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  • ...plied) into the master output port on the ToneMatch audio engine. Plug the other end of the cable into the line-in jack of channel 3 or 4 on the {{L1 nl}} p ...th 1/4" TRS connections on one end and dual male 1/4" TS connectors on the other. You may also purchase a Bose ToneMatch audio engine, which includes a comp
    60 KB (9,859 words) - 05:33, 26 March 2017
  • ...y applications and compatible with standard mixers, DJ mixers, laptops and other devices. This enables the layout of the power stand to be less cluttered, w ...y will develop as better players because they can hear themselves and each other. All will benefit from the knowledge that the sound they produce on stage i
    42 KB (6,832 words) - 05:25, 26 March 2017
  • ...e had 75 people or more, they'd provide the buffet for us exclusively some other evening. They can do things like "three menu option" meals as well. <!-- some other details deleted as these are no longer required -->
    19 KB (3,088 words) - 18:40, 26 March 2017
  • === Comparisons to Other Members of the L1® Family === ...ns. He's an experienced pro, playing guitar and singing to demonstrate for other audiences. As an audience member listening to Charlie, I was delighted with
    27 KB (4,306 words) - 01:35, 20 May 2021
  • ...one channel while simultaneously applying different effects to each of the other channels. Each effect type has designated user-adjustable parameters; these ...transferred a copy of the scene file to a PC, you can easily share it with other ToneMatch audio engine owners.
    31 KB (4,908 words) - 04:28, 9 April 2017
  • ...ses existing-classes - Microformats<!-- Bot generated title -->]</ref> and other attributes.<ref name="uF-rel-faq">[http://microformats.org/wiki/rel-faq rel ...ntended to bridge this gap by attaching [[semantics]], and thereby obviate other, more complicated methods of automated processing, such as [[Information ex
    17 KB (2,357 words) - 01:29, 30 March 2008
  • ...12 cab with the “right” speakers in them (“greenback” something-or-other). He couldn’t tell the difference. This was at a “guitar summit” we h ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
    34 KB (6,140 words) - 03:49, 24 February 2010
  • ...op into better players precisely because they can hear themselves and each other better. Musicians at all skill levels benefit from knowing the sound they p ...ositioned behind a musician?providing accurate coverage for the performer, other musicians onstage and audiences.
    17 KB (2,793 words) - 03:21, 26 March 2017
  • .... The correct setting for any particular source may be different from your other sources. '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr
    16 KB (2,433 words) - 20:03, 1 July 2023
  • ...pectable living simply by performing music in local venues. You must have other work. It seems that inflation has passed most musicians by, indicating tha # Most musicians today seem to have other employment, because they can't support themselves playing. This contribute
    27 KB (4,639 words) - 18:37, 26 March 2017
  • ...is no longer in business but many are in circulation, parts are available, other kinds of speakers that do the same thing are commercially available and the ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris
    42 KB (7,262 words) - 13:29, 2 September 2008
  • ...a program, often a good choice for this and other reasons for a musical or other performance. ...Way, that's human nature. There's also plenty to learn from others, on the other side of the coin.
    35 KB (6,117 words) - 14:26, 16 September 2015
  • ...I do for my niece and her fledgling band. She is the only vocalist and the other four members of the band already have their instrument amps. There probably Pondering value, I look around at other things that I spend money on, and notice:
    16 KB (2,913 words) - 11:43, 9 May 2011
  • ...|Operator extension]]) to extract the details, and display them using some other website or [[map]]ping tool, index or search them, or to load them into an ...<code><nowiki><span class="fn org">Wembley Stadium</span></nowiki></code>. Other, optional, hCard classes also exist.
    5 KB (783 words) - 01:25, 30 March 2008
  • ...hese have competing interests and some have interests that complement each other. It would be good to know more about what you want to do. *Would like to include (other instruments or vocal roles they would welcome on stage)
    6 KB (1,124 words) - 13:38, 23 December 2011
  • ...ations. The L1 Pro32 has unique features that make it the right choice for other applications. ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{
    15 KB (2,619 words) - 15:00, 31 October 2023
  • ...mmended preset and set up the other using 00. Then plug into one, then the other, for a quick A/B. We invite you to try this. What follows is a description ...andard non-processed “reference” preset. As of this writing, there are other flat presets, shown on the preset list that comes with all systems. Use the
    16 KB (2,852 words) - 09:17, 25 March 2024
  • ...lity with Other Members of the L1® Family of Products |Compatibility with Other Members of the L1® Family of Products]] (below) ...n circuits etc.) are designed so that they really work optimally with each other.
    12 KB (2,008 words) - 06:55, 26 March 2017
  • Two other professional electric guitarists were invited to participate in the summit. ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
    18 KB (3,186 words) - 10:56, 24 April 2011
  • /* Create three equal columns that floats next to each other */ ...makes the three columns stack on top of each other instead of next to each other */
    10 KB (1,448 words) - 12:01, 30 March 2021
  • ...ontent of the page. If they feel it would benefit the discussion to allow other users to view the page content, administrators may [[Wikipedia:Restore|rest ...apply protection to non-existent pages with the same procedure as with all other pages. A list of protected titles may be found at [[Special:Protectedtitles
    13 KB (1,886 words) - 01:31, 30 March 2008
  • ...l and adjust it according to the other instruments they heard (through the other L1’s) onstage. ...s of sounding like real voices. Shure SM58’s were used and later several other mics were used to see which ones worked best with our system.
    6 KB (973 words) - 18:29, 26 March 2017
  • first time in years, companies other than Gibson and Fender were having accounted for the bulk of electric production, there were other models
    9 KB (1,530 words) - 06:58, 22 January 2013
  • Performance Name, Slot Name, Rig Name, Amp Name, Cabinet Name, other tags... are all different animals. People can use these for different purpo ...er Slot. If you store now, only the edits of the current Slot survive, the other four Slots 4 stay as these were stored before.
    24 KB (3,721 words) - 12:54, 8 August 2023
  • ...usicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probab Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder
    12 KB (2,071 words) - 02:57, 26 March 2017
  • ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris ...oks like two horn assemblies; in fact, only one is operable as a horn. The other side, a "dummy", acts as a counterweight or dynamic balancer, providing sym
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...del I}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www. ...l II}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www.
    4 KB (550 words) - 15:27, 11 May 2022
  • One of the other things we knew about was a rapidly growing category of products: earplugs f ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    14 KB (2,567 words) - 00:59, 16 October 2008
  • One of the other things they knew about was a rapidly growing category of products: earplugs ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    13 KB (2,304 words) - 10:55, 24 April 2011
  • ...t use a ToneMatch preset when using the {{ToneMatch Mixer}} or {{T1}} with other systems?''' ...might lead you to conclude that a ToneMatch preset shouldn't be used with other systems.
    2 KB (379 words) - 11:08, 10 December 2023
  • ...ode for Japanese (4) and 4-431-96331-? would also have check digit ? = 6. Other Springer books in English have publisher code 817, and 0-817-96331-? would ...her'', ''title'' and ''check digit'') with either a [[hyphen]] or a space. Other than the check digit, no part of the ISBN has a fixed number of digits.<ref
    33 KB (4,545 words) - 12:17, 21 January 2013
  • ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.
    12 KB (2,063 words) - 13:56, 21 September 2023
  • ...24dB down and below crossover the L1's are 24dB down. They get out of each other's way pretty quickly. &mdash; Cliff-at-Bose In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens
    7 KB (1,241 words) - 00:41, 28 June 2018
  • ..., other than a cleaner stage, it sort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, giv ...firm understanding of the fact that you are finally in total contact with other players and with your audience is powerfully useful. It is actually a spiri
    5 KB (900 words) - 00:41, 12 January 2012
  • ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr
    13 KB (2,352 words) - 07:12, 20 November 2010
  • This is not the case for most other instruments. Keyboard synthesizers, for example, rely on internal sound gen ...standpoint is if the system replaces both a conventional bass rig ''and'' other equipment.
    21 KB (3,673 words) - 15:29, 22 December 2008
  • === Mistake: Assumed the {{L1}} was like any other PA === I plugged outboard compression, EQ, and other compensatory devices into the {{L1}}. The result is the same as above: Ever
    3 KB (595 words) - 14:02, 28 May 2021
  • ...now about the other factors or, more likely, they may be hoping that those other factors can be ignored. The temptation to extrapolate beyond the part that ...l. If you hear a change, it is because you've moved the grille relative to other Bass Modules or relative to boundaries. Don't shove the grille into a wall
    10 KB (1,856 words) - 20:49, 13 July 2021
  • .... The correct setting for any particular source may be different from your other sources. ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. Input impedance on Channels
    13 KB (1,983 words) - 11:55, 22 May 2018
  • ...s linked to the KickGate, so you won't lose any special preset goodness or other drum sweetening. ...the L/R group mix. Your sound module must have at least one extra output other than the L/R mix. The Roland TD-12 has L/R and additional outputs 1 & 2.
    4 KB (718 words) - 04:48, 26 March 2017
  • ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide
    8 KB (1,303 words) - 09:31, 7 April 2019
  • Copyright laws and international copyright treaties, as well as other intellectual properly laws and treaties protect this Software. The Software # Connect the other end of the audio patch cable to the Data IN jack (RCA-type jack with a whit
    7 KB (1,127 words) - 15:32, 1 November 2016
  • ...ue the use of bulky and heavy transformer components typically required in other high-powered designs. ...The input stage of this amplifier is designed for the power stand. On the other hand, has an input impedance appropriate for most pro audio components such
    17 KB (2,728 words) - 05:42, 26 March 2017
  • ...in the corner and the room was arranged around that. We have done this in other years, but that was for a single performer (Voice and Guitar). I really wan This was the first show for me where I had {{T1r}}s on the stage for other performers to use. Although it would have been easy to run the {{T1r}}s fro
    9 KB (1,752 words) - 19:00, 4 January 2009
  • ...y person who had been available for a sound check. I knew roughly what the other performers were going to be using for instruments so I made up generic Scen ...is, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settin
    4 KB (819 words) - 12:30, 9 April 2011
  • ...t music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Communit * Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you conn
    5 KB (904 words) - 13:56, 9 October 2008
  • # Other == Other Comments ==
    776 bytes (117 words) - 02:16, 7 September 2008
  • # Other == Other Comments ==
    2 KB (322 words) - 01:59, 12 September 2008
  • Please tell us the model of {{L1}} you have and any other Bose components you are using. Examples ...and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or
    5 KB (845 words) - 11:16, 19 September 2008

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