Difference between revisions of "HeadRush Prime to L1 Pro"
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A: | A: | ||
* HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve). | * HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve). | ||
− | * Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line level and too hot for the L1 Pro XLR inputs ( | + | * Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line-level and too hot for the L1 Pro XLR inputs (which are designed for microphone-level signal sources. |
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+ | [[File:HeadRush Prime to L1 Pro1.jpg|600px]] | ||
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+ | * On the HeadRush Prime, you can leave the 1/4 output at the default Line Level Output.<br>You'll find that under Global | Audio Tab | 1/4" Level. | ||
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References: | References: |
Latest revision as of 02:00, 2 November 2023
Q: How do I connect a HeadRush Prime pedalboard to an L1 Pro
A:
- HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve).
- Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line-level and too hot for the L1 Pro XLR inputs (which are designed for microphone-level signal sources.
- On the HeadRush Prime, you can leave the 1/4 output at the default Line Level Output.
You'll find that under Global | Audio Tab | 1/4" Level.
References: