Difference between revisions of "Pad"
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| − | Q: What is a Pad? | + | <table cellpadding="10"><tr> |
| + | <td valign="top" width="250" >__TOC__</td> | ||
| + | <td valign="top"> | ||
| + | |||
| + | Q: What is a Pad? | ||
| − | A "pad" is short for an "Attenuation Pad". | + | A: "pad" is short for an "Attenuation Pad". |
| − | This is a device used to lower the signal level between two | + | This is a device used to lower the signal level between two devices. |
| − | + | With the L1® family of products, the most likely place you will use this is in front of a [[Model I]] (or [[Classic]]) Power Stand Channel 1 or Channel 2. | |
| − | |||
| − | + | [[File:Pad.jpg|link=http://www.bing.com/search?q=whirlwind+IMPAD20|200px|Find them on the web]] | |
| + | * Cost: $20-30 on the web | ||
| − | A -20dB pad is also a good choice when connecting the | + | Sources: |
| + | * [http://www.bing.com/search?q=whirlwind+IMPAD20 Search results on the web] | ||
| + | *You might find something like this in a local music store if they have a Pro Audio department. | ||
| + | </td> | ||
| + | </tr></table> | ||
| + | |||
| + | === Pad between L1 Pro XLR Inputs and Line Level Source === | ||
| + | The L1 Pro channel 1 and 2 inputs use Combo Jacks (XLR and 1/4 inch (6.3 mm) Tip-Ring-Sleeve or 1/4 inch (6.3mm) Tip-Sleeve. The XLR inputs are MIC level inputs. If you want to connect a Line Level source, you may clip or overload the L1 input, or have trouble controlling the volume. Use a Pad to attenuate (lower) the signal for a better match if using the XLR inputs. | ||
| + | |||
| + | Line Level Sources: | ||
| + | * L1 Pro Line Out | ||
| + | * S1 Pro+ Line Out | ||
| + | |||
| + | === Pad between S1 Pro and S1 Pro+ XLR Inputs and Line Level Source === | ||
| + | The L1 Pro channel 1 and 2 inputs use Combo Jacks (XLR and 1/4 inch (6.3 mm) Tip-Ring-Sleeve or 1/4 inch (6.3mm) Tip-Sleeve. The XLR inputs are MIC level inputs. If you want to connect a Line Level source, you may clip or overload the L1 input, or have trouble controlling the volume. Use a Pad to attenuate (lower) the signal for a better match if using the XLR inputs. | ||
| + | |||
| + | Line Level Sources: | ||
| + | * L1 Pro Line Out | ||
| + | * S1 Pro+ Line Out | ||
| + | |||
| + | === Pad between {{Model II}} and {{A1}} === | ||
| + | If you are using a {{Model II}} with a {{B2}} and an {{A1}}, you may find that the Red LED on the {{A1}} lights up earlier than expected. You can put a 10 dB Pad between the Model II Power Stand Bass Line Out and the {{A1}} input. | ||
| + | |||
| + | Unfortunately, most Pads have XLR connectors, so you may need to get some Tip-Ring-Sleeve to XLR adapters to make all the connections. | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | === Pads for {{PS1}} Inputs === | ||
| + | {{Model I icon}} {{Classic icon}} | ||
| + | We use pads with our {{PS1}}'s when running a pro level +4 dBu signal (e.g. output from a mixer) to the XLR inputs on Channels 1 or 2. We want to do this because the input sensitivity for these inputs is set for microphones. To get a better match for levels between the source and our inputs, we can use a pad. | ||
| + | |||
| + | Pads can also help when connecting the Power Stand Line Outs to semi-pro or consumer recording devices. If the Power Stand Line Outs are too high for the recorder's inputs, a pad can be used to prevent overdriving those inputs into clipping distortion. | ||
| + | |||
| + | ==== Signal Source that has a Pad ==== | ||
| + | Check your source device (mixer or DJ mixer) to see if there is an attenuation switch. This may be marked Line/Mic or show -10dB or similar markings. If you have a switch like this, try it. It may give you the same benefits of using a pad. | ||
| + | |||
| + | === Pad with {{PS1}} Line Outs === | ||
| + | A -20dB pad is also a good choice when connecting the Power Stand Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console's inputs can handle the signal level without being overdriven into distortion, especially if the house console has insufficient built-in pads, or none at all. (Beware of the potential for Ground Loops here.) | ||
| + | |||
| + | === {{T1}} No Pads Required === | ||
| + | {{T1 icon}} | ||
| + | {{:T1 ToneMatch® Audio Engine / XLR Inputs Sensitivity}} | ||
| + | |||
| + | === Daisy Chaining {{PS1}}s === | ||
| − | + | Another application (although relatively rare) is if you want to connect the output of one {{PS1}} to input of another. Sometimes called ''daisy chain''ing, you can connect the Line-Out of one {{PS1}} to Channel 1 or 2 of another. In that case you probably want to have a -20 dB pad inline, between the Line-Out of the first System and the Channel 1 or 2 XLR input of the second. {{Why Use a -20 dB Pad}} | |
| − | Another application (although relatively rare) is if you want to connect the output of one {{PS1}} to input of another. Sometimes called | ||
| − | + | See [[PS1 Powerstand / Daisy Chain]] for more information. | |
| − | + | You can find separate attenuation pads like this: | |
| − | Cost: $20-30 on the web | + | [[File:Pad.jpg|link=http://www.bing.com/search?q=whirlwind+IMPAD20|200px|Find them on the web]] |
| + | |||
| + | Cost: $20-30 on the web | ||
Sources: | Sources: | ||
| − | * http://www. | + | * [http://www.bing.com/search?q=whirlwind+IMPAD20 Search results on the web] |
| − | + | *You might find something like this in a local music store if they have a Pro Audio department. | |
| − | * You might find something like this in a local music store if they have a Pro Audio department. | ||
| − | This an example, and you will want to look into the details to determine if you need a pad, and the kinds of connections that are appropriate for your input device. | + | This is an example, and you will want to look into the details to determine if you need a pad, and the kinds of connections that are appropriate for your input device. |
| − | == More Formal Definitions == | + | == More Formal Definitions == |
| − | |||
| − | == Do It Yourself == | + | "attenuator or attenuator pad Electronics. A passive network that reduces the voltage (or power; see usage note under gain) level of a signal with negligible distortion, but with insertion loss. Often a purely resistive network, although any combination of inductors, resistors and capacitors are possible, a pad may also provide impedance matching." |
| + | |||
| + | == Do It Yourself == | ||
| + | An inline pad can be easily soldered, you'll need to insert 3 resistors into your mic cable. The values of these three resistors are determined by the amount of attenuation you wish to achieve. Bose recommends -20dB of attenuation to bring a hot +4dBu balanced line level signal down to a voltage that the Bose PS1 (Classic) Mic inputs can handle. | ||
<blockquote> | <blockquote> | ||
| − | + | To build a -20dB attenuation pad insert the following three resistors into your XLR cable path. | |
| − | + | ||
| − | * | + | *Two 680 ohm resistors inserted into lines (pins) 2 and 3 |
| − | * | + | *One 150 ohm resistor inserted across pins 2 and 3 |
| + | |||
| + | To minimize the effect on common mode rejection, you should use 1% resistors, but common-ordinary 5% carbon film resistors will work. For microphone pad applications, 1/4 watt or less is fine. | ||
</blockquote> | </blockquote> | ||
| − | |||
| + | Source: [http://www.uneeda-audio.com/pads/ Rick Chinn / Uneeda Audio] | ||
| − | References: | + | <br> References: |
| − | |||
| − | |||
| + | *[http://www.rane.com/par-a.html Rane Professional Audio Reference] | ||
| + | *[http://www.uneeda-audio.com/pads/ All About Pads] | ||
| − | [[ | + | [[Category:Gear]] |
| − | [[ | + | [[Category:Mixer]] |
| − | [[ | + | [[Category:Terminology]] |
| + | [[Category:Pad]] | ||
| + | [[Category:XLR]] | ||
| + | [[Category:Daisy Chain]] | ||
Latest revision as of 15:07, 30 July 2024
Contents
|
Q: What is a Pad? A: "pad" is short for an "Attenuation Pad". This is a device used to lower the signal level between two devices. With the L1® family of products, the most likely place you will use this is in front of a Model I (or Classic) Power Stand Channel 1 or Channel 2.
Sources:
|
Pad between L1 Pro XLR Inputs and Line Level Source
The L1 Pro channel 1 and 2 inputs use Combo Jacks (XLR and 1/4 inch (6.3 mm) Tip-Ring-Sleeve or 1/4 inch (6.3mm) Tip-Sleeve. The XLR inputs are MIC level inputs. If you want to connect a Line Level source, you may clip or overload the L1 input, or have trouble controlling the volume. Use a Pad to attenuate (lower) the signal for a better match if using the XLR inputs.
Line Level Sources:
- L1 Pro Line Out
- S1 Pro+ Line Out
Pad between S1 Pro and S1 Pro+ XLR Inputs and Line Level Source
The L1 Pro channel 1 and 2 inputs use Combo Jacks (XLR and 1/4 inch (6.3 mm) Tip-Ring-Sleeve or 1/4 inch (6.3mm) Tip-Sleeve. The XLR inputs are MIC level inputs. If you want to connect a Line Level source, you may clip or overload the L1 input, or have trouble controlling the volume. Use a Pad to attenuate (lower) the signal for a better match if using the XLR inputs.
