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- ...ix 14% and Depth 73%. Then I added reverb at Mix 12% and Brightness at 7% (reverb type is Large, Time 2.20s, and Bal 50%). ...ove the L1, and the walls and floor were a fabulously reflective concrete. Reverb and Chorus had to go off here, because they would only muddy things more. E9 KB (1,614 words) - 19:04, 15 October 2008
- *Reverb Mix 19% Bright 91% *Reverb Type Medium Room Time 1.7 Bal 50%2 KB (257 words) - 02:35, 21 May 2013
- # Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best so # Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.4 KB (656 words) - 15:13, 3 February 2020
- #***Turn off Reverb * The L1 Pro32 built-in mixer has ToneMatch Presets, Bass, Treble, and Reverb. <br>3 KB (441 words) - 20:35, 8 December 2021
- <td>Reverb Wireless control over volume, tone, reverb and system EQ12 KB (941 words) - 15:01, 12 June 2021
- <td>Reverb Wireless control over volume, tone, reverb and system EQ13 KB (1,143 words) - 16:24, 23 September 2023
- ...r 2 set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off. ...2. Set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off.3 KB (516 words) - 01:51, 5 January 2023
- ...r 2 set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off. ...2. Set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off.5 KB (706 words) - 01:49, 5 January 2023
- ...lower than you expect. If the volume is too high, you will be feeding the reverb more than reaching your audience. ...ncies in your mix. These low and low-mid frequencies can contribute to the reverb and the perception of 'muddy' sound.4 KB (665 words) - 14:02, 3 December 2006
- ...ontain any ToneMatch preset, zEQ, Para EQ, Comp/Gate, Modulation, Delay or Reverb. ...aining any ToneMatch preset, zEQ, Para EQ, Comp/Gate, Modulation, Delay or Reverb that you have assigned to any of the T1 channels5 KB (893 words) - 05:16, 26 March 2017
- Features include mono or stereo operation, 6 flexible effects loops, a spring reverb tank, a first-rate adjustable noise gate, cabinet-voicing simulator circuit The FS-77 footswitch controls the preamp's channel selection and reverb, effects loop and graphic EQ for each channel.2 KB (263 words) - 00:24, 31 December 2015
- * T8S Aux 1 (if reverb required) or Aux 2 or 3 or 4 (if no reverb required)785 bytes (144 words) - 10:03, 29 July 2018
- * Reverb OFF You can adjust the Reverb, Bass, and Treble after you get your basic sound working.2 KB (357 words) - 22:23, 16 November 2019
- Try using Digital Delay instead of Reverb for your vocals. Unlike Reverb, Digital Delay processing can be routed to {{ToneMatch Mixer}} Aux outputs.407 bytes (64 words) - 13:24, 2 June 2019
- * Reverb OFF You can adjust the Reverb, Bass, and Treble after you get your basic sound working.2 KB (298 words) - 15:39, 13 June 2020
- <td>Reverb <td>Yes<br>Wireless control over volume, tone, reverb and system EQ7 KB (1,045 words) - 15:04, 12 June 2021
- <td>Reverb Wireless control over volume, tone, reverb and system EQ11 KB (979 words) - 16:27, 23 September 2023
- <td>Reverb Wireless control over volume, tone, reverb and system EQ11 KB (856 words) - 21:13, 11 June 2021
- ...h Volume, Treble, Bass, Reverb - OR Tap on the words Volume, Treble, Bass, Reverb496 bytes (86 words) - 23:11, 4 December 2021
- If you are using vocal effects like reverb, chorus, or delay, turn them off until you can get sufficient [[Gain Before16 KB (2,433 words) - 20:03, 1 July 2023