Difference between revisions of "T4S/T8S ToneMatch® Mixer"

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There's no other processing available (e.g. Presets, EQ, Effects).
 
There's no other processing available (e.g. Presets, EQ, Effects).
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== Comparison to T1® ToneMatch audio engine ==
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{{:Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine}}
  
  

Revision as of 12:47, 31 January 2018

ToneMatch Mixers Family Ortho Top halfRes.jpg

Introduced January 23, 2018

Documentation

T4S/T8S ToneMatch® Mixer Owner's Guide

T4S/T8S Quick Start Guide

Firmware update instructions



Aux Inputs

The T4S (5/6) and T8S (9/10) Aux Inputs, are routed directly to the Master Output buss.

We cannot route them to different channels or Aux outputs. You can control Pan and Level sent through to Master.

There's no other processing available (e.g. Presets, EQ, Effects).

Comparison to T1® ToneMatch audio engine

Note
The T4S/T8S ToneMatch® Mixers are compatible with the L1 Pro System[1]s (announced October 2020).

The T1 ToneMatch Audio Engine requires two connections to the L1 Pro System[1]s: one for power, one for audio. Please see: T1 Compatibility With L1 Pro Systems


Here's a quick rundown of the additions and changes
  • Stereo outputs and processing
    • T4S: Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve
    • T8S: Two XLR analog outputs two analog 1/4" Tip-Ring-Sleeve
    • Pan
  • Combo inputs
    • T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs
    • T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs
  • Auxilliary inputs (routed to Main with Level and Pan controls)
    • T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve
    • T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve
  • Headphone jack
  • 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware,
  • Tap-tempo delay
  • Aux Outputs
    • Dedicated Reverb on Aux 1
      • T4S: Additional Aux out - Aux 2
      • T8S: Additional Aux outs - Aux 2 Aux 3, Aux 4
  • 3-band Parametric EQ per channel
  • Master out 6-band EQ
  • Higher signal output (approximately +10 dB) and this provides greater compatibility with the F1 Model 812 Flexible Array Loudspeaker
  • USB playback (WAV/MP3) from thumb drives
  • New industrial design
  • New magnetic cover


Removed/Changed

  • Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert)
  • Removed the preamp outs based on customer feedback that they were seldom used
  • There are eleven scenes available in the T4S/T8S ToneMatch® Mixers:
Five Bose Scenes (that can be overwritten) and
Six user scenes
The T1® has eleven user read/writeable Scenes and five Bose read only Scenes.
T1 Scenes backed up to a computer can not be restored to a T4S/T8S (different architecture for reverb)
  • New Reverb engine
    • Global Reverb Time parameter is expressed in percentage compared to the T1® in seconds (details)
  • Channel 4 (T4S compared to T1)
T4S ToneMatch MixerT1 ToneMatch Audio Engine

Channel 4

  • Combo 1/4" (6.3mm) / XLR input. This single input is mono and can be panned.
  • XLR input
  • Phantom Power
  • Support for bare piezo pickups (pickups without a preamp)
  • Full support for ToneMatch Presets, zEQ, ParaEQ, Effects, Reverb
  • Can be routed to Aux Outputs 1 and/or 2

Channel 4

  • A single mono channel with two 1/4" (6.3mm) balanced line-level inputs that were immediately converted to mono.
  • No XLR input
  • No phantom power
  • No support for bare piezo pickups (pickups without a preamp)
  • Full support for ToneMatch Presets, zEQ, ParaEQ, Effects, Reverb
  • Can be routed to Aux Output 1
Aux Inputs Channels 5/6
  • Two 1/4" (6.3mm) balanced line-level inputs
  • Each input can be panned Left or Right
  • Each input is routed directly to the Master Outputs
    • No processing (ToneMatch Presets, zEQ, ParaEQ, Effects, Reverb)
    • Cannot be routed to Aux 1 or 2
  • Each input level control is set using the Prefs | PAN/AUX settings
No equivalent



  1. 1.0 1.1 L1 Pro 8, L1 Pro 16, L1 Pro 32