Difference between revisions of "S1 Pro+ x 2 vs L1 Pro8 with T4S"
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=== Features/Considerations === | === Features/Considerations === | ||
− | + | ==== L1 Pro8 plus T4S ==== | |
− | + | * AC power required | |
− | + | * Cable from T4S to L1 Pro8 | |
− | + | * Cables required from microphones and instruments to T4S | |
− | + | * Mono | |
− | + | * Single sound source | |
− | + | * Inputs | |
− | + | ** L1 Pro8 has two combo inputs with ToneMatch Presets and Treble/Bass/Reverb | |
− | + | ** L1 Pro8 has single Aux input (channel 3) | |
− | + | ** T4S has four combo inputs with ToneMatch Preset, zEQ, ParaEQ, Effects and Reverb | |
− | + | ** T4S has two Aux inputs (inputs 5/6) |
Revision as of 03:39, 6 July 2024
Draft
- Use case
- Duo (vocals plus guitar) x two
- No backing tracks
- Dynamic microphones (no phantom power required)
- Venue
- 60 x 35 feet = 2275 square feet (20 x 10 meters = 211 square meters) - Multi-purpose room, no acoustic treatment
- Typical audience up to 75 people seated. The audience is attentive.
Options
- One L1 Pro8 with T4S
- Two S1 Pro+ each with wireless transmitters (XLR (mic/line level) and 1/4 inch (6.3mm) instrument)
Considerations
Cost
The options have the same retail cost
Features/Considerations
L1 Pro8 plus T4S
- AC power required
- Cable from T4S to L1 Pro8
- Cables required from microphones and instruments to T4S
- Mono
- Single sound source
- Inputs
- L1 Pro8 has two combo inputs with ToneMatch Presets and Treble/Bass/Reverb
- L1 Pro8 has single Aux input (channel 3)
- T4S has four combo inputs with ToneMatch Preset, zEQ, ParaEQ, Effects and Reverb
- T4S has two Aux inputs (inputs 5/6)