User:ST

History

This is ST from the Bose® Musicians Community Message Boards.

I got my first L1 in June 2004 and have been using the Bose^® Personalized Amplification System™ family of products in my unplugged duo, and four-to-occasionally-seven piece eclectic band ever since.

I have no formal relationship with Bose Corporation but in my early dealings with the Bose Live Music Technology Group I found them to be excellent people with a profound sense of the importance of live music. I felt compelled to help.

You may know me from my (too) many posts on the Bose^® Pro Portable PA Community but you might be wondering about this wiki. If so, see Why A Wiki

You can read a little background about me in my blog.

• Four Year Anniversary Blog post
• Three Year Anniversary Blog post
• Two Year Anniversary Blog post

• I was among the first group of individuals honored by Bose as a Live Music Pioneer.

• My avatar/icon up to August 22, 2007

Contact

Please contact me via a Private Message on the Bose^® Pro Portable PA Community.

Send ST a Private Message

Other Sites

• The Sketcher Stage Layout Tool
• my Bose Blog
• ST a little background

Gear

We have enough L1 Cylindrical Radiator^® loudspeakers and B1 Bass Modules to go 1:1 (one per player) and an PackLite^® power amplifier model A1 Extended Bass Package to support to bottom end when necessary.

This is how we set our stage as a Duo

L1 Pro

L1 Model II

This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going.

You can see the earlier version of this page at Stage Layouts / ST Duo Classic / Model I

What I run through my L1®

Electric Guitar

PRS 513

I frequently run this on Classic preset #35 (Paul Reed Smith Custom 22) - clean - straight in, especially when playing with an "unplugged" ensemble. The existing preset is nice but the 513 has several more pickup combinations than an Custom 22. Custom 22 has 5 pickup combinations, that is 2 pickups and five switch settings. 513 has 13, that is 5 pickups and 13 possible sounds. T1® Preset Electric Guitars PRS Custom 22

Ultima / Princeton

Kickin' it old school. Gibson Ultima + 57 Princeton + SM 57 T1® Preset Electric Guitars Miked Amp w/ SM 57

Artisan / Carvin

It's been a very long time since I fired up my Carvin Quad-X amp. I used to run it through a stereo Mosvalve 500 into a Boogie 2x12 or 802s believe it or not. Yesterday I ran a 77 Gibson Artisan into the Quad-X into the T1® to my Model II with 2 x B1s. Awesome. 4 channels - no waiting 5 effects loops 9 tubes Cabinet voicing Noise gate on first stage of preamp Mine (yes of course I have two) are circa 1992. Discontinued around 1994. Some folks are still wondering why. I ran this into T1® Channel 4 using the Preset Category: Electric Guitars Preset: Gibson Les Paul The Artisan also known as the Hearts and Flowers Les Paul is heavy, 12 pounds at least. Only to be worn with a neoprene strap for sure. We get Guitars for all kinds of reasons. I have no *good* reason for having this one but there is a lot of sentimental significance to it. So it's here to stay.

ST Mighty Rack

When I want the absolute drop dead best electric sound I can muster I use this.

<linkedimage> wikipage=ST Mighty Rack tooltip=The ST Mighty Rack img_src=Image:STMightyRack.png img_width=600px

img_alt=ST Mighty Rack </linkedimage>

For more details please see: ST Mighty Rack

Carvin Quad-X Amp

For four straight ahead channels and all tube sound I sometimes use the Carvin Quad-X Amp. Despite the name, it is a preamp - all tubes. ( 12AX7s) and it came with a gigantic foot switch.

<linkedimage> wikipage=Carvin Quad-X Amp tooltip=Carvin Quad-X Amp img_src=Image:92 quadxamp-small.jpg img_width=600px

img_alt=Carvin Quad-X Amp </linkedimage>

For more details please see: Carvin Quad-X Amp

Mesa/Boogie V-Twin

For travelling light (and backup almost always) I carry the Mesa/Boogie V-Twin.

<linkedimage> wikipage=Mesa/Boogie V-Twin tooltip=Mesa/Boogie V-Twin img_src=Image:Mesa Boogie V-Twin mini.gif img_width=270px

img_alt=Mesa/Boogie V-Twin </linkedimage>

For more details please see: Carvin Quad-X Amp

Acoustic Guitar

Larrivée C10-bz

Morgan with passive Fishman under saddle piezo pickup that sounds stunning with the

• Classic Taylor ToneMatch® preset #90 (Dreadnought Finger-Style).
• For a lighter sound I use the T1 ToneMatch Audio Engine
  • Category: Taylor Guitars / Preset: G Audit Finger or
  • Category: Taylor Guitars / Preset: G Concert Finger

Cliff Henricksen suggested that I try these settings for my Larrivée C10 BZ 30th Anniversary and Morgan Concert Cutaway guitars.

ToneMatch® Preset Acoustic Guitars/Flat A Guitar zEQ

• ToneMatch® Preset
  • Category: Acoustic Guitars - Bypass or
  • Preset: Flat, A. Guitar zEQ

Para EQ — -10dB / 500 Hz / 2.0 Oct

• Para EQ
  • Level -10 dB
  • Freq 500 Hz
  • Width 2.0 oct

It sounds so very simple - but the Guitars both sound absolutely stunning!

As a matter of interest, the Larrivée has an iMix no-cut system and the Morgan has a passive Fishman.

It should be no surprise that these settings work so well for both of these instruments. They are very similar. The body shape and size are the standard Larrivée "L" body.

They do sound different when I compare one to the other, but they both benefit from settings - retaining their individual character and sounding far more like their unamplified voices.

Prior to using the settings, Cliff recommended I did this.

Morgan with passive Fishman under saddle piezo pickup that sounds stunning with the

• Classic Taylor ToneMatch® preset #90 (Dreadnought Finger-Style).
• For a lighter sound I use the T1 ToneMatch Audio Engine
  • Category: Taylor Guitars / Preset: G Audit Finger or
  • Category: Taylor Guitars / Preset: G Concert Finger

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John Larrivée with L.R. Baggs iMix no-cut pickup system. I just had this installed because I wanted to start playing this instrument at live gigs.

• T1 ToneMatch^® Audio Engine Preset
  • Category: L.R. Baggs / Preset: iMix

Microphone

• 
  Neumann KMS 105
  • Category: Vocal Mics
  • Preset: Headworn Mics
  • Model I / Classic
    • #12 KMS 105

• Crown CM311a
  
  • Category: Vocal Mics
  • Preset: Headworn Mics
  • Model I / Classic
    • #02 Headworn Microphones

History

First Post on the Message Board

Just in case the site gets reorganized and we lose it here is my first post on the message board.

I was there on Thursday (had the flu and very nearly didn't go).

Ended up sitting about 5 feet in front of Tony Sarno (I was in the front row). I was blown away without being blown away. If you ever get a chance to sit that close to a band running PASs you that bizarre statement will make sense.

Had a great chat with Tony and Wolf after the show.

Friday morning as soon as L&M (the store that sponsored the show) opened, I picked up my PAS. (one bass module)

Since I'm under the weather, I took the rest of the day to get to know the unit. Good times.

Get my first chance to try it out live tonight.

Many many thanks to all the people at Bose who made the investment to travel to Canada.

I was somewhat taken aback that Bose would make so large an investment (you sent what - 10 people including the band?)

Tony, if you happen to see this, I'll send you the information about the McIntyre amp later today.

Wolfe, if you happen to see this, I'm the guy with the Musicman EVH and the PRSs.

I'll post more about how I intend to use it and some questions in the other forums.

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