Difference between revisions of "Mixer / Behringer / XENYX1204FX"
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<big>''' Behringer XENYX 1204FX '''</big> | <big>''' Behringer XENYX 1204FX '''</big> | ||
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The simplest thing that could possibly work: Use the ¼ inch phone outputs (Control Room Outs) to connect to PS1 Powerstand. | The simplest thing that could possibly work: Use the ¼ inch phone outputs (Control Room Outs) to connect to PS1 Powerstand. | ||
| + | You could use the XLR outputs but the nominal output might be too high for the PS1 Powerstand: Channels 1 or 2, so if you have the cables, try the ¼ inch connection first. | ||
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| + | === Details === | ||
''' {{Use1/4}} ''' | ''' {{Use1/4}} ''' | ||
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== Outputs == | == Outputs == | ||
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=== ¼ Inch with suitable output=== | === ¼ Inch with suitable output=== | ||
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{{RunTROrTRSUnbalanced}} | {{RunTROrTRSUnbalanced}} | ||
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| + | === XLR Balanced +4 === | ||
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| + | {{TooHotForPS1}} | ||
Revision as of 01:39, 3 November 2007
Behringer XENYX 1204FX
Summary
The simplest thing that could possibly work: Use the ¼ inch phone outputs (Control Room Outs) to connect to PS1 Powerstand.
You could use the XLR outputs but the nominal output might be too high for the PS1 Powerstand: Channels 1 or 2, so if you have the cables, try the ¼ inch connection first.
Details
Use the ¼ inch phone jack (Tip-Sleeve) outputs to
- The PS1 Power Stand (Classic) / Model I Channels 1 or 2 if you want to use the Presets and the R1 Remote Tone and Level Controls
OR - The PS1 Power Stand (Classic) / Model I Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Channels) at your input source, as you do not have this control over Channels 3 and 4 in the PS1 Power Stand (Classic) / Model I or the R1 Remote.
Specifically - see the outputs shaded in green in the illustration at the bottom of this page.
Outputs
¼ Inch with suitable output
for PS1 Powerstand Channel 1 or 2 inputs
You can use TS (Tip Sleeve) unbalanced cables, or TRS (Tip Ring Sleeve) balanced cables, but since the ¼ inch phone connections at the Bose Classic and Model I Power Stand are unbalanced there is no particular benefit using balanced cables.
¼ Inch Tip-Sleeve (unbalanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine.
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine.
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)
This should also work, but likely no better than a simple ¼ Inch Tip-Sleeve to Tip-Sleeve cable. This is because the ¼ Inch input on the Bose System is Tip-Sleeve (unbalanced) anyway.
XLR Balanced +4
The nominal output of the XLR Balanced Outputs is too high for the XLR inputs on the PS1 Power Stand Channels 1 and 2. If you want to use balanced cables from the Mixer to Channels 1/2 on the L1 Classic or L1 Model I you may need to use a Pad to lower the signal level from the mixer.
{{#Click:Pad|Image:Pad.jpg|Attenuation Pad}}
Links:
Outputs
XLR Balanced +4
The nominal output of the XLR Balanced Outputs is too high for the XLR inputs on the PS1 Power Stand Channels 1 and 2. If you want to use balanced cables from the Mixer to Channels 1/2 on the L1 Classic or L1 Model I you may need to use a Pad to lower the signal level from the mixer.
{{#Click:Pad|Image:Pad.jpg|Attenuation Pad}}
¼ Inch with suitable output
for PS1 Powerstand Channel 1 or 2 inputs
You can use TS (Tip Sleeve) unbalanced cables, or TRS (Tip Ring Sleeve) balanced cables, but since the ¼ inch phone connections at the Bose Classic and Model I Power Stand are unbalanced there is no particular benefit using balanced cables.
¼ Inch Tip-Sleeve (unbalanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine.
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Sleeve (unbalanced)
This should work fine.
¼ Inch Tip-Ring-Sleeve (balanced) to ¼ Inch Tip-Ring-Sleeve (balanced)
This should also work, but likely no better than a simple ¼ Inch Tip-Sleeve to Tip-Sleeve cable. This is because the ¼ Inch input on the Bose System is Tip-Sleeve (unbalanced) anyway.
Links: