Difference between revisions of "HeadRush Prime to L1 Pro"

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(Created page with "Q: How do I connect a HeadRush Prime pedalboard to an L1 Pro A: * HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-...")
 
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* HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve).  
 
* HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve).  
* Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line level and too hot for the L1 Pro XLR inputs (that are designed for microphone level signal sources.
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* Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line-level and too hot for the L1 Pro XLR inputs (which are designed for microphone-level signal sources.
  
* On the HeadRush, you can leave the 1/4 output at the default Line Level Output.<br>You'll find that under Global | Audio Tab | 1/4" Level.
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[[File:HeadRush Prime to L1 Pro.jpg]]
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* On the HeadRush Prime, you can leave the 1/4 output at the default Line Level Output.<br>You'll find that under Global | Audio Tab | 1/4" Level.
  
 
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Revision as of 02:40, 2 November 2023

Q: How do I connect a HeadRush Prime pedalboard to an L1 Pro

A:

  • HeadRush L (mono) 1/4 inch (6.3 mm) Tip-Ring-Sleeve output to L1 Pro channel 3 (1/4 inch (6.3 mm) Tip-Ring-Sleeve).
  • Don't use the HeadRush XLR outputs to the L1 Pro XLR inputs. The HeadRush XLR Outputs are line-level and too hot for the L1 Pro XLR inputs (which are designed for microphone-level signal sources.

HeadRush Prime to L1 Pro.jpg


  • On the HeadRush Prime, you can leave the 1/4 output at the default Line Level Output.
    You'll find that under Global | Audio Tab | 1/4" Level.

References: