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<a href="http://toonz.ca/images/scribblyDragon.jpg" target="_new"><img border="0" src="http://toonz.ca/images/scribblyDragonThumb.gif" alt="Artifact of another life - click for a larger view" title="Artifact of another life - click for a larger view" align="right" ><a href="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png"><img src="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" width="200" alt="sketch on a napkin" title="sketch on a napkin" align="right" ></a> | <a href="http://toonz.ca/images/scribblyDragon.jpg" target="_new"><img border="0" src="http://toonz.ca/images/scribblyDragonThumb.gif" alt="Artifact of another life - click for a larger view" title="Artifact of another life - click for a larger view" align="right" ><a href="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png"><img src="http://toonz.ca/bose/wiki/images/d/d0/RattleSnakeNapkin400a.png" width="200" alt="sketch on a napkin" title="sketch on a napkin" align="right" ></a> | ||
<img src="http://toonz.ca/bose/wiki/images/0/08/StIconModelII.gif" align="right" alt="self portrait: Meander Bose" title="self portrait: Meander Bose"> | <img src="http://toonz.ca/bose/wiki/images/0/08/StIconModelII.gif" align="right" alt="self portrait: Meander Bose" title="self portrait: Meander Bose"> | ||
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+ | * [http://shadowtoonz.wordpress.com my blog] | ||
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+ | * <html><a href="http://www.twitter.com/ST_L1"><img src="http://twitter-badges.s3.amazonaws.com/twitter-b.png" alt="Follow ST_L1 on Twitter"/></a></html> | ||
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== Background == | == Background == |
Revision as of 20:34, 2 November 2010
Contents |
Links |
Background
This is ST from the Bose® Musicians Community Message Boards.
- I got my first L1 in June 2004 and have been using the Bose® Personalized Amplification System™ family of products in my unplugged duo, and four-to-occasionally-seven piece eclectic band ever since.
- I have no formal relationship with Bose Corporation but in my early dealings with the Bose Live Music Technology Group I found them to be excellent people with a profound sense of the importance of live music. I felt compelled to help.
- You may know me from my posts on the Bose® Pro Portable PA Community but you might be wondering about this wiki. If so, see Why A Wiki
- The Sketcher — I am the author of this online tool for visualizing stage layouts.
You can read a little background about me in my blog.
- I was among the first group of individuals honoured by Bose as a Live Music Pioneer. [1]
- My avatar/icon up to August 22, 2007 and my current Icon
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Contact
Please contact me via a Private Message on the Bose® Pro Portable PA Community.
Other Sites
- The Sketcher Stage Layout Tool
- my Bose Blog
- ST a little background
Gear
We have enough L1 Cylindrical Radiator® loudspeakers and B1 Bass Modules to go 1:1 (one per player) and an PackLite® power amplifier model A1 Extended Bass Package to support to bottom end when necessary.
This is how we set our stage as a Duo
- L1 Pro
- L1 Model II
This has worked extremely well for us, and when there are guest artists it is simple to get them plugged in and going.
You can see the earlier version of this page at Stage Layouts / ST Duo Classic / Model I
What I run through my L1®
Electric Guitar
PRS 513
I frequently run this on T1 ToneMatch Audio Engine Preset Electric Guitars / Paul Reed Smith Custom 22 (Classic preset #35) - clean - straight in, especially when playing with an "unplugged" group.
The existing preset is nice but the 513 has several more pickup combinations than a Custom 22.
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Ultima / Princeton
Kickin' it old school. This is a guilty pleasure that I don't do in public. The reason? I haven't gotten around to having the 57 Princeton rewired with a ground. It can be a little dangerous on a live stage stage. Shocking!
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Artisan / Carvin =
It's been a very long time since I fired up my Carvin Quad-X Amp. I used to run it through a stereo Mosvalve 500 into a Boogie 2x12 or 802s believe it or not. Recently I ran a 77 Gibson Artisan into the Quad-X into the T1® to my Model II with 2 x B1s. Awesome.
Mine (yes of course I have two) are circa 1992. Discontinued around 1994. Some folks are still wondering why.
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ST Mighty Rack
When I want the absolute drop dead best electric sound I can muster I use this.
<linkedimage> wikipage=ST Mighty Rack tooltip=The ST Mighty Rack img_src=Image:STMightyRack.png img_width=600px
img_alt=ST Mighty Rack </linkedimage>
For more details please see: ST Mighty Rack
Carvin Quad-X Amp
For four straight ahead channels and all tube sound I sometimes use the Carvin Quad-X Amp. Despite the name, it is a preamp - all tubes. ( 12AX7s) and it came with a gigantic foot switch.
