Difference between revisions of "Stage Layouts / ST Duo"
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<li><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/6291080154/inlineimg/Y/1ts.gif"> Channel 1: Vocal AKG C1000s Preset V2.0 #04 Vocal Mic Hi Gain "Normal" <br></li> | <li><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/6291080154/inlineimg/Y/1ts.gif"> Channel 1: Vocal AKG C1000s Preset V2.0 #04 Vocal Mic Hi Gain "Normal" <br></li> | ||
| − | <li><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/7391080154/inlineimg/Y/2ts.gif"> Channel 2: Larrivee dreadnaught with B-Band Under Saddle Transducer (non-Piezo) with A series onboard preamp Preset: Taylor Dreadnaught Finger Style<br></li></ul><br><br>Depending on the what else is going on at the gig, we will both run our Line6 processors without amp models. This results in a clean sound. <br><br>We can add digital effects (minimal) if we think its appropriate.<br>I usually run Bose Version 2 preset 35 (Paul Reed Smith Custom 22) with the XTLive, if I'm going to be swapping from electric to acoustic. If the whole night will be "acoustic" I will use Preset: Taylor Dreadnaught Finger Style</html><ref name="ToneMatch" /><html> (Taylor ES Dreadnaught Fingerstyle) | + | <li><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/7391080154/inlineimg/Y/2ts.gif"> Channel 2: Larrivee dreadnaught with B-Band Under Saddle Transducer (non-Piezo) with A series onboard preamp Preset: Taylor Dreadnaught Finger Style<br></li> |
| + | <li><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/8491080154/inlineimg/Y/3ts.gif"> Channel 3: Fender Stratocaster through Line6 POD XT with Shortboard foot controller (or for quieter gigs just direct to the T1™)</li> | ||
| + | </ul><br><br>Depending on the what else is going on at the gig, we will both run our Line6 processors without amp models. This results in a clean sound. <br><br>We can add digital effects (minimal) if we think its appropriate.<br>I usually run Bose Version 2 preset 35 (Paul Reed Smith Custom 22) with the XTLive, if I'm going to be swapping from electric to acoustic. If the whole night will be "acoustic" I will use Preset: Taylor Dreadnaught Finger Style</html><ref name="ToneMatch" /><html> (Taylor ES Dreadnaught Fingerstyle) | ||
This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going. If we're doing an open stage session, then we usually move the Systems inward a little bit, and angle them outward a bit. This tends to reduce / eliminate feedback issues. We don't have to do this because we're both well accustomed to staying on the mic. For people less experienced, we have to turn up the volume on the mics. This in turn raises the likelhood of feedback. So we offset that by adjusting the angle of the Powerstands. | This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going. If we're doing an open stage session, then we usually move the Systems inward a little bit, and angle them outward a bit. This tends to reduce / eliminate feedback issues. We don't have to do this because we're both well accustomed to staying on the mic. For people less experienced, we have to turn up the volume on the mics. This in turn raises the likelhood of feedback. So we offset that by adjusting the angle of the Powerstands. | ||
Revision as of 15:21, 24 December 2007
This is how we set our stage as a Duo
-- click image to make changes to the live version --
Codes: 
Orange numbers are Systems and Inputs using those Systems. 
Blue filled numbers are Channels on the T1™.
System ![](http://bose.infopop.cc/eve/forums/a/ga/ul/9011090154/inlineimg/Y/1.gif")
- ST on the left
- Channel 1: Vocal Neumann KMS105 Preset V2.0 #12 Neumann KMS 105
Channel 2: Morgan dreadnaught with Fishman passive Under Saddle Transducer (Piezo) Preset: Taylor Dreadnaught Finger Style[1]
Channel 3: PRS 513 through Line6 XT Live (or for quieter gigs just direct to the T1™)
- Notes
- Fishman Under Saddle Transducer (Piezo) passive.
- Direct to a the T1™ works well because Channels 1,2,3 have high impedance inputs that match up well with passive Piezo pickups
System 2: 
LK on the right
- Channel 1: Vocal AKG C1000s Preset V2.0 #04 Vocal Mic Hi Gain "Normal"
- Channel 2: Larrivee dreadnaught with B-Band Under Saddle Transducer (non-Piezo) with A series onboard preamp Preset: Taylor Dreadnaught Finger Style
- Channel 3: Fender Stratocaster through Line6 POD XT with Shortboard foot controller (or for quieter gigs just direct to the T1™)
Depending on the what else is going on at the gig, we will both run our Line6 processors without amp models. This results in a clean sound.
We can add digital effects (minimal) if we think its appropriate.
I usually run Bose Version 2 preset 35 (Paul Reed Smith Custom 22) with the XTLive, if I'm going to be swapping from electric to acoustic. If the whole night will be "acoustic" I will use Preset: Taylor Dreadnaught Finger Style[1] (Taylor ES Dreadnaught Fingerstyle)
This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going. If we're doing an open stage session, then we usually move the Systems inward a little bit, and angle them outward a bit. This tends to reduce / eliminate feedback issues. We don't have to do this because we're both well accustomed to staying on the mic. For people less experienced, we have to turn up the volume on the mics. This in turn raises the likelhood of feedback. So we offset that by adjusting the angle of the Powerstands.
You can see the earlier version of this page at Stage Layouts/ST Duo - Pre Model II
- ↑ 1.0 1.1 See ToneMatch™ Presets/Taylor