Difference between revisions of "T1 ToneMatch® Audio Engine / Daisy Chain"
m |
m |
||
Line 21: | Line 21: | ||
[[Image:T1 Daisy Chain to Compact.png]] | [[Image:T1 Daisy Chain to Compact.png]] | ||
+ | |||
+ | In this example we have two {{T1}}s. (T1®s) | ||
+ | |||
+ | #{{t1r}} on the left connected to the {{Compact}} through the [[ToneMatch® Port]] | ||
+ | #{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | ||
+ | |||
+ | This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | ||
+ | |||
+ | <br> | ||
+ | |||
+ | Notes:<br> | ||
+ | |||
+ | *{{t1r}} #1 and #2 will require a [[T1 ToneMatch® Audio Engine power supply]] | ||
+ | *It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | ||
+ | *Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | ||
+ | |||
+ | <!-- | ||
+ | Connect the second T1® to Compact Channel 2 | ||
+ | |||
+ | So... | ||
+ | first T1® | ||
+ | 1 - microphone | ||
+ | 2 - guitar | ||
+ | 4 - output from second T1® (Preset Utility Flat) | ||
+ | Master Output goes to Compact Channel 2 | ||
+ | |||
+ | second T1® | ||
+ | 1 - microphone | ||
+ | 2 - guitar | ||
+ | |||
+ | Master Output of second T1® goes to first T1® Channel 4 | ||
+ | |||
+ | This way each performer can have his/her own T1® and control his/her own mix. | ||
+ | |||
+ | The first T1® controls the overall volume. | ||
+ | |||
+ | --> | ||
---- | ---- |
Revision as of 21:11, 16 May 2015
You can daisy chain (connect) one T1 ToneMatch Audio Engine into another.
In this example we have two T1 ToneMatch Audio Engines. (T1®s)
- T1® on the left connected to the L1 Model II through the ToneMatch® Port
- T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
Notes:
- T1® #2 will require the optional T1 ToneMatch® Audio Engine power supply
- It would be possible to have a third T1® connected to T1® #1 Channel 5
- Related discussion in the message board T1® Daisy Chain
Here's how you can do the same thing with a L1 Compact
In this example we have two T1 ToneMatch Audio Engines. (T1®s)
- T1® on the left connected to the L1 Compact through the ToneMatch® Port
- T1®on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
Notes:
- T1® #1 and #2 will require a T1 ToneMatch® Audio Engine power supply
- It would be possible to have a third T1® connected to T1® #1 Channel 5
- Related discussion in the message board T1® Daisy Chain