<linkedimage> wikipage=Carvin Quad-X Amp tooltip=Carvin Quad-X Amp img_src=Image:92 quadxamp-small.jpg img_width=600px
img_alt=Carvin Quad-X Amp </linkedimage>
For more details please see: Carvin Quad-X Amp
Mesa/Boogie V-Twin
For travelling light (and backup almost always) I carry the Mesa/Boogie V-Twin.
<linkedimage> wikipage=Mesa/Boogie V-Twin tooltip=Mesa/Boogie V-Twin img_src=Image:Mesa Boogie V-Twin mini.gif img_width=270px
img_alt=Mesa/Boogie V-Twin </linkedimage>
For more details please see: Mesa Boogie V-Twin
Virtual Guitar - Roland VG-88 & VG-8
When I want a huge palette of sounds that extends beyond traditional guitar then I use the Roland VG-88, and occasionally the older VG-8.
I have a Roland GK2 pickup mounted on my Gibson ES Artist (blasphemy?). I run that to the VG-88 and then to the T1® with using one of the following Presets:
- Utility Flat
- Prerecorded Music / Low Volume
- Prerecorded Music / High Volume
If you are familiar with the GK2/3 pickups you know that you can also run the electric guitar sound direct to the VG-88. I run that to a separate T1® Channel and use one of these Presets:
- Electric Guitars / Miked Amp w/SM57
- Electric Guitars / Miked Amp w/e609
- Electric Guitars / General Direct
I don't feel as though I have fully explored the VG-88 so the VG-99 is on the back burner for now.
In case you are wondering, I normally run mono. Stereo sounds great but for me, there is not enough benefit to warrant bringing two L1®s to run stereo.
Acoustic Guitar
Cliff Henricksen suggested that I try these settings for my Larrivée C10 BZ 30th Anniversary and Morgan Concert Cutaway guitars.
- ToneMatch® Preset
- Category: Acoustic Guitars - Bypass or
- Preset: Flat, A. Guitar zEQ
- Para EQ
- Level -10 dB
- Freq 500 Hz
- Width 2.0 oct
It sounds so very simple - but the Guitars both sound absolutely stunning!
As a matter of interest, the Larrivée has an iMix no-cut system and the Morgan has a passive Fishman.
It should be no surprise that these settings work so well for both of these instruments. They are very similar. The body shape and size are the standard Larrivée "L" body.
They do sound different when I compare one to the other, but they both benefit from settings - retaining their individual character and sounding far more like their unamplified voices.
Prior to using the settings, Cliff recommended I did this.
Morgan with passive Fishman under saddle piezo pickup that sounds stunning with the
- Classic Taylor ToneMatch® preset #90 (Dreadnought Finger-Style).
- For a lighter sound I use the T1 ToneMatch Audio Engine
- Category: Taylor Guitars / Preset: G Audit Finger or
- Category: Taylor Guitars / Preset: G Concert Finger
Larrivée with L.R. Baggs iMix no-cut pickup system. I just had this installed because I wanted to start playing this instrument at live gigs.
- T1 ToneMatch® Audio Engine Preset
- Category: L.R. Baggs / Preset: iMix
Microphone
- Neumann KMS 105
- Category: Vocal Mics
- Preset: Headworn Mics
- Model I / Classic
- #12 KMS 105
- Crown CM311a
- Category: Vocal Mics
- Preset: Headworn Mics
- Model I / Classic
- #02 Headworn Microphones
History
First Post on the Message Board
Just in case the site gets reorganized and we lose it here is my first post on the message board.
- I was there on Thursday (had the flu and very nearly didn't go).
- Ended up sitting about 5 feet in front of Tony Sarno (I was in the front row). I was blown away without being blown away. If you ever get a chance to sit that close to a band running PASs you that bizarre statement will make sense.
- Had a great chat with Tony and Wolf after the show.
- Friday morning as soon as L&M (the store that sponsored the show) opened, I picked up my PAS. (one bass module)
- Since I'm under the weather, I took the rest of the day to get to know the unit. Good times.
- Get my first chance to try it out live tonight.
- Many many thanks to all the people at Bose who made the investment to travel to Canada.
- I was somewhat taken aback that Bose would make so large an investment (you sent what - 10 people including the band?)
- Tony, if you happen to see this, I'll send you the information about the McIntyre amp later today.
- Wolfe, if you happen to see this, I'm the guy with the Musicman EVH and the PRSs.
- I'll post more about how I intend to use it and some questions in the other forums.
- ↑ Ken-at-Bose announces Live Music Pioneers