Difference between revisions of "User:ST"
m (→PRS SC-J) |
m (→Microphone) |
||
(54 intermediate revisions by the same user not shown) | |||
Line 24: | Line 24: | ||
float:left; | float:left; | ||
clear:right; | clear:right; | ||
− | max-width: | + | max-width:50% ; |
min-width:320px; | min-width:320px; | ||
border: 1px solid blue; | border: 1px solid blue; | ||
Line 43: | Line 43: | ||
</html> | </html> | ||
__TOC__ | __TOC__ | ||
+ | <!-- | ||
+ | __NOEDITSECTION__ | ||
+ | --> | ||
<html> | <html> | ||
</div> | </div> | ||
<div class="rightColTOC"> | <div class="rightColTOC"> | ||
− | |||
<a href="http://toonz.ca/images/scribblyDragon.jpg" rel="shadowbox" ><img border="0" src="http://toonz.ca/images/scribblyDragonThumb.gif" alt="Artifact of another life - click for a larger view" title="Artifact of another life - click for a larger view" align="right" > | <a href="http://toonz.ca/images/scribblyDragon.jpg" rel="shadowbox" ><img border="0" src="http://toonz.ca/images/scribblyDragonThumb.gif" alt="Artifact of another life - click for a larger view" title="Artifact of another life - click for a larger view" align="right" > | ||
<a href="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" rel="shadowbox"><img src="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" width="200" alt="sketch on a napkin" title="sketch on a napkin" align="right" ></a> | <a href="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" rel="shadowbox"><img src="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" width="200" alt="sketch on a napkin" title="sketch on a napkin" align="right" ></a> | ||
Line 65: | Line 67: | ||
<h3>Links</h3> | <h3>Links</h3> | ||
</html> | </html> | ||
− | * [http://shadowtoonz.wordpress.com | + | * [https://twitter.com/ST_Muso Twitter] |
+ | * [https://www.linkedin.com/in/stpro/ LinkedIn] | ||
+ | * [http://shadowtoonz.wordpress.com My blog] | ||
+ | <!-- | ||
* {{Forum}} | * {{Forum}} | ||
− | + | --> | |
− | <a href="http://www.twitter.com/ | + | <HTML> |
− | + | <!-- | |
+ | <a href="http://www.twitter.com/ST_Muso"><img src="http://twitter-badges.s3.amazonaws.com/twitter-b.png" alt="Follow ST_L1 on Twitter"/></a> | ||
+ | --> | ||
</div> | </div> | ||
Line 76: | Line 83: | ||
</html> | </html> | ||
+ | == Current Role == | ||
+ | June 2020 — enjoying life playing music, and anxious to start gigging with the L1 Pro32 with Sub1 | ||
+ | === Recent History === | ||
+ | June 2016 — June 2020 Community Manager for the {{forum}} | ||
+ | |||
+ | Mid-2016 I took on the role of Community Manager for the {{forum}}. In 2017 my Community Manager role expanded to encompass the Bose Pro Audio Community and [http://community.bose.com Bose Community] with a special focus on wireless headphones and Hearphones the conversation enhancing headphones | ||
== Background == | == Background == | ||
− | This is ST from the | + | This is ST from the {{forum}}. |
− | * I got my first {{L1}} in June 2004 and have been using the {{PAS}} in my | + | * I got my first {{L1}} in June 2004 and have been using the {{PAS}} in my solo, unplugged duo, and four-to-occasionally-seven piece eclectic band ever since. <br /> |
− | * I | + | * In those early days I had no formal relationship with Bose Corporation but in my early dealings with the Bose Live Music Technology Group I found them to be excellent people with a profound sense of the importance of live music. I felt compelled to help. <br /> |
* You may know me from my posts on the {{forum}} but you might be wondering about this wiki. If so, see [[Why A Wiki]]<br /> | * You may know me from my posts on the {{forum}} but you might be wondering about this wiki. If so, see [[Why A Wiki]]<br /> | ||
* [[The Sketcher]] — I am the author of this online tool for visualizing stage layouts. | * [[The Sketcher]] — I am the author of this online tool for visualizing stage layouts. | ||
Line 88: | Line 101: | ||
You can read [http://shadowtoonz.wordpress.com/2005/03/07/st-whats-that-about/ a little background about me] in my blog. | You can read [http://shadowtoonz.wordpress.com/2005/03/07/st-whats-that-about/ a little background about me] in my blog. | ||
+ | * [https://shadowtoonz.wordpress.com/2015/06/12/eleven-years-of-bose/ Eleven Years of Bose] | ||
* [http://shadowtoonz.wordpress.com/2008/06/15/and-another-year-makes-four/ Four Year Anniversary Blog post] | * [http://shadowtoonz.wordpress.com/2008/06/15/and-another-year-makes-four/ Four Year Anniversary Blog post] | ||
* [http://shadowtoonz.wordpress.com/2007/06/12/still-counting-after-3-years/ Three Year Anniversary Blog post] | * [http://shadowtoonz.wordpress.com/2007/06/12/still-counting-after-3-years/ Three Year Anniversary Blog post] | ||
Line 120: | Line 134: | ||
</table> | </table> | ||
+ | <!-- | ||
== Contact == | == Contact == | ||
Please contact me via a Private Message on the {{forum}}. | Please contact me via a Private Message on the {{forum}}. | ||
{{STPM}} | {{STPM}} | ||
− | + | --> | |
== Other Sites == | == Other Sites == | ||
Line 132: | Line 147: | ||
== Gear == | == Gear == | ||
− | We have enough {{L1 CR | + | We have enough {{L1 CR}}s to go '''1:1''' (one per player). |
+ | === Duo === | ||
+ | {{:Stage Layouts / ST Duo}} | ||
+ | |||
+ | === Four Piece Band === | ||
+ | ==== L1® Setup ==== | ||
+ | Four L1 Pro systems or {{Model II}} systems (could also be {{Model 1S}}) | ||
+ | |||
+ | [[Image:Stage Layout 4 Piece Band.png|600px|Four Piece band]] | ||
+ | |||
+ | ---- | ||
+ | |||
+ | ==== F1 Setup ==== | ||
+ | In this setup I run two F1 Stacks (F1 Model 812 with F1 Subwoofer) for the Front of House system and two {{Compact}}s as monitors at the back of the stage. I've also see people set up the {{Compact}}s at the front of the stage facing back toward the performers, without the extensions. | ||
+ | |||
+ | [[Image:Four Piece Band F1 with Compacts.png|600px|Four Piece band with F1]] | ||
− | + | ---- | |
=== What I run through my L1® === | === What I run through my L1® === | ||
==== Electric Guitar ==== | ==== Electric Guitar ==== | ||
− | + | [[File:ST Tiger Eye Hands squarew1024.jpg|250px|right]] | |
<table><tr> | <table><tr> | ||
<td valign="top"> | <td valign="top"> | ||
Line 146: | Line 176: | ||
</td> | </td> | ||
</tr></table> | </tr></table> | ||
+ | |||
+ | ==== Hollow and Semi-Hollow Body Electrics ==== | ||
+ | These guitars can sound terrific | ||
+ | * Through the {{T1}}/{{ToneMatch Mixers}} with Presets bypassed (making this Utility Flat) | ||
+ | * Straight into any {{L1PS}} no ToneMatch® Preset required, but use one if you prefer | ||
+ | * Straight into the {{Compact}} Channel 2 set to Line Level (no ToneMatch® Preset) | ||
+ | * Straight into the {{Model II}} Power Stand analog input (no preset or other processing) | ||
+ | * Straight into the {{S1}} with ToneMatch Switch off (no preset or other processing) | ||
+ | |||
+ | I do this with my other large hollowbody and semi-hollowbody electrics. They all sound great straight in. | ||
+ | |||
+ | And experiment with ToneMatch Presets like: | ||
+ | |||
+ | Category: Electric Guitar | ||
+ | <br>Preset: General Direct | ||
+ | |||
+ | Category: Electric Guitar | ||
+ | <br>Preset: Flat w/zEQ | ||
+ | |||
+ | On the {{S1}} try these to lighten up the low end | ||
+ | *The Guitar Preset | ||
+ | *The Microphone Preset | ||
+ | |||
+ | ===== PRS JA-15 ===== | ||
+ | [[File:PRS_JA-15-2.jpg|link=PRS JA-15|150px|click to learn more]] | ||
+ | <br>Click the picture to learn more | ||
===== PRS SC-J ===== | ===== PRS SC-J ===== | ||
<html>Single Cut Jumbo, shown here | <html>Single Cut Jumbo, shown here | ||
<br> | <br> | ||
− | <div style="float:left;margin: | + | <div style="float:left;margin:5px;max-width:250px;"> |
<a href="http://toonz.ca/guitars/images/semis/pr002.jpg" rel="shadowbox[PRSSCJ]" title="with the Roland GK divided pickup I use with the Roland VG-99"> | <a href="http://toonz.ca/guitars/images/semis/pr002.jpg" rel="shadowbox[PRSSCJ]" title="with the Roland GK divided pickup I use with the Roland VG-99"> | ||
− | <img src="http://toonz.ca/guitars/images/semis/pr002.jpg" height=" | + | <img src="http://toonz.ca/guitars/images/semis/pr002.jpg" height="250" align=""> |
</a> | </a> | ||
<br>with the Roland GK divided pickup I use with the Roland VG-99</div> | <br>with the Roland GK divided pickup I use with the Roland VG-99</div> | ||
− | + | <!-- | |
− | <div style="float:left;margin: | + | <div style="float:left;margin:5px; max-width:175px"> |
<a href="http://toonz.ca/guitars/images/semis/PRS-SCJ002.jpg" rel="shadowbox[PRSSCJ]" title="PRS-SCJ with a great background"> | <a href="http://toonz.ca/guitars/images/semis/PRS-SCJ002.jpg" rel="shadowbox[PRSSCJ]" title="PRS-SCJ with a great background"> | ||
− | <img src="http://toonz.ca/guitars/images/semis/PRS-SCJ002.jpg" height=" | + | <img src="http://toonz.ca/guitars/images/semis/PRS-SCJ002.jpg" height="250"> |
</a> | </a> | ||
<br>Really tough to photograph</div> | <br>Really tough to photograph</div> | ||
+ | <div style="float:left;margin:5px;max-width:250px"> | ||
+ | <a href="http://toonz.ca/guitars/images/semis/PRS-SCJ005.jpg" rel="shadowbox[PRSSCJ]" title="Odyssey 600 with PRS-SCJ - both semi-acoustics"> | ||
+ | <img src="http://toonz.ca/guitars/images/semis/PRS-SCJ005.jpg" height="250"> | ||
+ | </a> | ||
+ | <br>Odyssey 600 with PRS-SCJ - both semi-acoustics</div> | ||
− | <div style="float:left;margin: | + | <div style="float:left;margin:5px;max-width:250px"> |
<a href="http://toonz.ca/guitars/images/semis/PRSsc-j%20Stock%20Photo.jpg" rel="shadowbox[PRSSCJ]" title="PRS-SCJ Stock photo"> | <a href="http://toonz.ca/guitars/images/semis/PRSsc-j%20Stock%20Photo.jpg" rel="shadowbox[PRSSCJ]" title="PRS-SCJ Stock photo"> | ||
− | <img src="http://toonz.ca/guitars/images/semis/PRSsc-j%20Stock%20Photo.jpg" height=" | + | <img src="http://toonz.ca/guitars/images/semis/PRSsc-j%20Stock%20Photo.jpg" height="250"> |
</a> | </a> | ||
<br>stock photo</div> | <br>stock photo</div> | ||
+ | --> | ||
<div style="clear:both"></div> | <div style="clear:both"></div> | ||
+ | |||
</html> | </html> | ||
+ | |||
+ | ===== Gibson L5-CES (Wes Montgomery)===== | ||
+ | <html><a href="http://toonz.ca/guitars/images/L5Wes01800.jpg" rel="shadowbox" ><img src="http://toonz.ca/guitars/images/L5Wes01800.jpg" style="border:0;float:right;height:200px; padding:10px" alt="Gibson L5-CES (Wes Montgomery) " title="Gibson L5-CES (Wes Montgomery) " > </a></html> | ||
+ | I run this several different ways: | ||
+ | * through the {{T1}} with Presets bypassed (making this Utility Flat) | ||
+ | * straight into the {{Compact}} Channel 2 set to Line Level (no ToneMatch® Preset) | ||
+ | * straight into the {{Model II}} Power Stand analog input (no preset or other processing) | ||
+ | |||
+ | I do the same with my other large hollowbody and semi-hollowbody electrics. They all sound great straight into the various L1®s. | ||
+ | |||
+ | ==== Solid Body ==== | ||
===== PRS Private Stock Single Cut "Tiger Eye" ===== | ===== PRS Private Stock Single Cut "Tiger Eye" ===== | ||
Line 179: | Line 253: | ||
<br />Category: Electric Guitars | <br />Category: Electric Guitars | ||
<br />Preset:PRS Custom 22 | <br />Preset:PRS Custom 22 | ||
+ | |||
+ | <br>Otherwise I'll use the [[Kemper Profiling Amp]] | ||
+ | |||
+ | [[File:KemperProfilingAmpWhite800x500.jpg|link=http://www.kemper-amps.com/|400px |Kemper Profiling Amp]] | ||
+ | |||
+ | [[Image:T1 Electric Guitars Flat E Guitar zEQ-400.png|300px|right|Flat E Guitar zEQ]] | ||
+ | * T1® Preset | ||
+ | <br />Category: Electric Guitars | ||
+ | <br />Flat E Guitar zEQ | ||
+ | |||
</td> | </td> | ||
− | <td> | + | <td style="vertical-align:top;"> |
− | <html><a href="http://toonz.ca/guitars/images/tigereye/TigerEye02.jpg" rel="shadowbox" title='PRS Private Stock Single Cut "Tiger Eye"'><img src="http://toonz.ca/guitars/images/tigereye/TigerEye04.jpg" style="height: | + | <html><a href="http://toonz.ca/guitars/images/tigereye/TigerEye02.jpg" rel="shadowbox" title='PRS Private Stock Single Cut "Tiger Eye"'><img src="http://toonz.ca/guitars/images/tigereye/TigerEye04.jpg" style="height:250px;float:right;border:0px;padding:10px"></a></html> |
</td> | </td> | ||
</tr></table> | </tr></table> | ||
Line 189: | Line 273: | ||
<!-- [[Image:Prs513-300.jpg|100px]]--> | <!-- [[Image:Prs513-300.jpg|100px]]--> | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
===== Ultima / Princeton ===== | ===== Ultima / Princeton ===== | ||
Line 263: | Line 340: | ||
</tr></table> | </tr></table> | ||
− | ===== Profiling ===== | + | ===== Kemper Profiling Amp ===== |
The Kemper Profiling Amp is second only to the {{L1}} as a technology that has transformed the way I play music. | The Kemper Profiling Amp is second only to the {{L1}} as a technology that has transformed the way I play music. | ||
+ | [[File:Kemper Profiler Stage.jpg|link=https://www.kemper-amps.com/stage|400px|right|Kemper Profiler Stage]] | ||
+ | [[File:KemperProfilingAmpWhite800x500.jpg|link=http://www.kemper-amps.com/|350px |Kemper Profiling Amp]] | ||
− | + | I got the Kemper Profiler Stage (right) for outdoor battery-powered gigs. See [[Portable Power Stations]] for more details. | |
===== Old School ===== | ===== Old School ===== | ||
====== ST Mighty Rack====== | ====== ST Mighty Rack====== | ||
− | Before the Kemper Profiling Amp I used to say, "When I want the absolute drop dead best electric sound I can muster I use this." | + | Before the Kemper Profiling Amp I used to say, "When I want the absolute drop dead best electric sound I can muster I use this." Now I use the Kemper. It's lighter. |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | + | [[File:STMightyRack.png|link=ST Mighty Rack|600px|ST Mighty Rack]] | |
− | |||
For more details please see: [[ST Mighty Rack]] | For more details please see: [[ST Mighty Rack]] | ||
Line 286: | Line 358: | ||
For four straight ahead channels and all tube sound I sometimes use the Carvin Quad-X Amp. Despite the name, it is a preamp - all tubes. ( 12AX7s) and it came with a gigantic foot switch. | For four straight ahead channels and all tube sound I sometimes use the Carvin Quad-X Amp. Despite the name, it is a preamp - all tubes. ( 12AX7s) and it came with a gigantic foot switch. | ||
− | + | [[File:92 quadxamp-small.jpg|link=Carvin Quad-X Amp|600px]] | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
For more details please see: [[Carvin Quad-X Amp]] | For more details please see: [[Carvin Quad-X Amp]] | ||
====== Mesa/Boogie V-Twin ====== | ====== Mesa/Boogie V-Twin ====== | ||
− | For | + | For traveling light (and backup almost always) I used to carry the Mesa/Boogie V-Twin. |
+ | <!-- | ||
+ | These days I use the [http://www.tc-helicon.com/products/voicelive-play-gtx/ TC-Helicon VoiceLive Play GTX] because it sounds good and it also has phantom power for my microphone. --> | ||
− | + | [[File:Mesa Boogie V-Twin mini.gif|link=Mesa/Boogie V-Twin|270px|Mesa/Boogie V-Twin]] | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
For more details please see: [http://www.mesaboogie.com/Product_Info/Out_of%20_Production/V-Twin/v-twin.html Mesa Boogie V-Twin] | For more details please see: [http://www.mesaboogie.com/Product_Info/Out_of%20_Production/V-Twin/v-twin.html Mesa Boogie V-Twin] | ||
Line 338: | Line 399: | ||
==== Acoustic Guitar ==== | ==== Acoustic Guitar ==== | ||
− | [[Image:Larrivee150.png|thumb|right|Larrivée C10-bz]][[ | + | [[Image:Larrivee150.png|thumb|right|Larrivée C10-bz]][[File:C10Morgan.jpg|300px|Larrivée C10 BZ and Morgan Concert Cutaway]] |
<!-- | <!-- | ||
* [http://toonz.ca/guitars/ ST Guitars]http://tinyurl.com/STguitars --> | * [http://toonz.ca/guitars/ ST Guitars]http://tinyurl.com/STguitars --> | ||
Line 351: | Line 412: | ||
==== Microphone ==== | ==== Microphone ==== | ||
+ | ===== Condenser Microphone ===== | ||
+ | [[Image:Kms105Thumb.jpg|100px|right]] Neumann KMS 105 | ||
+ | *Category: Vocal Mics | ||
+ | *Preset: Neumann KMS 105 | ||
+ | *Model I / Classic | ||
+ | ** #12 KMS 105 | ||
− | + | ===== Dynamic Microphones ===== | |
− | + | ====== Sennheiser MD 441 ====== | |
− | + | [[File:Sennheiser MD 441 vertical.jpg|50px|right|link=Sennheiser MD 441]] | |
− | + | [[Sennheiser MD 441]] | |
− | + | *Category: Vocal Mics | |
+ | *Preset: Flat, Vocal zEQ OR<br>Sennheiser MD 431-II | ||
+ | ====== Sennheiser MD 445 ====== | ||
+ | [[File:Sennheiser MD 445.jpg|50px|right|link=Sennheiser MD 445]] | ||
+ | *Category: Vocal Mics | ||
+ | *Preset: Flat, Vocal zEQ OR<br>Sennheiser e 855 OR<br>Sennheiser MD 431-II | ||
− | + | ||
− | + | ===== Headworn Microphone ===== | |
− | + | Crown CM311a [[Image:Cm311a-2.gif|right]] | |
− | + | *Category: Vocal Mics | |
− | + | *Preset: Headworn Mics | |
+ | *Model I / Classic | ||
+ | ** #02 Headworn Microphones | ||
==== Vocal Processor / Guitar Effects ==== | ==== Vocal Processor / Guitar Effects ==== | ||
− | For gigs in really tight places I have been using the [http://www.tc-helicon.com/products/voicelive-play-gtx TC-Helicon VoiceLive Play GTX] since mid-2012. {{#img: image=Voicelive-play-gtx_top.jpg |page=TC-Helicon VoiceLive Play GTX to Compact| width=150px |title=TC-Helicon VoiceLive Play GTX }} | + | For gigs in really tight places I have been using the [http://www.tc-helicon.com/products/voicelive-play-gtx TC-Helicon VoiceLive Play GTX] since mid-2012. {{#img: image=Voicelive-play-gtx_top.jpg |page=TC-Helicon VoiceLive Play GTX to Compact| width=150px |title=TC-Helicon VoiceLive Play GTX }}. This unit was replaced by the TC-Helicon VoiceLive 3. |
In January 2014 the | In January 2014 the | ||
Line 373: | Line 447: | ||
The big appeal for me was the guitar amp emulations, looper, and ''adaptive tone'' features. I haven't used the harmony features. The small form-factor was a big part of the decision to use these. | The big appeal for me was the guitar amp emulations, looper, and ''adaptive tone'' features. I haven't used the harmony features. The small form-factor was a big part of the decision to use these. | ||
+ | |||
+ | Update: I found that I wasn't the vocal features. I got the Kemper Profiling Amp and these were so much better than the TC-Helicon guitar amp emulations, so I stopped using the latter. And finally, I had planned to use the looper as a practice tool, and for capturing song ideas. In the end it was simpler to capture the ideas directly to the computer using the T1® USB interface and some recording software. The VoiceLive 3 has left the building. | ||
