From Bose Portable PA Encyclopedia
Chapman Stick – Serial No. 545
Instrument Overview
| Attribute |
Details
|
| Model |
Traditional 10-String Chapman Stick
|
| Serial Number |
545
|
| Maker |
Stick Enterprises, Los Angeles, California, USA
|
| Production Era |
Early 1990s
|
| Wood |
White Oak (rare variant)
|
| Finish |
Natural
|
| Pickup System |
Stickup (passive, era-correct)
|
| Neck Adjustment |
Back-mounted truss rod
|
| Fingerboard System |
Aluminum rails (mature version)
|
| Logo/Branding |
Touchboard™ label + "The Stick" headstock plate
|
| Accessories |
Original hard case, strap, setup tools
|
| Condition |
Mint vintage – no wear, mods, or refinishing
|
Historical Significance
- Era of Innovation: Early 1990s marked a golden period in Emmett Chapman’s production, with refinements in materials, playability, and hardware.
- Touchboard Branding: The Touchboard™ label emphasized the tapping interface as a fretted string innovation.
- White Oak Rarity: Few Sticks were built with white oak, prized for tonal clarity and visual grain.
- Stickup Legacy: The Stickup passive pickup is known for warm, articulate tone and expressive dynamics.
Provenance & Preservation
- All parts, finish, and accessories are factory-original.
- Case, strap, and tools are intact—rare for a 30+ year-old instrument.
- No structural changes, refinishing, or upgrades.
- This places it in the top tier of surviving early-’90s Sticks, highly desirable to performers and collectors.
Tuning & Setup Specifications
Classic 10-String Tuning Layout
| String |
Side |
Tuning |
Direction
|
| 1 |
Melody |
C#4 |
Descending
|
| 2 |
Melody |
A3 |
Descending
|
| 3 |
Melody |
F#3 |
Descending
|
| 4 |
Melody |
E3 |
Descending
|
| 5 |
Melody |
D3 |
Descending
|
| 6 |
Bass |
C2 |
Ascending
|
| 7 |
Bass |
A1 |
Ascending
|
| 8 |
Bass |
F#1 |
Ascending
|
| 9 |
Bass |
E1 |
Ascending
|
| 10 |
Bass |
D1 |
Ascending
|
- Melody strings tuned in descending fourths.
- Bass strings tuned in ascending fifths.
- Middle strings (5 & 6) are adjacent and tuned a minor 7th apart.
Recommended String Gauges
| String |
Gauge (inches) |
Type
|
| 1 |
.009 |
Plain Steel
|
| 2 |
.011 |
Plain Steel
|
| 3 |
.013 |
Plain Steel
|
| 4 |
.017 |
Plain Steel
|
| 5 |
.022 |
Wound
|
| 6 |
.030 |
Wound
|
| 7 |
.042 |
Wound
|
| 8 |
.054 |
Wound
|
| 9 |
.072 |
Wound
|
| 10 |
.092 |
Wound
|
- Gauges may vary slightly depending on manufacturer and player preference.
- Stick Enterprises offers matched sets for Classic tuning.
Setup Notes
- Truss Rod: Back-mounted, accessible via headstock. Use included hex wrench for relief adjustment.
- Action: Optimal tapping response achieved with low string height and minimal relief.
- Pickup Height: Stickup passive module—adjust for balanced output across strings.
- String Dampers: Headstock-mounted damper reduces sympathetic vibration and enhances clarity.
Maintenance Tips
- Clean strings and fingerboard regularly with a dry cloth.
- Store in original hard case to preserve finish and hardware.
- Avoid extreme humidity or temperature shifts—White Oak is stable but sensitive to moisture.
Performance & Teaching Techniques
Hand Positioning
- Vertical Orientation: The Stick is worn upright on a strap, allowing both hands to approach the fretboard from opposite sides.
- Left Hand (Bass Side): Typically plays ascending fifths; fingers tap perpendicular to the strings for clarity.
- Right Hand (Melody Side): Plays descending fourths; fingers approach at a slight angle for comfort and speed.
- Thumb Placement: Rest lightly behind the neck for stability, avoiding excess pressure.
Tapping Technique
- Light Touch: Minimal force is required—strings respond to gentle taps rather than plucks.
- Independence: Each hand can play separate lines (bass + melody), enabling polyphonic textures.
- Dynamics: Vary tapping pressure and speed to control volume and articulation.
Teaching Cues
- Begin with simple two-hand independence exercises (e.g., bass ostinato + melody scale).
- Use the damper to emphasize clean articulation and reduce sympathetic resonance.
- Encourage students to think of the Stick as two instruments in one: bass and melody.
- Stress ergonomic posture—upright stance, relaxed shoulders, and balanced hand movement.
Performance Applications
- Solo Performance: Capable of full arrangements (bass, chords, melody simultaneously).
- Ensemble Use: Functions as both rhythm and lead instrument, bridging roles of bass and guitar/keyboard.
- Genres: Common in progressive rock, jazz fusion, ambient, and experimental music.
Dramatic & Audience Engagement
- Visual impact: Upright playing posture is distinctive and draws attention.
- Demonstrate independence: Show bass and melody lines clearly to highlight the instrument’s uniqueness.
- Use dynamics and phrasing to create dramatic contrasts—soft tapping vs. percussive accents.