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  • ...plied) into the master output port on the ToneMatch audio engine. Plug the other end of the cable into the line-in jack of channel 3 or 4 on the {{L1 nl}} p ...th 1/4" TRS connections on one end and dual male 1/4" TS connectors on the other. You may also purchase a Bose ToneMatch audio engine, which includes a comp
    60 KB (9,859 words) - 05:33, 26 March 2017
  • ...y applications and compatible with standard mixers, DJ mixers, laptops and other devices. This enables the layout of the power stand to be less cluttered, w ...y will develop as better players because they can hear themselves and each other. All will benefit from the knowledge that the sound they produce on stage i
    42 KB (6,832 words) - 05:25, 26 March 2017
  • ...e had 75 people or more, they'd provide the buffet for us exclusively some other evening. They can do things like "three menu option" meals as well. <!-- some other details deleted as these are no longer required -->
    19 KB (3,088 words) - 18:40, 26 March 2017
  • === Comparisons to Other Members of the L1® Family === ...ns. He's an experienced pro, playing guitar and singing to demonstrate for other audiences. As an audience member listening to Charlie, I was delighted with
    27 KB (4,306 words) - 01:35, 20 May 2021
  • ...one channel while simultaneously applying different effects to each of the other channels. Each effect type has designated user-adjustable parameters; these ...transferred a copy of the scene file to a PC, you can easily share it with other ToneMatch audio engine owners.
    31 KB (4,908 words) - 04:28, 9 April 2017
  • ...ses existing-classes - Microformats<!-- Bot generated title -->]</ref> and other attributes.<ref name="uF-rel-faq">[http://microformats.org/wiki/rel-faq rel ...ntended to bridge this gap by attaching [[semantics]], and thereby obviate other, more complicated methods of automated processing, such as [[Information ex
    17 KB (2,357 words) - 01:29, 30 March 2008
  • ...12 cab with the “right” speakers in them (“greenback” something-or-other). He couldn’t tell the difference. This was at a “guitar summit” we h ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
    34 KB (6,140 words) - 03:49, 24 February 2010
  • ...op into better players precisely because they can hear themselves and each other better. Musicians at all skill levels benefit from knowing the sound they p ...ositioned behind a musician?providing accurate coverage for the performer, other musicians onstage and audiences.
    17 KB (2,793 words) - 03:21, 26 March 2017
  • .... The correct setting for any particular source may be different from your other sources. '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr
    16 KB (2,433 words) - 20:03, 1 July 2023
  • ...pectable living simply by performing music in local venues. You must have other work. It seems that inflation has passed most musicians by, indicating tha # Most musicians today seem to have other employment, because they can't support themselves playing. This contribute
    27 KB (4,639 words) - 18:37, 26 March 2017
  • ...is no longer in business but many are in circulation, parts are available, other kinds of speakers that do the same thing are commercially available and the ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris
    42 KB (7,262 words) - 13:29, 2 September 2008
  • ...a program, often a good choice for this and other reasons for a musical or other performance. ...Way, that's human nature. There's also plenty to learn from others, on the other side of the coin.
    35 KB (6,117 words) - 14:26, 16 September 2015
  • ...I do for my niece and her fledgling band. She is the only vocalist and the other four members of the band already have their instrument amps. There probably Pondering value, I look around at other things that I spend money on, and notice:
    16 KB (2,913 words) - 11:43, 9 May 2011
  • ...|Operator extension]]) to extract the details, and display them using some other website or [[map]]ping tool, index or search them, or to load them into an ...<code><nowiki><span class="fn org">Wembley Stadium</span></nowiki></code>. Other, optional, hCard classes also exist.
    5 KB (783 words) - 01:25, 30 March 2008
  • ...hese have competing interests and some have interests that complement each other. It would be good to know more about what you want to do. *Would like to include (other instruments or vocal roles they would welcome on stage)
    6 KB (1,124 words) - 13:38, 23 December 2011
  • ...ations. The L1 Pro32 has unique features that make it the right choice for other applications. ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{
    15 KB (2,619 words) - 15:00, 31 October 2023
  • ...mmended preset and set up the other using 00. Then plug into one, then the other, for a quick A/B. We invite you to try this. What follows is a description ...andard non-processed “reference” preset. As of this writing, there are other flat presets, shown on the preset list that comes with all systems. Use the
    16 KB (2,852 words) - 09:17, 25 March 2024
  • ...lity with Other Members of the L1® Family of Products |Compatibility with Other Members of the L1® Family of Products]] (below) ...n circuits etc.) are designed so that they really work optimally with each other.