Line Level Sources:
- L1 Pro Line Out
- S1 Pro+ Line Out
Pad between L1 Model II and PackLite® power amplifier model A1
If you are using a L1 Model II with a B2 Bass Module and an PackLite® power amplifier model A1, you may find that the Red LED on the PackLite® power amplifier model A1 lights up earlier than expected. You can put a 10 dB Pad between the Model II Power Stand Bass Line Out and the PackLite® power amplifier model A1 input.
Unfortunately, most Pads have XLR connectors, so you may need to get some Tip-Ring-Sleeve to XLR adapters to make all the connections.
Pads for PS1 Power Stand (Classic) / Model I Inputs
We use pads with our PS1 Power Stand (Classic) / Model I's when running a pro level +4 dBu signal (e.g. output from a mixer) to the XLR inputs on Channels 1 or 2. We want to do this because the input sensitivity for these inputs is set for microphones. To get a better match for levels between the source and our inputs, we can use a pad.
Pads can also help when connecting the Power Stand Line Outs to semi-pro or consumer recording devices. If the Power Stand Line Outs are too high for the recorder's inputs, a pad can be used to prevent overdriving those inputs into clipping distortion.
Signal Source that has a Pad
Check your source device (mixer or DJ mixer) to see if there is an attenuation switch. This may be marked Line/Mic or show -10dB or similar markings. If you have a switch like this, try it. It may give you the same benefits of using a pad.
Pad with PS1 Power Stand (Classic) / Model I Line Outs
A -20dB pad is also a good choice when connecting the Power Stand Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console's inputs can handle the signal level without being overdriven into distortion, especially if the house console has insufficient built-in pads, or none at all. (Beware of the potential for Ground Loops here.)
T1 ToneMatch Audio Engine No Pads Required
The T1® XLR inputs on channels 1-3 were designed to accept inputs from microphones up to normal line-level inputs without needing a switch or a pad. This is in unlike the L1 Model I or L1 Classic) Power Stand where a pad is recommended for line-level inputs.
- The T1 ToneMatch® Audio Engine Channels 1, 2, 3 inputs will accept a wide range of signals. We have not encountered a normal use where someone needed a pad - even using +4dbU console outputs, which is as high as it gets.
— MikeZ-at-Bose[1]
- ↑ MikeZ-at-Bose talks about T1® XLR inputs
Daisy Chaining PS1 Power Stand (Classic) / Model Is
Another application (although relatively rare) is if you want to connect the output of one PS1 Power Stand (Classic) / Model I to input of another. Sometimes called daisy chaining, you can connect the Line-Out of one PS1 Power Stand (Classic) / Model I to Channel 1 or 2 of another. In that case you probably want to have a -20 dB pad inline, between the Line-Out of the first System and the Channel 1 or 2 XLR input of the second. Why use a -20 dBu Pad?
- The XLR connects to a balanced low impedance input stage with a lot of gain. The 1/4" input is unbalanced, has about 20 dB less overall gain but a very high input impedance. [1]
See PS1 Powerstand / Daisy Chain for more information.
You can find separate attenuation pads like this:
Cost: $20-30 on the web
Sources:
- Search results on the web
- You might find something like this in a local music store if they have a Pro Audio department.
This is an example, and you will want to look into the details to determine if you need a pad, and the kinds of connections that are appropriate for your input device.
More Formal Definitions
"attenuator or attenuator pad Electronics. A passive network that reduces the voltage (or power; see usage note under gain) level of a signal with negligible distortion, but with insertion loss. Often a purely resistive network, although any combination of inductors, resistors and capacitors are possible, a pad may also provide impedance matching."
Do It Yourself
An inline pad can be easily soldered, you'll need to insert 3 resistors into your mic cable. The values of these three resistors are determined by the amount of attenuation you wish to achieve. Bose recommends -20dB of attenuation to bring a hot +4dBu balanced line level signal down to a voltage that the Bose PS1 (Classic) Mic inputs can handle.
To build a -20dB attenuation pad insert the following three resistors into your XLR cable path.
- Two 680 ohm resistors inserted into lines (pins) 2 and 3
- One 150 ohm resistor inserted across pins 2 and 3
To minimize the effect on common mode rejection, you should use 1% resistors, but common-ordinary 5% carbon film resistors will work. For microphone pad applications, 1/4 watt or less is fine.
Source: Rick Chinn / Uneeda Audio
References: