Difference between revisions of "Bose S1 Pro Compared to Bose L1® Compact"
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+ | <table class="greyGridTable"> | ||
<tr> | <tr> | ||
<th style="width:15%">Feature</th><th style="width: 40%">Bose S1 Pro</th><th style="width: 40%">Bose L1® Compact</th><tr> | <th style="width:15%">Feature</th><th style="width: 40%">Bose S1 Pro</th><th style="width: 40%">Bose L1® Compact</th><tr> | ||
+ | <td style="background:#FFFFFF"> </td> | ||
+ | <td style="background:#FFFFFF">[[File:S1 Pro Tilt-Back.jpg]] </td> | ||
+ | <td style="background:#FFFFFF">[[File:L1 Compact Collapsed and Extended.jpg|height:280px]] </td> | ||
+ | <tr><td></td><td></td></tr> | ||
<tr> | <tr> | ||
<td>Horizontal dispersion | <td>Horizontal dispersion | ||
</td> | </td> | ||
− | <td> | + | <td>120 degrees |
</td> | </td> | ||
<td>180 degrees | <td>180 degrees | ||
Line 14: | Line 65: | ||
<td>Vertical dispersion | <td>Vertical dispersion | ||
</td> | </td> | ||
− | <td> | + | <td>50 degrees |
</td> | </td> | ||
<td>40 degrees | <td>40 degrees | ||
</td> | </td> | ||
</tr> | </tr> | ||
− | |||
<tr> | <tr> | ||
Line 27: | Line 77: | ||
</td> | </td> | ||
<td>106 dB / 112 dB peak | <td>106 dB / 112 dB peak | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Audience | ||
+ | </td> | ||
+ | <td>Up to 50 people | ||
+ | </td> | ||
+ | <td>Up to 100 people | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | |||
+ | |||
+ | <tr> | ||
+ | <td>Speaker Array | ||
+ | </td> | ||
+ | <td>Three 2.25" (5.715 mm) high-excursion drivers mounted in a curved Articulated Array® | ||
+ | </td> | ||
+ | <td>Six 2.00" (51 mm) high-excursion drivers mounted in a curved Articulated Array® loudspeaker | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Woofer | ||
+ | </td> | ||
+ | <td>One 6" (152 mm) low-frequency driver mounted behind the three driver in a curved Articulated Array® | ||
+ | </td> | ||
+ | <td>One 8" (203 mm) low-frequency driver mounted in a ported bass enclosure in the power stand | ||
+ | </td> | ||
+ | </tr> | ||
+ | <tr> | ||
+ | <td>Frequency Response | ||
+ | </td> | ||
+ | <td> | ||
+ | <ul><li>62 Hz – 17 kHz +/- 3dB</li></ul> | ||
+ | </td> | ||
+ | <td> | ||
+ | <ul> | ||
+ | <li>65 Hz – 14 kHz +/- 3dB</li> | ||
+ | <li>50 Hz - 16 Hz (-10 dB)</li> | ||
+ | </ul> | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Crossover | ||
+ | </td> | ||
+ | <td> | ||
+ | 600 Hz | ||
+ | </td> | ||
+ | <td> | ||
+ | 400 Hz | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | |||
+ | |||
+ | <tr style="d isplay:none;"> | ||
+ | <td>Power to speakers | ||
+ | </td> | ||
+ | <td>Biamped 80 Watts RMS x 2, 160 Watts total | ||
+ | </td> | ||
+ | <td>Biamped 65 Watts RMS x 2, 130 Watts total | ||
</td> | </td> | ||
</tr> | </tr> | ||
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<td>Weight | <td>Weight | ||
</td> | </td> | ||
− | <td>15 | + | <td><ul> |
+ | <li>6.5 kg (14.3 lbs) – Without Battery</li> | ||
+ | <li>7.0 kg (15.5 lbs) – With Battery</li> | ||
+ | </ul> | ||
</td> | </td> | ||
− | <td>30 | + | <td>Total system weight 13.4 kg (30.2 lb) |
+ | <ul> | ||
+ | <li>Power Stand: 11.2 kg (24.6 lb)</li> | ||
+ | <li>Extensions (each): 1.1 kg (2.3 lb) </li> | ||
+ | </ul> | ||
</td> | </td> | ||
</tr> | </tr> | ||
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<td>Multiple orientations | <td>Multiple orientations | ||
</td> | </td> | ||
− | <td> | + | <td><html> |
− | <ul><li>Elevated Surface | + | <ul><li><details><summary>Elevated Surface</summary> |
− | < | + | Position the S1 Pro on a surface. This projects sound clearly and evenly throughout the audience, and ensures that audience members enjoy the full frequency range of the system. |
− | + | </details> | |
</li> | </li> | ||
− | <li>Tilt-Back | + | <li><details><summary>Tilt-Back</summary> |
− | < | + | For performances where your audience is close to you, tilt the S1 Pro onto its back edge. For best results, the performer should stand or sit to one side of the loudspeaker to avoid blocking sound from the audience. |
− | + | </details> | |
</li> | </li> | ||
− | <li>Monitor< | + | <li><details><summary>Monitor</summary> |
To use the S1 Pro as a personal floor monitor, place it on the ground horizontally, in front of and pointing toward the performer. Tilt the loudspeaker onto its side edge. | To use the S1 Pro as a personal floor monitor, place it on the ground horizontally, in front of and pointing toward the performer. Tilt the loudspeaker onto its side edge. | ||
− | + | </details> | |
</li> | </li> | ||
− | <li>Speaker Stand< | + | <li><details><summary>Speaker Stand</summary> |
Place one or two S1 Pro systems on speaker stands (sold separately) for general-purpose sound reinforcement. | Place one or two S1 Pro systems on speaker stands (sold separately) for general-purpose sound reinforcement. | ||
− | Monitor | + | Monitor </details> |
+ | |||
</li> | </li> | ||
</ul> | </ul> | ||
+ | </html> | ||
</td> | </td> | ||
− | <td> | + | <td> |
− | + | <ul> | |
+ | <li>Table Top (no extensions)</li> | ||
+ | <li>Floor with both extensions <br> (no speaker stand required)</li> | ||
+ | <li>Floor with one extension</li> | ||
+ | </ul> | ||
</td> | </td> | ||
</tr> | </tr> | ||
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<td>Bluetooth input | <td>Bluetooth input | ||
</td> | </td> | ||
− | <td>Yes: Channel 3 | + | <td>Yes: Channel 3 <br>Supports Bluetooth 4.2 |
</td> | </td> | ||
<td>No | <td>No | ||
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<td>ToneMatch® Presets | <td>ToneMatch® Presets | ||
</td> | </td> | ||
− | <td> | + | <td>Channel 1 |
+ | <ul> | ||
+ | <li>Vocal Microphone</li> | ||
+ | <li>Acoustic Guitar</li> | ||
+ | <li>OFF (flat) </li> | ||
+ | </ul> | ||
+ | Channel 2 | ||
+ | <ul> | ||
+ | <li>Vocal Microphone</li> | ||
+ | <li>Acoustic Guitar</li> | ||
+ | <li>OFF (flat) </li> | ||
+ | </ul> | ||
+ | </td> | ||
+ | <td>Channel 1 | ||
+ | <ul> | ||
+ | <li>Fixed: Microphone</li> | ||
+ | </ul> | ||
+ | Channel 2 | ||
+ | <ul> | ||
+ | <li>Acoustic Guitar</li> | ||
+ | <li>Line Level (flat)</li> | ||
+ | </ul> | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Battery | ||
+ | </td> | ||
+ | <td>Yes internal (optional) | ||
+ | </td> | ||
+ | <td>No | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | |||
+ | |||
+ | <tr> | ||
+ | <td>Connections | ||
+ | </td> | ||
+ | <td> | ||
+ | Channel 1: <br> | ||
+ | XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced | ||
+ | |||
+ | Channel 2: <br> | ||
+ | XLR / 6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced | ||
+ | |||
+ | Channel 3: <br> | ||
+ | 3 mm (1/8" Tip-Ring-Sleeve) accepts stereo or mono input | ||
+ | </td> | ||
+ | <td> | ||
+ | Channel 1: <br> | ||
+ | XLR balanced | ||
+ | |||
+ | Channel 2: | ||
+ | <ul> | ||
+ | <li>6 mm (1/4" Tip-Ring or Tip-Ring-Sleeve) balanced / unbalanced</li> | ||
+ | <li>3 mm (1/8" Tip-Ring-Sleeve) accepts stereo or mono input</li> | ||
+ | <li>Two RCA unbalanced phone plug</li> | ||
+ | </ul> | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Tone Controls | ||
+ | </td> | ||
+ | <td>Channels 1 and 2 | ||
+ | * Bass / Treble | ||
+ | Channel 3 | ||
+ | * None | ||
+ | </td> | ||
+ | <td>Channel 1 | ||
+ | * Bass / Treble | ||
+ | Channel 2 | ||
+ | * None | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | <tr> | ||
+ | <td>Crossover Frequency | ||
+ | </td> | ||
+ | <td>600 Hz | ||
+ | </td> | ||
+ | <td>400 Hz 4th order Butterworth | ||
+ | </td> | ||
+ | </tr> | ||
+ | |||
+ | |||
+ | |||
+ | <tr> | ||
+ | <td>Line Out | ||
+ | </td> | ||
+ | <td>¼ inch (6mm) jack: Nominal +4 dBu, Max +20 dBu | ||
+ | <br>Note: Using a TS unbalanced cable will result in a drop in the audio level of -6dBu. | ||
+ | |||
+ | </td> | ||
+ | <td>¼ inch (6mm) jack: Nominal +2.2 dBu, Max +20 dBu | ||
+ | <br>Note: Using a TS unbalanced cable will result in a drop in the audio level of -6dBu. | ||
+ | |||
+ | </td> | ||
+ | </tr> | ||
+ | <!-- | ||
+ | <tr> | ||
+ | <td> | ||
</td> | </td> | ||
− | <td> | + | <td> |
+ | </td> | ||
+ | <td> | ||
</td> | </td> | ||
</tr> | </tr> | ||
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</td> | </td> | ||
</tr> | </tr> | ||
+ | --> | ||
</table> | </table> | ||
+ | |||
+ | ---- | ||
+ | [[Category:Compact]] | ||
+ | [[Category:S1 Pro]] | ||
+ | [[Category:Comparison]] |
Latest revision as of 07:32, 15 August 2024