    12 KB (2,008 words) - 06:55, 26 March 2017
  • Two other professional electric guitarists were invited to participate in the summit. ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
    18 KB (3,186 words) - 10:56, 24 April 2011
  • /* Create three equal columns that floats next to each other */ ...makes the three columns stack on top of each other instead of next to each other */
    10 KB (1,448 words) - 12:01, 30 March 2021
  • ...ontent of the page. If they feel it would benefit the discussion to allow other users to view the page content, administrators may [[Wikipedia:Restore|rest ...apply protection to non-existent pages with the same procedure as with all other pages. A list of protected titles may be found at [[Special:Protectedtitles
    13 KB (1,886 words) - 01:31, 30 March 2008
  • ...l and adjust it according to the other instruments they heard (through the other L1’s) onstage. ...s of sounding like real voices. Shure SM58’s were used and later several other mics were used to see which ones worked best with our system.
    6 KB (973 words) - 18:29, 26 March 2017
  • first time in years, companies other than Gibson and Fender were having accounted for the bulk of electric production, there were other models
    9 KB (1,530 words) - 06:58, 22 January 2013
  • Performance Name, Slot Name, Rig Name, Amp Name, Cabinet Name, other tags... are all different animals. People can use these for different purpo ...er Slot. If you store now, only the edits of the current Slot survive, the other four Slots 4 stay as these were stored before.
    24 KB (3,721 words) - 12:54, 8 August 2023
  • ...usicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probab Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder
    12 KB (2,071 words) - 02:57, 26 March 2017
  • ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris ...oks like two horn assemblies; in fact, only one is operable as a horn. The other side, a "dummy", acts as a counterweight or dynamic balancer, providing sym
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...del I}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www. ...l II}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www.
    4 KB (550 words) - 15:27, 11 May 2022
  • One of the other things we knew about was a rapidly growing category of products: earplugs f ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    14 KB (2,567 words) - 00:59, 16 October 2008
  • One of the other things they knew about was a rapidly growing category of products: earplugs ...s in concert results in a much more powerful experience than if one or the other is employed alone.
    13 KB (2,304 words) - 10:55, 24 April 2011
  • ...t use a ToneMatch preset when using the {{ToneMatch Mixer}} or {{T1}} with other systems?''' ...might lead you to conclude that a ToneMatch preset shouldn't be used with other systems.
    2 KB (379 words) - 11:08, 10 December 2023
  • ...ode for Japanese (4) and 4-431-96331-? would also have check digit ? = 6. Other Springer books in English have publisher code 817, and 0-817-96331-? would ...her'', ''title'' and ''check digit'') with either a [[hyphen]] or a space. Other than the check digit, no part of the ISBN has a fixed number of digits.<ref
    33 KB (4,545 words) - 12:17, 21 January 2013
  • ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.
    12 KB (2,063 words) - 13:56, 21 September 2023
  • ...24dB down and below crossover the L1's are 24dB down. They get out of each other's way pretty quickly. &mdash; Cliff-at-Bose In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens
    7 KB (1,241 words) - 00:41, 28 June 2018
  • ..., other than a cleaner stage, it sort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, giv ...firm understanding of the fact that you are finally in total contact with other players and with your audience is powerfully useful. It is actually a spiri
    5 KB (900 words) - 00:41, 12 January 2012
  • ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr
    13 KB (2,352 words) - 07:12, 20 November 2010
  • This is not the case for most other instruments. Keyboard synthesizers, for example, rely on internal sound gen ...standpoint is if the system replaces both a conventional bass rig ''and'' other equipment.
    21 KB (3,673 words) - 15:29, 22 December 2008
  • === Mistake: Assumed the {{L1}} was like any other PA === I plugged outboard compression, EQ, and other compensatory devices into the {{L1}}. The result is the same as above: Ever
    3 KB (595 words) - 14:02, 28 May 2021
  • ...now about the other factors or, more likely, they may be hoping that those other factors can be ignored. The temptation to extrapolate beyond the part that ...l. If you hear a change, it is because you've moved the grille relative to other Bass Modules or relative to boundaries. Don't shove the grille into a wall
    10 KB (1,856 words) - 20:49, 13 July 2021
  • .... The correct setting for any particular source may be different from your other sources. ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. Input impedance on Channels
    13 KB (1,983 words) - 11:55, 22 May 2018
  • ...s linked to the KickGate, so you won't lose any special preset goodness or other drum sweetening. ...the L/R group mix. Your sound module must have at least one extra output other than the L/R mix. The Roland TD-12 has L/R and additional outputs 1 & 2.
    4 KB (718 words) - 04:48, 26 March 2017
  • ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide
    8 KB (1,303 words) - 09:31, 7 April 2019
  • Copyright laws and international copyright treaties, as well as other intellectual properly laws and treaties protect this Software. The Software # Connect the other end of the audio patch cable to the Data IN jack (RCA-type jack with a whit
    7 KB (1,127 words) - 15:32, 1 November 2016
  • ...ue the use of bulky and heavy transformer components typically required in other high-powered designs. ...The input stage of this amplifier is designed for the power stand. On the other hand, has an input impedance appropriate for most pro audio components such
    17 KB (2,728 words) - 05:42, 26 March 2017
  • ...in the corner and the room was arranged around that. We have done this in other years, but that was for a single performer (Voice and Guitar). I really wan This was the first show for me where I had {{T1r}}s on the stage for other performers to use. Although it would have been easy to run the {{T1r}}s fro
    9 KB (1,752 words) - 19:00, 4 January 2009
  • ...y person who had been available for a sound check. I knew roughly what the other performers were going to be using for instruments so I made up generic Scen ...is, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settin
    4 KB (819 words) - 12:30, 9 April 2011
  • ...t music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Communit * Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you conn
    5 KB (904 words) - 13:56, 9 October 2008
  • # Other == Other Comments ==
    776 bytes (117 words) - 02:16, 7 September 2008
  • # Other == Other Comments ==
    2 KB (322 words) - 01:59, 12 September 2008
  • Please tell us the model of {{L1}} you have and any other Bose components you are using. Examples ...and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or
    5 KB (845 words) - 11:16, 19 September 2008
  • ...a and that was causing some thudding with my guitar so I moved them to the other side of the tower. To compare the two, the Bose seems fuller across all par ...ust to clean up the beginnings and ends. I didn't do any EQing or make any other changes:
    17 KB (3,271 words) - 18:10, 26 March 2017
  • * [[Connecting to Other Equipment / Musical Instruments]] * [[Connecting to Other Equipment / Mixers, DI Boxes, Etc.]]
    3 KB (387 words) - 15:36, 4 May 2009
  • * '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr ...idirectional. All sound waves impinging on the microphone from a direction other than the intended signal is "noise" and will lower the threshold of feedbac
    3 KB (528 words) - 16:12, 7 January 2009
  • === One {{Model II nl}} and any other kind of {{L1 nl}} === ...I, and use a &frac14; inch jack cable from the Analog Master output to the other L1®. See detailed explanation here: [[T1 ToneMatch® Audio Engine to Two M
    2 KB (348 words) - 16:53, 4 September 2023
  • ...ooking for differences from the way we might have approached this with the other L1® models ...far apart won't hear stereo &mdash; but his or her audience will. On the other hand, space the L1 systems closer so that the player gets stereo and you wo
    8 KB (1,432 words) - 15:37, 23 September 2023
  • *The other 3 dB is gained by doubling of acoustic volume, cone area and close coupling == Compatibility with Other Members of the L1® Family of Products ==
    10 KB (1,586 words) - 00:10, 17 February 2019
  • ...direct sound from the {{L1}} falls off with distance more slowly than most other speakers, including all bass speakers, and including {{B1}}s. We rarely not ...ve, no matter what EQ or presets we use, and it will also happen if we use other subs, no matter how big they are. The only ways to fully prevent it would b
    5 KB (995 words) - 12:52, 21 November 2010
  • == Connecting Other Equipment (inputs) == This section is an overview of connections you can make from a other equipment (mixer, music storage device, etc.) to the {{PS1}}.
    4 KB (654 words) - 10:36, 5 November 2010
  • === Adaptations from other sources === ...shelf solution. I made the dividers out of 1/8 inch sheets of something or other wrapped in contact paper. Over two years and not a scratch on the radiators
    7 KB (1,057 words) - 11:12, 25 June 2016
  • [[Category:Other]] ...m 24. Interestingly, the new guitar has the "sparkle and shimmer" that the other one lacked. This is a subtle nuance that could easily be lost in a conventi
    23 KB (3,709 words) - 18:12, 10 September 2022
  • ...3, there is no need to do that, so you can leave 1, 2, and 3 available for other inputs that require more gain. If you are using Channel 2 for Guitar or other instrument then you can run the PorchBoard to one of the Channel 2 RCA jack
    14 KB (2,215 words) - 14:25, 11 March 2019
  • ...analog input accepts 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems. Trim c == Compatibility with Other Members of the L1® Family of Products ==
    9 KB (1,440 words) - 01:37, 20 May 2021
  • == Compatibility with Other Members of the {{L1 nl}} Family of Products == {{Compatibility with Other Members of the L1® Family of Products}}
    3 KB (425 words) - 15:59, 26 March 2017
  • ...audio device in Windows). You can play and record audio just like with any other soundcard, i.e. if you use for example Windows Media Player to play a song, ...how the computer is configured, what operating system is running, and what other processes are going on at the same time. See also: [[Latency and The L1®]
    8 KB (1,290 words) - 18:04, 27 March 2019
  • ...ht cabinet. I have been working on the Bose project for over a year, among other things, working on getting the guitar sound into the system. I went through The other guitarist in our band, Cliff Goodwin, is using a standard POD through the B
    11 KB (1,975 words) - 12:49, 19 May 2011
  • ...y EQ is applied to the output to optimize the performance of the B1s. In other words, if there are {{B1}}s connected directly to the Power Stand, the the ===Can I mix {{B1}}s with other subs?===
    5 KB (941 words) - 11:33, 20 February 2013
  • ...ocated behind them. When the system is placed in the normal disco position other potential problems are evident: ==== Not stacking the B1s on top of each other? ====
    6 KB (1,155 words) - 10:50, 21 April 2009
  • ...t that speech intelligibility drops rapidly with sound pressure level (all other things being equal) and is generally very poor above 100 dB SPL. ...nced at higher levels and a single string bass note can drown out a lot of other sounds.
    7 KB (1,178 words) - 23:55, 28 November 2007
  • ...THUD controls did positively effect the sound and the perceived output. In other words, it sounded like it improved the overall bass output if that was what ...y material an octave below it. It has a unique feature that is found on no other bass processors- an adjustable dynamics control which modifies the bass tra
    6 KB (957 words) - 18:38, 26 March 2017
  • ..., at [[Wikipedia:Miscellany for deletion|Miscellany for deletion]]. On the other hand, if you would just like them to be moved back, then by all means ask a ...is discouraged, and other distinctions are better made by placing pages in other namespaces (e.g. discussions go in "Talk:", and templates in "Template:").
    9 KB (1,406 words) - 02:00, 30 March 2008
  • ...ustic signal arriving first at the ears suppresses the ability to hear any other signals, including ECHOes and REVERBERATION, that arrive up to about 40 ms ...irst wave front. These effects, in conjunction with sensory reaction(s) to other physical differences (such as phase differences) between perceived sounds,
    5 KB (753 words) - 00:57, 30 April 2008
  • ...plain the benefits of the Personalized Amplification System™ approach to other musicians. We believe you need spend only a few minutes reading their unedi ...honored six individuals who have been extraordinarily generous in helping other musicians understand our new approach to live music amplification. ... &mda
    21 KB (2,953 words) - 18:18, 16 October 2022
  • # Turn the volume down on the microphone channel; mute any other microphone channels. ...feeds; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them).
    3 KB (522 words) - 15:37, 8 June 2021
  • It is a common misconception that a microphone that has lower sensitivity (in other words, a sound of a given intensity at the microphone produces a lower elec ...umption is that other variables in comparing two microphones are equal. In other words, only the sensitivity differs.
    2 KB (369 words) - 13:08, 16 April 2009
  • **Other Also available with flame maple top **Other Dynamic sound chambers
    5 KB (764 words) - 17:41, 16 January 2023
  • ...lopment money on this idea of “big sound from small speakers” than any other design dimension. Many, many patents apply to this area as well. And as the ...es where the amplification system is very much a part of the act. For many other performances—for example, for singer/songwriters, or many acoustic-instru
    12 KB (2,083 words) - 19:34, 25 April 2012
  • ...analog input accepts 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems. Trim c == Compatibility with Other Members of the L1® Family of Products ==
    8 KB (1,264 words) - 01:56, 20 May 2021
  • To connect backing tracks (e.g. iPod or other device with headphone output) to Compact, and the connect to an L1®. ===== Other Devices using RCA (phono) jacks =====
    2 KB (346 words) - 12:16, 17 July 2013
  • A scene does not remember or change the settings of the other scenes. ...Scene: A user-definable scene for saving settings you want to share with other T4S/T8S ToneMatch® mixer users. This scene can be uploaded to a computer u
    9 KB (1,484 words) - 23:55, 13 December 2023
  • ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{ ...had to use it to replace another piece of L1 equipment, I have bailed out other people with it when their gear went down.
