Difference between revisions of "T1 ToneMatch® Audio Engine / Daisy Chain"
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[[Image:T1 Daisy Chain to Compact.png]] | [[Image:T1 Daisy Chain to Compact.png]] | ||
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| + | In this example we have two {{T1}}s. (T1®s) | ||
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| + | #{{t1r}} on the left connected to the {{Compact}} through the [[ToneMatch® Port]] | ||
| + | #{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | ||
| + | |||
| + | This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | ||
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| + | <br> | ||
| + | |||
| + | Notes:<br> | ||
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| + | *{{t1r}} #1 and #2 will require a [[T1 ToneMatch® Audio Engine power supply]] | ||
| + | *It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | ||
| + | *Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | ||
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| + | <!-- | ||
| + | Connect the second T1® to Compact Channel 2 | ||
| + | |||
| + | So... | ||
| + | first T1® | ||
| + | 1 - microphone | ||
| + | 2 - guitar | ||
| + | 4 - output from second T1® (Preset Utility Flat) | ||
| + | Master Output goes to Compact Channel 2 | ||
| + | |||
| + | second T1® | ||
| + | 1 - microphone | ||
| + | 2 - guitar | ||
| + | |||
| + | Master Output of second T1® goes to first T1® Channel 4 | ||
| + | |||
| + | This way each performer can have his/her own T1® and control his/her own mix. | ||
| + | |||
| + | The first T1® controls the overall volume. | ||
| + | |||
| + | --> | ||
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Revision as of 21:11, 16 May 2015
You can daisy chain (connect) one T1 ToneMatch Audio Engine into another.
In this example we have two T1 ToneMatch Audio Engines. (T1®s)
- T1® on the left connected to the L1 Model II through the ToneMatch® Port
- T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
Notes:
- T1® #2 will require the optional T1 ToneMatch® Audio Engine power supply
- It would be possible to have a third T1® connected to T1® #1 Channel 5
- Related discussion in the message board T1® Daisy Chain
Here's how you can do the same thing with a L1 Compact
In this example we have two T1 ToneMatch Audio Engines. (T1®s)
- T1® on the left connected to the L1 Compact through the ToneMatch® Port
- T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
Notes:
- T1® #1 and #2 will require a T1 ToneMatch® Audio Engine power supply
- It would be possible to have a third T1® connected to T1® #1 Channel 5
- Related discussion in the message board T1® Daisy Chain