Search results
Create the page "Balanced" on this wiki! See also the search results found.
- ...output – Mono analog output that accepts either ¼ inch Tip-Ring-Sleeve balanced or The Compact has a balanced line-out that is a mix of all the inputs, post level and EQ settings on the27 KB (4,306 words) - 01:35, 20 May 2021
- === XLR Balanced +14 dBV ===3 KB (536 words) - 14:31, 10 October 2009
- ...ed to mono this should work well. You can used ¼ inch jack cables. Balanced or unbalanced will work fine. You can use TS (Tip Sleeve) unbalanced cables, OR TRS (Tip Ring Sleeve) balanced cables. If the cable uses ¼ inch jack plugs and the ends are the sam2 KB (245 words) - 06:42, 26 March 2017
- * Bass balanced Ebony bridge with compensated bone saddle. Bold sounds of cedar and flame maple yeilding bright, compressed, balanced tones capable of cutting through an ensemble mix.3 KB (398 words) - 17:55, 7 January 2010
- === XLR Balanced +4 ===670 bytes (85 words) - 12:36, 19 August 2014
- ; Use a balanced (Tip-Ring-Sleeve) cable if possible. ...econd L1 Compact, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because y2 KB (401 words) - 23:50, 1 January 2023
- === XLR Balanced +4 ===693 bytes (96 words) - 14:34, 1 November 2010
- ...Bose {{Model 1S}} and {{Model II}} analog input on the Power Stand is a '''balanced''' '''mono''' input. The Analog input is a ¼ inch balanced input jack.2 KB (364 words) - 23:12, 13 July 2014
- {{Balanced TRS from T8S to L1 Model II}} Balanced XLR |Source= [[T8S]] |Target= {{Model II}}2 KB (331 words) - 11:03, 9 May 2022
- {{Balanced TRS from T8S to L1 Model II}} Balanced XLR |Source= [[T8S]] |Target= {{Model 1S}}2 KB (310 words) - 10:42, 3 October 2019
- ...ll give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations.4 KB (656 words) - 15:13, 3 February 2020
- The Analog input is a ¼ inch balanced input jack. Do not connect a stereo source to this input. The analog input on the Model II is balanced, and will therefore subtract the Left and Right signals on a stereo cable a9 KB (1,440 words) - 01:37, 20 May 2021
- ...owed us to run the systems at much lower gain, giving the bands a far more balanced sound everywhere in the room. The separation of the two microphones, magnif ...ated singers and their amps, but by aiming those mics differently we got a balanced sound out into the room.16 KB (2,848 words) - 17:51, 14 October 2009
- * Up to four dry balanced direct output signals for the house system. These signals will not contain {{:XLR Male to 1/4 TRS Balanced Cable}}5 KB (893 words) - 05:16, 26 March 2017
- See [[TRS]] and [[Balanced vs Unbalanced]] See related:[[TRS]] and [[Balanced vs Unbalanced]]2 KB (387 words) - 20:58, 14 January 2009
- The Analog input is a ¼ inch balanced input jack. The analog input is balanced, and will therefore subtract the Left and Right signals on a stereo cable a8 KB (1,264 words) - 01:56, 20 May 2021
- ...ay enables the system to fill an entire room with clear, powerful, tonally balanced sound from a single loudspeaker system. Sound remains consistent even at th ...ss module is a portable, lightweight bass module designed to provide deep, balanced bass for Model 1S and Model II systems. It features two 5.25" high-excursio14 KB (2,381 words) - 05:47, 26 March 2017
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} cable, but you will lose up to -6 dB i1 KB (186 words) - 11:48, 30 August 2018
- [[Image:Compact Channel 2 Balanced.png]] ...erting XLR to 1/4 TRS. This cable is typically used to plug XLR cord into balanced 1/4" TRS panel jacks commonly found on mixing consoles and processing equip2 KB (300 words) - 18:18, 8 February 2014
- * XLR connection. This is a balanced connection and it is preferable ...r the entire Rig: amp, cabinet, and all effects. You have a choice of XLR (balanced) or quarter-inch TS-jacks (unbalanced). The XLR outputs are protected again24 KB (3,721 words) - 12:54, 8 August 2023
- ...lanced 1/4" stereo jacks. Of course, all inputs and outputs work with both balanced and unbalanced connectors. The tape in and outputs are on RCA connectors.2 KB (223 words) - 13:15, 28 July 2014
- Where possible use a balanced connection between the mixer output and the L1® input. ...e the one above, you can use one of the ¼ inch jack Tip-Ring-Sleeve balanced outputs. You can pan all the inputs to the LEFT side and use the LEFT outpu8 KB (1,188 words) - 23:23, 8 April 2022
- * A single mono channel with two 1/4" (6.3mm) balanced line-level inputs that were immediately converted to mono. * Two 1/4" (6.3mm) balanced line-level inputs3 KB (453 words) - 01:38, 17 May 2021
- ...While the digital connection is nice, your experience will be fine with a balanced TRS connection between the T8S and L1 Model II.'' * Balanced 25-foot cable from the T4S Left Channel analog output to the L1® Mod3 KB (541 words) - 11:02, 28 February 2018
- {{Balanced TRS from T8S to L1 Model II}} {{Balanced XLR |Source= [[T8S]]|Target= {{Model II}}1 KB (231 words) - 12:31, 10 April 2019
- {{Balanced TRS from T1 to T8S}} {{Balanced TRS from T1 to T8S}}2 KB (290 words) - 12:39, 10 October 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} cable, but you will lose up to -6 dB i1 KB (182 words) - 12:02, 23 February 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} , but you will lose up to -6 dB in sig3 KB (433 words) - 22:23, 16 November 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} , but you will lose up to -6 dB in sig2 KB (357 words) - 22:23, 16 November 2019
- ...arity of the figured maple back creates a resonance in this guitar that is balanced with tonal clarity, and the simple control layout makes the JA-15 a joy to ...atured on the JA-15, including two 53/10™ bass pickups to give a smooth, balanced tone, the all new thin, hard and crystal clear “V12” finish, and the tw13 KB (1,896 words) - 11:13, 27 July 2022
- ...he MASTER you'll see that all of that power is available to you, just in a balanced fashion.12 KB (2,063 words) - 13:56, 21 September 2023
- * Designed to provide deep, balanced bass for Model 1S and Model II systems10 KB (1,586 words) - 00:10, 17 February 2019
- === XLR Balanced +4 ===666 bytes (84 words) - 03:12, 21 December 2008
- ...wish to achieve. Bose recommends -20dB of attenuation to bring a hot +4dBu balanced line level signal down to a voltage that the Bose PS1 (Classic) Mic inputs5 KB (853 words) - 17:26, 14 May 2017
- * In a more general sense, if things are balanced, then everyone should be able to hear themselves AND everyone else. If that3 KB (612 words) - 18:10, 26 March 2017
- A microphone that is not tonally balanced requires expertise and sophisticated equipment to equalize optimally. ToneM16 KB (2,433 words) - 20:03, 1 July 2023
- This is nice balanced layout that we use on stages 20-25 feet wide.2 KB (302 words) - 19:11, 4 January 2009
- high output and full, balanced frequency response. The fact that the MA12 is placed4 KB (651 words) - 13:44, 29 March 2017
- If want to use the balanced outputs (red) set the button (50) or use ¼ Inch Main Outputs (green)1 KB (164 words) - 02:53, 21 December 2008
- == Line Outs (XLR balanced) for Channels 1 and 2 ==581 bytes (90 words) - 14:46, 31 December 2008
- Bring up the volumes of the instruments so that these are correctly balanced in relation to the vocal.4 KB (665 words) - 14:02, 3 December 2006
- * The XLR input is a balanced low impedance input stage with a lot of gain.2 KB (295 words) - 16:43, 12 January 2012
- * If you want to use the Balanced XLR outputs use the MIC setting in the picture above.2 KB (268 words) - 12:28, 18 March 2012
- {{:Balanced vs Unbalanced}}518 bytes (72 words) - 22:57, 18 July 2007
- ...hielded wire for all microphones and input cables. Also, use low-impedance balanced microphone cables, which are less susceptible to interference than high-imp3 KB (442 words) - 11:07, 8 June 2010
- Standard, balanced tip-ring-sleeve ¼" cable connects the A1 PackLite® power amplifier to a p42 KB (6,832 words) - 05:25, 26 March 2017
- Standard, balanced tip-ring-sleeve 1/4" cable connects the A1 PackLite® power amplifier to a17 KB (2,728 words) - 05:42, 26 March 2017
- ...Out to the input of a second T1™ Channel. Use a 1/4" to 1/4" cable, balanced or unbalanced should be fine.2 KB (421 words) - 04:21, 26 March 2017
- ...pendent of the Master volume. This is why you want to set it to be equally balanced with the Master. You will then be able to control the balance and level fro7 KB (1,115 words) - 16:44, 4 September 2023
- ...Match® Audio Engine / 1/4 inch Output Connections to L1® Family Members |Balanced}}1 KB (231 words) - 04:42, 26 March 2017