== Doing Sound == | == Doing Sound == |
Latest revision as of 22:00, 20 April 2022
Contents
- 1 Current Role
- 2 Background
- 3 Other Sites
- 4 Gear
- 4.1 Duo
- 4.2 Four Piece Band
- 4.3 What I run through my L1®
- 4.3.1 Electric Guitar
- 4.3.2 Hollow and Semi-Hollow Body Electrics
- 4.3.3 Solid Body
- 4.3.4 Acoustic Guitar
- 4.3.5 Microphone
- 4.3.6 Vocal Processor / Guitar Effects
- 5 Doing Sound
- 6 History
Current Role
June 2020 — enjoying life playing music, and anxious to start gigging with the L1 Pro32 with Sub1
Recent History
June 2016 — June 2020 Community Manager for the Bose® Pro Portable PA Community
Mid-2016 I took on the role of Community Manager for the Bose® Pro Portable PA Community. In 2017 my Community Manager role expanded to encompass the Bose Pro Audio Community and Bose Community with a special focus on wireless headphones and Hearphones the conversation enhancing headphones
Background
This is ST from the Bose® Pro Portable PA Community.
- I got my first L1 in June 2004 and have been using the Bose® Personalized Amplification System™ family of products in my solo, unplugged duo, and four-to-occasionally-seven piece eclectic band ever since.
- In those early days I had no formal relationship with Bose Corporation but in my early dealings with the Bose Live Music Technology Group I found them to be excellent people with a profound sense of the importance of live music. I felt compelled to help.
- You may know me from my posts on the Bose® Pro Portable PA Community but you might be wondering about this wiki. If so, see Why A Wiki
- The Sketcher — I am the author of this online tool for visualizing stage layouts.
You can read a little background about me in my blog.
- Eleven Years of Bose
- Four Year Anniversary Blog post
- Three Year Anniversary Blog post
- Two Year Anniversary Blog post
- I was among the first group of individuals honoured by Bose as a Live Music Pioneer. [1]
- My avatar/icon up to August 22, 2007 and my August 2009
![]() |
![]() |
- More avatar/icons 2010
![]() |
![]() |
![]() |
![]() |
![]() |
Other Sites
- The Sketcher Stage Layout Tool
- my Bose Blog
- ST a little background
Gear
We have enough L1 Cylindrical Radiator® loudspeakers to go 1:1 (one per player).
Duo
This is how we set our stage as a Duo
- L1 Pro
- L1 Model II
This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going.
You can see the earlier version of this page at Stage Layouts / ST Duo Classic / Model I
Four Piece Band
L1® Setup
Four L1 Pro systems or L1 Model II systems (could also be L1 Model 1S)
F1 Setup
In this setup I run two F1 Stacks (F1 Model 812 with F1 Subwoofer) for the Front of House system and two L1 Compacts as monitors at the back of the stage. I've also see people set up the L1 Compacts at the front of the stage facing back toward the performers, without the extensions.
What I run through my L1®
Electric Guitar
Hollow and Semi-Hollow Body Electrics
These guitars can sound terrific
- Through the T1 ToneMatch Audio Engine/T4S/T8S ToneMatch® Mixers with Presets bypassed (making this Utility Flat)
- Straight into any L1 Pro System[2] no ToneMatch® Preset required, but use one if you prefer
- Straight into the L1 Compact Channel 2 set to Line Level (no ToneMatch® Preset)
- Straight into the L1 Model II Power Stand analog input (no preset or other processing)
- Straight into the S1 Pro System with ToneMatch Switch off (no preset or other processing)
I do this with my other large hollowbody and semi-hollowbody electrics. They all sound great straight in.
And experiment with ToneMatch Presets like:
Category: Electric Guitar
Preset: General Direct
Category: Electric Guitar
Preset: Flat w/zEQ
On the S1 Pro System try these to lighten up the low end
- The Guitar Preset
- The Microphone Preset
PRS JA-15
Click the picture to learn more
PRS SC-J
Single Cut Jumbo, shown here
Gibson L5-CES (Wes Montgomery)
I run this several different ways:
- through the T1 ToneMatch Audio Engine with Presets bypassed (making this Utility Flat)
- straight into the L1 Compact Channel 2 set to Line Level (no ToneMatch® Preset)
- straight into the L1 Model II Power Stand analog input (no preset or other processing)
I do the same with my other large hollowbody and semi-hollowbody electrics. They all sound great straight into the various L1®s.
Solid Body
PRS Private Stock Single Cut "Tiger Eye"
I frequently run this on T1 ToneMatch Audio Engine Preset Electric Guitars / Paul Reed Smith Custom 22 (Classic preset #35) - clean - straight in, especially when playing with an unplugged group.
|
Ultima / Princeton
Odyssey 500 / 600
Artisan / Carvin
It's been a very long time since I fired up my Carvin Quad-X Amp. I used to run it through a stereo Mosvalve 500 into a Boogie 2x12 or 802s believe it or not. Recently I ran a 77 Gibson Artisan into the Quad-X into the T1® to my Model II with 2 x B1s. Awesome.
Mine (yes of course I have two) are circa 1992. Discontinued around 1994. Some folks are still wondering why.
|
Kemper Profiling Amp
The Kemper Profiling Amp is second only to the L1 as a technology that has transformed the way I play music.
I got the Kemper Profiler Stage (right) for outdoor battery-powered gigs. See Portable Power Stations for more details.
Old School
ST Mighty Rack
Before the Kemper Profiling Amp I used to say, "When I want the absolute drop dead best electric sound I can muster I use this." Now I use the Kemper. It's lighter.
For more details please see: ST Mighty Rack
Carvin Quad-X Amp
For four straight ahead channels and all tube sound I sometimes use the Carvin Quad-X Amp. Despite the name, it is a preamp - all tubes. ( 12AX7s) and it came with a gigantic foot switch.
For more details please see: Carvin Quad-X Amp
Mesa/Boogie V-Twin
For traveling light (and backup almost always) I used to carry the Mesa/Boogie V-Twin.
For more details please see: Mesa Boogie V-Twin
Virtual Guitar - Roland VG-99, VG-88 & VG-8
When I want a huge palette of sounds that extends beyond traditional guitar then I use Roland VG-99,
and occasionally the older VG-88 or VG-8.
I have a Roland GK2 pickup mounted on my Gibson ES Artist (blasphemy?). I run that to the VG-88 and then to the T1® with using one of the following Presets:
- Utility Flat
- Prerecorded Music / Low Volume
- Prerecorded Music / High Volume
If you are familiar with the GK2/3 pickups you know that you can also run the electric guitar sound direct to the VG-88. I run that to a separate T1® Channel and use one of these Presets:
- Electric Guitars / Miked Amp w/SM57
- Electric Guitars / Miked Amp w/e609
- Electric Guitars / General Direct
I don't feel as though I have fully explored the VG-88 so the VG-99 is on the back burner for now.
In case you are wondering, I normally run mono. Stereo sounds great but for me, there is not enough benefit to warrant bringing two L1®s to run stereo.
Acoustic Guitar
Cliff Henricksen suggested that I try these settings for my Larrivée C10 BZ 30th Anniversary and Morgan Concert Cutaway guitars.
- ToneMatch® Preset
- Category: Acoustic Guitars - Bypass or
- Preset: Flat, A. Guitar zEQ
- Para EQ
- Level -10 dB
- Freq 500 Hz
- Width 2.0 oct
It sounds so very simple - but the Guitars both sound absolutely stunning!
As a matter of interest, the Larrivée has an iMix no-cut system and the Morgan has a passive Fishman.
It should be no surprise that these settings work so well for both of these instruments. They are very similar. The body shape and size are the standard Larrivée "L" body.
They do sound different when I compare one to the other, but they both benefit from settings - retaining their individual character and sounding far more like their unamplified voices.
Prior to using the settings, Cliff recommended I did this.
Morgan with passive Fishman under saddle piezo pickup that sounds stunning with the
- Classic Taylor ToneMatch® preset #90 (Dreadnought Finger-Style).
- For a lighter sound I use the T1 ToneMatch Audio Engine
- Category: Taylor Guitars / Preset: G Audit Finger or
- Category: Taylor Guitars / Preset: G Concert Finger
Larrivée with L.R. Baggs iMix no-cut pickup system. I just had this installed because I wanted to start playing this instrument at live gigs.
- T1 ToneMatch® Audio Engine Preset
- Category: L.R. Baggs / Preset: iMix
Microphone
Condenser Microphone
Neumann KMS 105
- Category: Vocal Mics
- Preset: Neumann KMS 105
- Model I / Classic
- #12 KMS 105
Dynamic Microphones
Sennheiser MD 441
- Category: Vocal Mics
- Preset: Flat, Vocal zEQ OR
Sennheiser MD 431-II
Sennheiser MD 445
- Category: Vocal Mics
- Preset: Flat, Vocal zEQ OR
Sennheiser e 855 OR
Sennheiser MD 431-II
Headworn Microphone
Crown CM311a
- Category: Vocal Mics
- Preset: Headworn Mics
- Model I / Classic
- #02 Headworn Microphones
Vocal Processor / Guitar Effects
For gigs in really tight places I have been using the TC-Helicon VoiceLive Play GTX since mid-2012. {{#img: image=Voicelive-play-gtx_top.jpg |page=TC-Helicon VoiceLive Play GTX to Compact| width=150px |title=TC-Helicon VoiceLive Play GTX }}. This unit was replaced by the TC-Helicon VoiceLive 3.
In January 2014 the TC-Helicon VoiceLive 3 was released and I've been experimenting with that. {{#img: image=Tch-voicelive-3-floor.jpg |page=TC-Helicon_VoiceLive_3_to_Compact| width=300px |title=TC-Helicon VoiceLive 3}}
The big appeal for me was the guitar amp emulations, looper, and adaptive tone features. I haven't used the harmony features. The small form-factor was a big part of the decision to use these.
Update: I found that I wasn't the vocal features. I got the Kemper Profiling Amp and these were so much better than the TC-Helicon guitar amp emulations, so I stopped using the latter. And finally, I had planned to use the looper as a practice tool, and for capturing song ideas. In the end it was simpler to capture the ideas directly to the computer using the T1® USB interface and some recording software. The VoiceLive 3 has left the building.
Doing Sound
Doing Sound - or "Being the Sound Guy" was never on my list of things to accomplish.
If someone were to ask me how to use the L1®s to provide sound reinforcement for live musicians I would insist that s/he watch three video presentations before doing anything else.
- The L1® Approach and the History Of Amplification
- Clifford Henricksen Introduces the L1®
- Playing better with the L1® System - Cliff Goodwin
Then I would offer these gig reports of four of the shows where I supported several acts crossing a stage using multiple L1®s at the back of the stage.
- Gig Report / 8 Live Acts 7 Hours
- Lots of acts: Lots of L1®s
- Butting Heads over the Sound - Taking One for the Team
- But I Never Wanted To Be the Sound Guy
And some notes about working with performers. Introducing Performers to the Bose System
History
First Post on the Message Board
Just in case the site gets reorganized and we lose it here is my first post on the message board.
- I was there on Thursday (had the flu and very nearly didn't go).
- Ended up sitting about 5 feet in front of Tony Sarno (I was in the front row). I was blown away without being blown away. If you ever get a chance to sit that close to a band running PASs you that bizarre statement will make sense.
- Had a great chat with Tony and Wolf after the show.
- Friday morning as soon as L&M (the store that sponsored the show) opened, I picked up my PAS. (one bass module)
- Since I'm under the weather, I took the rest of the day to get to know the unit. Good times.
- Get my first chance to try it out live tonight.
- Many many thanks to all the people at Bose who made the investment to travel to Canada.
- I was somewhat taken aback that Bose would make so large an investment (you sent what - 10 people including the band?)
- Tony, if you happen to see this, I'll send you the information about the McIntyre amp later today.
- Wolfe, if you happen to see this, I'm the guy with the Musicman EVH and the PRSs.
- I'll post more about how I intend to use it and some questions in the other forums.
- ↑ Ken-at-Bose announces Live Music Pioneers
- ↑ L1 Pro 8, L1 Pro 16, L1 Pro 32