Difference between revisions of "Duo"
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− | | valign="top" | This is an application guide for people who use their {{L1 nl}} in a | + | | valign="top" | This is an application guide for people who use their {{L1 nl}} in a Duo format. |
In addition to the notes below that apply to Duo shows, check out: | In addition to the notes below that apply to Duo shows, check out: | ||
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Revision as of 19:26, 6 December 2008
This is an application guide for people who use their L1® in a Duo format.
In addition to the notes below that apply to Duo shows, check out: Template:Application Note Standard Links |
Ideal Application: One L1® per Performer
Running one L1® for each performer in a duo format is a wonderful experience for both the performers and the audience. This gives the audience all the benefits of localization, and the best possible monitoring experience for the performers. Click on either of the pictures below for detailed descriptions of the stage layouts shown here.
Model I / Classic
{{#Click:Stage Layouts / ST Duo Classic / Model I|Image:STDuoModelIClassic.png||ST Duo with Model I / Classics}}
Model II
{{#Click:Stage Layouts / ST Duo|Image:STDuoModelII.png||ST Duo with Model IIs}}
Connecting Two T1 ToneMatch® Audio Engine to a L1 Model II
The L1 Model II can accept two inputs.
This makes it easy for two performers to connect their own T1®s to a L1® Model II Power Stand.
ToneMatch® Input
The ToneMatch® connection is specifically designed for a T1 ToneMatch Audio Engine. The ToneMatch® cable is supplied with the T1 ToneMatch Audio Engine and uses a male Ethercon connector at both ends.
Analog Input
The Analog connection is a ¼ inch phone jack. You can use this for a second T1® using the T1® Analog Master output (¼ inch phone jack).
This connection is made with a standard ¼ inch jack instrument cable. This can be Tip-Sleeve or Tip-Ring-Sleeve connectors.
Set Power Stand Analog Input Trim to 3 to have approximately the same level as you would have if you had connected with the ToneMatch® connection. You may have to adjust this, but 3 is a good place to start.
Note: A T1® connected to the the Analog input will require the optional T1 ToneMatch® Audio Engine power supply.
Analog Connection from the Second T1® to the Model II Power Stand
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)
A balanced connection is preferred and will provide better noise rejection over greater distances than the unbalanced connection.
¼ Inch Tip-Ring-Sleeve (unbalanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine but a balanced connection (immediately above) is preferred especially if you will have cable runs in excess of 20 feet (6 meters) or if you hear line noise, hum or hiss.