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- When talking about cables the terms Stereo, Mono, Balanced, Unbalanced refer to applications (how a cable is being used). ...end up with poor results. For example, if you connect a stereo signal to a balanced input, you may hear very little, or just effects with none of the original8 KB (1,267 words) - 17:43, 7 February 2023
- [[Image:XLR Male to TRS.jpg|200px|TRS Male to XLR Male balanced cable]]248 bytes (40 words) - 15:11, 13 March 2008
- {{:Balanced vs Unbalanced}}27 bytes (3 words) - 11:03, 19 March 2015
Page text matches
- When talking about cables the terms Stereo, Mono, Balanced, Unbalanced refer to applications (how a cable is being used). ...end up with poor results. For example, if you connect a stereo signal to a balanced input, you may hear very little, or just effects with none of the original8 KB (1,267 words) - 17:43, 7 February 2023
- ...uts are either balanced (three conductors) or unbalanced (two conductors). Balanced signals have the potential to be more resistant to hum and noise. * XLR, male (prongs) and female (receptacles for prongs), usually balanced4 KB (654 words) - 10:36, 5 November 2010
- You can use TS (Tip-Sleeve) unbalanced cables, OR TRS (Tip-Ring-Sleeve) balanced cables. If the cable uses ¼ inch jack plugs and the ends are the sam ==== ¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced) ====3 KB (394 words) - 22:20, 16 November 2019
- === XLR Balanced +4 === === XLR Balanced with built-in-pad ===2 KB (372 words) - 02:49, 21 December 2008
- The {{Model II nl}} Analog Input is balanced and accepts balanced or unbalanced ¼ inch jacks. * Monitor Out — balanced ¼ inch jack outputs3 KB (472 words) - 05:04, 21 December 2008
- === XLR Balanced +4 === ==== XLR (balanced) to XLR (balanced) ====2 KB (392 words) - 02:59, 21 December 2008
- * All XLR outputs are balanced, line-level * All XLR inputs are balanced, microphone level (not a good match for the Kemper XLR outputs)5 KB (706 words) - 01:49, 5 January 2023
- =====¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced) ===== =====¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced) =====4 KB (558 words) - 06:14, 3 February 2015
- What does it mean to have "balanced" vs. "unbalanced" cables and connections? ...d "ground". That's why a "balanced" system (balanced output, 3-wire cable, balanced receiving input) can be better at rejecting any "noise" which might exist b8 KB (1,420 words) - 22:59, 18 July 2007
- ;Balanced connections. '''For best results use a balanced connection6 KB (1,027 words) - 13:37, 29 October 2019
- ...Radial PRODI for the electric organ. I recommend a balanced line-level to balanced line-level direct box for the L1™ inputs. The Radial Twin ISO is a two c ...ise currents. This is one reason for the bad reputation sometimes given to balanced interconnect.8 KB (1,303 words) - 09:31, 7 April 2019
- This mixer has ¼ inch jack balanced outputs. Any of the cables shown below should work. ===== ¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced) =====2 KB (250 words) - 14:02, 19 September 2012
- ...anced, it's usually okay to use a Tip-Sleeve cable. If that connection is balanced, then a Tip-Ring-Sleeve cable is a better choice. If you don't know for sur ...-Ring-Sleeve cable from the S1 Pro system Line Out, then the connection is balanced.3 KB (500 words) - 22:20, 16 November 2019
- The L1 Model II Analog Inputs are 1/4 inch (6.3 mm) Tip-Ring-Sleeve balanced inputs. ...e refer to the owners guide for your mixer to determine if the outputs are balanced.2 KB (300 words) - 21:45, 15 September 2022
- ;For best results for long cable runs, use a Line Level balanced connection ;Note: The 1/4 inch (6.3 mm) Tip-Ring-Sleeve inputs are line-level balanced. <br>3 KB (516 words) - 01:51, 5 January 2023
- * differences in wiring or connectors (e.g. Balanced [[XLR]] to Unbalanced 1/4" [[TRS|Tip-Sleeve]]) 2. Unbalanced to balanced conversion.4 KB (608 words) - 15:46, 23 January 2013
- === XLR Balanced with built-in-pad === === XLR Balanced +4 ===2 KB (249 words) - 03:20, 21 December 2008
- === XLR Balanced +4 === === XLR Balanced with built-in-pad ===960 bytes (121 words) - 03:09, 21 December 2008
- ...line external source. The voltage is equal on Pin 2 and Pin 3 of a typical balanced, XLR-type connector. For a 48 volt phantom source, for example, Pin 2 is 48 ...age to a dynamic microphone even if it is shorted or miswired. In general, balanced dynamic microphones can be connected to phantom powered mixer inputs with n8 KB (1,252 words) - 19:43, 10 March 2020
- == Is the 1/8 inch jack Stereo or Balanced == The {{Compact}} Channel 2: 1/8-inch jack is STEREO not BALANCED.811 bytes (106 words) - 06:42, 26 March 2017
- XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced ...<li>6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced</li>12 KB (941 words) - 15:01, 12 June 2021
- XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced <li>6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced</li>13 KB (1,143 words) - 16:24, 23 September 2023
- * If you want to use the Balanced XLR outputs use the MIC setting in the picture above. ==== XLR (balanced) to XLR (balanced) ====1 KB (225 words) - 11:36, 2 November 2010
- ...rs or recording devices. Preamp outputs for channels 1-3 accept a 1/4" TRS balanced phone plug cable. ...ly connect multiple sources with the added flexibility of accepting either balanced XLR audio cables or 1/4" TS unbalanced phone plug cables.31 KB (4,908 words) - 04:28, 9 April 2017
- The Aux Out is balanced mono and suitable to connect to the {{S1}} Channel 1 or 2. The Aux Out is balanced mono intended to be connected to the balanced input of another device at line-level. This may also work with headphones b5 KB (923 words) - 20:02, 9 July 2018
- ...ply, and then run a balanced line from the Master Out on the {{T1}} to the balanced 'analog input' on the {{Model II}}. This method would be able to transmit o ; ¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)5 KB (805 words) - 19:12, 6 June 2021
- * If you want to use the Balanced XLR outputs use the MIC setting in the picture above. ==== XLR (balanced) to XLR (balanced) ====1 KB (218 words) - 11:45, 2 November 2010
- ...simply because that is what I had lying around. I have wanted to get some balanced ¼ inch jack {{trs} connector cables for longer runs and for [[Compac <td>I got a couple of thirty foot ¼ inch jack tip-ring-sleeve balanced cables. In the past I have used an old guitar wireless rig to do remote con12 KB (2,058 words) - 05:45, 26 March 2017
- ...llent quality audio whether you use the ToneMatch cable (T1® or T4S) or a balanced cable (T8S) for audio. If you are using good quality balanced cables there should be no difference between using any combination of XLR a9 KB (1,484 words) - 23:55, 13 December 2023
- XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced <li>6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced</li>7 KB (1,045 words) - 15:04, 12 June 2021
- 2. '''Ring:''' Right-hand channel for stereo signals, negative phase for balanced mono signals, power supply for power-requiring mono signal sources<br> 3. '''Tip''': Left-hand channel for stereo signals, positive phase for balanced mono signals, signal line for unbalanced mono signals<br>975 bytes (127 words) - 01:22, 12 July 2014
- === XLR Balanced +4 === ''AB OUT A pair of impedance balanced TRS jacks can be configured to provide an additional LR mix or engineers mo3 KB (411 words) - 15:58, 21 September 2012
- *Balanced XLR ...nduced noise or potential ground loop hum as you will if you plug into the balanced inputs (4,5).13 KB (1,983 words) - 11:55, 22 May 2018
- ==== XLR (balanced) to XLR (balanced) ==== (balanced to balanced) should be fine. This is the same kind of cable you would use to connect a2 KB (281 words) - 02:07, 23 October 2010
- [[Image:Compact Channel 2 Balanced.png]] ...erting XLR to 1/4 TRS. This cable is typically used to plug XLR cord into balanced 1/4" TRS panel jacks commonly found on mixing consoles and processing equip4 KB (625 words) - 14:05, 11 September 2014
- ...alanced.29">¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)</span></h4> <p>A balanced connection is preferred and will provide better noise rejection over greate3 KB (534 words) - 17:10, 6 April 2017
- XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced6 KB (861 words) - 01:41, 7 March 2022
- <li>6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced</li> XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced11 KB (979 words) - 16:27, 23 September 2023
- <td>Line In: 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced Line-Level XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced11 KB (856 words) - 21:13, 11 June 2021
- === XLR Balanced +4 ===735 bytes (96 words) - 03:09, 21 December 2008
- === XLR Balanced +14 dBV ===2 KB (374 words) - 03:14, 21 December 2008
- === XLR Balanced with built-in-pad ===749 bytes (111 words) - 03:15, 21 December 2008
- === XLR Balanced +4 ===1 KB (148 words) - 03:02, 21 December 2008
- ...pment is achieved using balanced cables. However, if your equipment is NOT balanced you will generally have no problems."1 KB (191 words) - 19:12, 22 January 2007
- === Line Out (XLR balanced) for Channels 1 and 2 ===1 KB (150 words) - 10:39, 5 November 2010
- === XLR Balanced +4 ===597 bytes (77 words) - 03:03, 21 December 2008
- The 1/4" inputs are also balanced, but can be used unbalance as well. So all in all Ch 1,2 & 3 support. * Balanced XLR4 KB (644 words) - 05:26, 26 March 2017
- One ¼ inch TRS balanced phone plug labelled "Master" that is an analog clone of what is sent at the One ¼ inch TRS balanced phone plug output labelled "Aux". This is an independent submix of Channels3 KB (492 words) - 04:45, 26 March 2017
- Channels 1 and 2 accept two types of input connections: a balanced XLR (mic) connection and a 1/4" phone connector unbalanced (line) input for Channels 1 and 2 accept two types of input connections: a balanced XLR (mic) connection, and a ¼-inch phone connector unbalanced (line) input60 KB (9,859 words) - 05:33, 26 March 2017
- Use a balanced (Tip-Ring-Sleeve) cable if possible. {{Balanced TRS3 KB (476 words) - 23:49, 31 March 2020
- ...output – Mono analog output that accepts either ¼ inch Tip-Ring-Sleeve balanced or The Compact has a balanced line-out that is a mix of all the inputs, post level and EQ settings on the27 KB (4,306 words) - 01:35, 20 May 2021
- === XLR Balanced +14 dBV ===3 KB (536 words) - 14:31, 10 October 2009
- ...ed to mono this should work well. You can used ¼ inch jack cables. Balanced or unbalanced will work fine. You can use TS (Tip Sleeve) unbalanced cables, OR TRS (Tip Ring Sleeve) balanced cables. If the cable uses ¼ inch jack plugs and the ends are the sam2 KB (245 words) - 06:42, 26 March 2017
- * Bass balanced Ebony bridge with compensated bone saddle. Bold sounds of cedar and flame maple yeilding bright, compressed, balanced tones capable of cutting through an ensemble mix.3 KB (398 words) - 17:55, 7 January 2010
- === XLR Balanced +4 ===670 bytes (85 words) - 12:36, 19 August 2014
- ; Use a balanced (Tip-Ring-Sleeve) cable if possible. ...econd L1 Compact, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because y2 KB (401 words) - 23:50, 1 January 2023
- === XLR Balanced +4 ===693 bytes (96 words) - 14:34, 1 November 2010
- ...Bose {{Model 1S}} and {{Model II}} analog input on the Power Stand is a '''balanced''' '''mono''' input. The Analog input is a ¼ inch balanced input jack.2 KB (364 words) - 23:12, 13 July 2014
- {{Balanced TRS from T8S to L1 Model II}} Balanced XLR |Source= [[T8S]] |Target= {{Model II}}2 KB (331 words) - 11:03, 9 May 2022
- {{Balanced TRS from T8S to L1 Model II}} Balanced XLR |Source= [[T8S]] |Target= {{Model 1S}}2 KB (310 words) - 10:42, 3 October 2019
- ...ll give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations.4 KB (656 words) - 15:13, 3 February 2020
- The Analog input is a ¼ inch balanced input jack. Do not connect a stereo source to this input. The analog input on the Model II is balanced, and will therefore subtract the Left and Right signals on a stereo cable a9 KB (1,440 words) - 01:37, 20 May 2021
- ...owed us to run the systems at much lower gain, giving the bands a far more balanced sound everywhere in the room. The separation of the two microphones, magnif ...ated singers and their amps, but by aiming those mics differently we got a balanced sound out into the room.16 KB (2,848 words) - 17:51, 14 October 2009
- * Up to four dry balanced direct output signals for the house system. These signals will not contain {{:XLR Male to 1/4 TRS Balanced Cable}}5 KB (893 words) - 05:16, 26 March 2017
- See [[TRS]] and [[Balanced vs Unbalanced]] See related:[[TRS]] and [[Balanced vs Unbalanced]]2 KB (387 words) - 20:58, 14 January 2009
- The Analog input is a ¼ inch balanced input jack. The analog input is balanced, and will therefore subtract the Left and Right signals on a stereo cable a8 KB (1,264 words) - 01:56, 20 May 2021
- ...ay enables the system to fill an entire room with clear, powerful, tonally balanced sound from a single loudspeaker system. Sound remains consistent even at th ...ss module is a portable, lightweight bass module designed to provide deep, balanced bass for Model 1S and Model II systems. It features two 5.25" high-excursio14 KB (2,381 words) - 05:47, 26 March 2017
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} cable, but you will lose up to -6 dB i1 KB (186 words) - 11:48, 30 August 2018
- [[Image:Compact Channel 2 Balanced.png]] ...erting XLR to 1/4 TRS. This cable is typically used to plug XLR cord into balanced 1/4" TRS panel jacks commonly found on mixing consoles and processing equip2 KB (300 words) - 18:18, 8 February 2014
- * XLR connection. This is a balanced connection and it is preferable ...r the entire Rig: amp, cabinet, and all effects. You have a choice of XLR (balanced) or quarter-inch TS-jacks (unbalanced). The XLR outputs are protected again24 KB (3,721 words) - 12:54, 8 August 2023
- ...lanced 1/4" stereo jacks. Of course, all inputs and outputs work with both balanced and unbalanced connectors. The tape in and outputs are on RCA connectors.2 KB (223 words) - 13:15, 28 July 2014
- Where possible use a balanced connection between the mixer output and the L1® input. ...e the one above, you can use one of the ¼ inch jack Tip-Ring-Sleeve balanced outputs. You can pan all the inputs to the LEFT side and use the LEFT outpu8 KB (1,188 words) - 23:23, 8 April 2022
- * A single mono channel with two 1/4" (6.3mm) balanced line-level inputs that were immediately converted to mono. * Two 1/4" (6.3mm) balanced line-level inputs3 KB (453 words) - 01:38, 17 May 2021
- ...While the digital connection is nice, your experience will be fine with a balanced TRS connection between the T8S and L1 Model II.'' * Balanced 25-foot cable from the T4S Left Channel analog output to the L1® Mod3 KB (541 words) - 11:02, 28 February 2018
- {{Balanced TRS from T8S to L1 Model II}} {{Balanced XLR |Source= [[T8S]]|Target= {{Model II}}1 KB (231 words) - 12:31, 10 April 2019
- {{Balanced TRS from T1 to T8S}} {{Balanced TRS from T1 to T8S}}2 KB (290 words) - 12:39, 10 October 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} cable, but you will lose up to -6 dB i1 KB (182 words) - 12:02, 23 February 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} , but you will lose up to -6 dB in sig3 KB (433 words) - 22:23, 16 November 2019
- ...inputs are '''balanced'''. For best results use a {{1/4 TRS}} cable for a balanced connection. You can use a {{1/4 TS}} , but you will lose up to -6 dB in sig2 KB (357 words) - 22:23, 16 November 2019
- ...arity of the figured maple back creates a resonance in this guitar that is balanced with tonal clarity, and the simple control layout makes the JA-15 a joy to ...atured on the JA-15, including two 53/10™ bass pickups to give a smooth, balanced tone, the all new thin, hard and crystal clear “V12” finish, and the tw13 KB (1,896 words) - 11:13, 27 July 2022
- ...he MASTER you'll see that all of that power is available to you, just in a balanced fashion.12 KB (2,063 words) - 13:56, 21 September 2023
- * Designed to provide deep, balanced bass for Model 1S and Model II systems10 KB (1,586 words) - 00:10, 17 February 2019
- === XLR Balanced +4 ===666 bytes (84 words) - 03:12, 21 December 2008
- ...wish to achieve. Bose recommends -20dB of attenuation to bring a hot +4dBu balanced line level signal down to a voltage that the Bose PS1 (Classic) Mic inputs5 KB (853 words) - 17:26, 14 May 2017
- * In a more general sense, if things are balanced, then everyone should be able to hear themselves AND everyone else. If that3 KB (612 words) - 18:10, 26 March 2017
- A microphone that is not tonally balanced requires expertise and sophisticated equipment to equalize optimally. ToneM16 KB (2,433 words) - 20:03, 1 July 2023
- This is nice balanced layout that we use on stages 20-25 feet wide.2 KB (302 words) - 19:11, 4 January 2009
- high output and full, balanced frequency response. The fact that the MA12 is placed4 KB (651 words) - 13:44, 29 March 2017
- If want to use the balanced outputs (red) set the button (50) or use ¼ Inch Main Outputs (green)1 KB (164 words) - 02:53, 21 December 2008
- == Line Outs (XLR balanced) for Channels 1 and 2 ==581 bytes (90 words) - 14:46, 31 December 2008
- Bring up the volumes of the instruments so that these are correctly balanced in relation to the vocal.4 KB (665 words) - 14:02, 3 December 2006
- * The XLR input is a balanced low impedance input stage with a lot of gain.2 KB (295 words) - 16:43, 12 January 2012
- * If you want to use the Balanced XLR outputs use the MIC setting in the picture above.2 KB (268 words) - 12:28, 18 March 2012
- {{:Balanced vs Unbalanced}}518 bytes (72 words) - 22:57, 18 July 2007
- ...hielded wire for all microphones and input cables. Also, use low-impedance balanced microphone cables, which are less susceptible to interference than high-imp3 KB (442 words) - 11:07, 8 June 2010
- Standard, balanced tip-ring-sleeve ¼" cable connects the A1 PackLite® power amplifier to a p42 KB (6,832 words) - 05:25, 26 March 2017
- Standard, balanced tip-ring-sleeve 1/4" cable connects the A1 PackLite® power amplifier to a17 KB (2,728 words) - 05:42, 26 March 2017
- ...Out to the input of a second T1™ Channel. Use a 1/4" to 1/4" cable, balanced or unbalanced should be fine.2 KB (421 words) - 04:21, 26 March 2017
- ...pendent of the Master volume. This is why you want to set it to be equally balanced with the Master. You will then be able to control the balance and level fro7 KB (1,115 words) - 16:44, 4 September 2023
- ...Match® Audio Engine / 1/4 inch Output Connections to L1® Family Members |Balanced}}1 KB (231 words) - 04:42, 26 March 2017