
  • ...amp). In front of the drummer was the singer and bandleader, with a stage monitor. I played at a level that gave me a good mix with what I heard of the rest == Using the First Prototype With a Conventional PA & Monitor System ==
    12 KB (2,194 words) - 10:59, 24 April 2011
  • === {{S1}} as a monitor with a ToneMatch mixer === If you are using the {{S1}} as a monitor with a T4S/T8S, see [[T4S/T8S_ToneMatch%C2%AE_Mixer#Aux_Outputs|T4S/T8S Aux
    740 bytes (132 words) - 22:24, 16 November 2019
  • ...W IEM G4-TWIN.jpg|link=https://en-us.sennheiser.com/double-wireless-in-ear-monitor-system-live-sound-ew-iem-g4-twin|300px|right]] ...-Ear-Monitors &mdash; [https://en-us.sennheiser.com/double-wireless-in-ear-monitor-system-live-sound-ew-iem-g4-twin EW IEM G4 Twin]<br>Related article: [[Senn
    10 KB (1,649 words) - 11:55, 21 November 2023
  • ...nitor "mix," the extensive additional equipment needed to provide separate monitor mixes with a conventional PA is not needed. * -Multiple use as a vocal monitor/PA replacement
    21 KB (3,673 words) - 15:29, 22 December 2008
  • ...the console monitor system and therefore feed an independent local stereo monitor or even engineers wedge speaker. When set to follow the LR mix, the factory
    3 KB (411 words) - 15:58, 21 September 2012
  • ====Monitor input levels ====
    8 KB (1,290 words) - 18:04, 27 March 2019
  • ...d about insufficient monitor, even though we weren’t giving the band any monitor at all! ...p, connecting the PAS systems to their mixing board and sending a separate monitor mix through standard floor monitors. The engineer in that room had problems
    16 KB (2,848 words) - 17:51, 14 October 2009
  • ...and engineering excellence. Putnam’s work on the UREI Time Align studio monitor loudspeaker, and Side’s work through his Ocean Way studio business (then ...-owner Albert Leccesse on a very high acoustic output, exceptionally clear monitor speaker for the artist, based on the US Sound CZ44 (now Bose LT4402). Also
    22 KB (3,143 words) - 18:35, 23 January 2013
  • <li><details><summary>Monitor</summary> To use the S1 Pro as a personal floor monitor, place it on the ground horizontally, in front of and pointing toward the p
    6 KB (861 words) - 01:41, 7 March 2022
  • <h2>Connect a {{T4S}} to an {{S1}} as a Monitor</h2> ...you can connect as shown in the rest of this article OR create a separate monitor mix using the [[T4S Aux Outputs]]. Everything else in this article is still
    3 KB (510 words) - 17:52, 2 May 2022
  • == Monitor Output Levels ==
    3 KB (527 words) - 08:57, 26 November 2022
  • <li><details><summary>Monitor</summary> To use the S1 Pro as a personal floor monitor, place it on the ground horizontally, in front of and pointing toward the p
    7 KB (1,045 words) - 15:04, 12 June 2021
  • ...aring yourself in the context of the room instead of out of context in the monitor. ...ric musicians that love to bathe in their own sound “bubble” (in their monitor mix) would have the greatest problem adapting. The best ensemble playing a
    5 KB (900 words) - 00:41, 12 January 2012
  • ...and have a full-spectrum view of the playing field. Playing music from a monitor mix is like the neophyte soccer player while playing within a full L1 syste
    27 KB (4,639 words) - 18:37, 26 March 2017
  • ...t a benefit for NOAH. I want to see if I can use the system on stage as my monitor system for the band and as front fill, and tie it in with the house system. ...ant to see if it will work for my band on a large out door shed stage as a monitor system. After developing in ear monitors for the last 14 years I think this
    6 KB (1,104 words) - 15:00, 22 December 2008
  • loudness is determined at the console (fader settings, monitor send levels).<br> ...t be set fully counter-clockwise. Start with&nbsp; the main output faders (monitor level) all the way down. Bring the channel faders up about halfway (many bo
    34 KB (5,610 words) - 15:00, 18 January 2021
  • To monitor the other channels on the {{T1r}}, follow the same procedure with each chan The only problem I foresee is if you need to monitor channels from the Classic's Power Stand inputs.
    1 KB (196 words) - 04:31, 26 March 2017
  • This is how you can use our [[Compact]] as a stage monitor. [[Category:Monitor]]
    1,021 bytes (156 words) - 04:47, 2 February 2014
  • ...It can be used in other ways, but we'll talk about using it as a personal monitor.
    6 KB (1,045 words) - 17:45, 30 April 2015
  • ...the S1 Pro. That's why there are two settings for the floor (tilt-back and monitor). ...the same as Tilt-back except there's some EQ treatment to support use as a monitor.
    3 KB (481 words) - 21:43, 1 July 2022
  • ...ere is no solo or PFL feature on the T series mixers, the only way to live-monitor the feedback is via an aux send. The method we came up with was this... When feedback is experienced you can use an additional aux send(2) to monitor(IEM or phones) just the echo(dry after preamp) of the feedback. Using the o
    2 KB (316 words) - 21:26, 16 January 2019
  • <td valign="top">Use the T8S Aux Output to send a monitor mix to the {{S1}} <li>Connect the T8S Aux Output you are using for the monitor send to S1 Pro channel 1 or 2<br />
    2 KB (427 words) - 01:52, 13 August 2021
  • ...hen there's a separate Front of House system and I need to avoid having my monitor mix spill into the house
    3 KB (614 words) - 08:00, 19 September 2023
  • MONITOR OUTPUT: 1/4-inch TS unbalanced with ground lift, output level: +4 dBu MONITOR OUTPUT L and R: 1/4-inch TS unbalanced with ground lift, output level: +4 d
    5 KB (706 words) - 01:49, 5 January 2023
  • ...aring yourself in the context of the room instead of out of context in the monitor. ... [[Hearing Yourself|full article]]
    12 KB (2,071 words) - 02:57, 26 March 2017
  • ...ed a Leslie in an isolated backstage room during large concerts and fed to monitor mixes. The result is a clean Leslie sound with no on-stage bleed from other
    42 KB (7,262 words) - 13:29, 2 September 2008
  • * Once you are used to how the L1 is for you as a stage monitor, get someone else to use the source ''(play, sing, whatever)'' and go out t
    3 KB (595 words) - 14:02, 28 May 2021
  • ...he traditional "triple system" approach of backline instrument amplifiers, monitor system and PA system. Here are some of the reasons why:
    2 KB (406 words) - 18:13, 26 March 2017
  • ...al triple system amplification approach of backline instrument amplifiers, monitor system and PA system.
    60 KB (9,859 words) - 05:33, 26 March 2017
  • ...al triple system amplification approach of backline instrument amplifiers, monitor system and PA system.
    42 KB (6,832 words) - 05:25, 26 March 2017
  • If you use an In-Ear-Monitor system that has built-in amplification, this may work.
    5 KB (923 words) - 20:02, 9 July 2018
  • ...ers are considered an essential part of certain instruments’ sounds. The monitor system (2) is pointed away from the audience and towards the musicians, and
    862 bytes (121 words) - 05:39, 22 September 2008
  • [[Image:BoseComputerMusicMonitor.jpg|Bose Computer Music Monitor]]
    3 KB (498 words) - 11:06, 13 July 2013
  • ...amiliar generator is being used, it is advisable to bring a multimeter and monitor the output voltage of the generator. If the reading is above 140 V or below
    6 KB (872 words) - 17:51, 21 August 2021
  • ...by many musicians, as PA, occasionally built into backline amps, and as a monitor.
    12 KB (2,046 words) - 18:08, 26 March 2017
  • ...e through the PA system, and a different way for each musician through the monitor system.
    14 KB (2,567 words) - 00:59, 16 October 2008
  • ...amp). In front of the drummer was the singer and bandleader, with a stage monitor. I played at a level that gave me a good mix with what I heard of the rest
    8 KB (1,531 words) - 15:19, 22 December 2008
  • ...ion prototypes, bad habits were evident, habits developed from playing in "monitor bubbles". Ken recalls that he had to step in on several occasions and tell
    18 KB (3,170 words) - 10:56, 24 April 2011
  • ...by many musicians, as PA, occasionally built into backline amps, and as a monitor.
    983 bytes (159 words) - 18:31, 26 March 2017

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