    7 KB (1,176 words) - 02:40, 27 January 2024
  • ...underlying programming language (PHP) and Database (MySQL), than with the other wiki (.NET and SQL Server). ...grated features like blogs, forums as well as wikis. We may not need those other features.
    2 KB (353 words) - 20:33, 23 August 2006
  • In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
    5 KB (806 words) - 11:47, 15 March 2008
  • == Other Languages ==
    9 KB (1,459 words) - 21:40, 18 November 2016
  • === Other ===
    4 KB (651 words) - 13:44, 29 March 2017
  • ...ore difficult to understand and instrumental notes more difficult to hear, other things being equal. ...masking. The tonality of a sound partially determines its ability to mask other sounds. A sinusoidal masker, for example, requires a higher intensity to ma
    3 KB (545 words) - 04:30, 29 December 2006
  • * On the other channel, switch to the next preset on the list * Keeping the one you like on one channel, try the next preset on the other channel.
    5 KB (858 words) - 11:55, 13 April 2011
  • ...res and words what we found from my perspective. I'm sure that some of the other participants will add their voices to <a href="http://bose.infopop.cc/eve/ ...img/Y/3g.gif"> Microphones should be "toed in" by about 10-15 degrees: in other words,should be turned so that their diaphram is pointed a little in toward
    15 KB (2,537 words) - 04:04, 2 April 2017
  • All those 'features' cease to exist when one end or the other is 'unbalanced' -- when only one wire (signal) is compared to the reference So, other than throwing up one's hands in frustration, what can we non-wiring-technic
    8 KB (1,420 words) - 22:59, 18 July 2007
  • ===== Other Devices using RCA (phono) jacks =====
    3 KB (340 words) - 14:50, 1 December 2022
  • == Compatibility with Other Members of the L1® Family of Products ==
    2 KB (232 words) - 11:54, 20 May 2019
  • == Other Links ==
    430 bytes (67 words) - 06:41, 2 January 2009
  • ...bout 1,130 feet per second in air, or about 1 millisecond per foot. On the other hand, and receiver. Phase checkers are quite affordable and have other uses besides synchronization.
    12 KB (2,012 words) - 10:58, 5 January 2023
  • The actual physical behavior of the {{L1}} (and most other speakers for that matter) is very complicated and it's very difficult to ex ...the behavior of the MA12 in this frequency range. It doesn’t talk about other frequencies at all. In particular, it does NOT state that it’s not a cyli
    2 KB (295 words) - 18:11, 26 March 2017
  • ...st famous Life Magazine essays called "The Country Doctor". There are many other Smith images that are world famous. ...e but the participants, the loft became a thriving scene for musicians and other artists. It was a place to rehearse, jam, and party at all hours. Some of t
    6 KB (992 words) - 15:14, 29 March 2008
  • ...d (if it is not immediately obvious) why it needs to be done. If there are other templates with similar names or purposes, it's a good idea to mention those ...” or “no”, for example), must be a number, or is constrained in some other way, this should be made clear.
    8 KB (1,197 words) - 01:33, 30 March 2008
  • This is a start of such a template and other contributers ideas, suggestions, formatting and improvements are openly sol *Any other brand recorder
    2 KB (358 words) - 01:59, 29 November 2008
  • == Other Comments ==
    3 KB (473 words) - 01:16, 10 September 2008
  • ...L1 no link}} is a fine cross reference tool, when used in conjunction with other [http://www.mackie.com/products/hrmk2series nearfield monitors] ...fulness. An {{L1 no link}}, a {{T1 no link}}, a laptop, and a firewire or other digital in/out recording interface, and you are ready to roll. They days o
    5 KB (798 words) - 18:12, 26 March 2017
  • ...can wreak havoc in many electronic systems, especially switching amps and other circuits with critical timing requirements. They can also cause microproces ...EU2000i is relatively quiet (59 dB) and light (46.3 lbs. dry) compared to other portable generators in its power specifications range. The fuel tank capaci
    6 KB (872 words) - 17:51, 21 August 2021
  • ...ncept meant better live music. And so we had to have real concerts. On the other hand, they wanted desperately to keep their work quiet. It would be terribl ...ok to it the best were the jazz players, who are more used to hearing each other and playing together. Least adaptable were rock musicians who are used to p
    18 KB (3,170 words) - 10:56, 24 April 2011

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