Difference between revisions of "Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine"
m (ST moved page Bose ToneMatch® T4S and T8S Compared to Bose T1® ToneMatch Audio Engine to Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine: Naming Convention) |
m (formatting, added information on Scenes) |
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| Line 1: | Line 1: | ||
Here's a quick rundown of the additions and changes: | Here's a quick rundown of the additions and changes: | ||
| − | * | + | * Combo inputs |
| − | * | + | ** T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs |
| + | ** T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs | ||
| + | * Auxilliary inputs | ||
| + | ** T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve | ||
| + | ** T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve | ||
* Stereo outputs and processing | * Stereo outputs and processing | ||
| − | ** Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve | + | ** T4S: Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve |
| + | ** T8S: Two XLR analog outputs two analog 1/4" Tip-Ring-Sleeve | ||
** Pan | ** Pan | ||
* Headphone jack | * Headphone jack | ||
* 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware, | * 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware, | ||
* Tap-tempo delay | * Tap-tempo delay | ||
| − | * Dedicated Aux | + | * Aux Outputs |
| − | * | + | * Dedicated Reverb on Aux 1 |
| + | ** T4S:Additional Aux out - Aux 2 | ||
| + | ** T8S:Additional Aux outs - Aux 2 Aux 3, Aux 4 | ||
* 3-band Parametric EQ per channel | * 3-band Parametric EQ per channel | ||
* Master out 6-band EQ, | * Master out 6-band EQ, | ||
| Line 20: | Line 27: | ||
Removed | Removed | ||
| − | * | + | * Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert) |
| − | * | + | * Removed the preamp outs based on customer feedback that it was used very infrequently |
| + | * Total number of Scenes is now five Bose Scenes (that can be overwritten) and six user scenes. The total number read/writeable scenes is eleven. The T1® has eleven user read/writeable Scenes and five Bose read only Scenes. | ||
Revision as of 18:09, 19 April 2018
Here's a quick rundown of the additions and changes:
- Combo inputs
- T4S: Channels 1, 2, 3 and 4 all have combo XLR-1/4" inputs
- T8S: Channels 1, 2, 3, 4, 5, 6, 7 and 8 all have combo XLR-1/4" inputs
- Auxilliary inputs
- T4S: Aux Channels 5 and 6 are 1/4" Tip-Ring-Sleeve
- T8S: Aux Channel 9 and 10 that are 1/4" Tip-Ring-Sleeve
- Stereo outputs and processing
- T4S: Two digital ToneMatch outputs and parallel analog 1/4" Tip-Ring-Sleeve
- T8S: Two XLR analog outputs two analog 1/4" Tip-Ring-Sleeve
- Pan
- Headphone jack
- 6mm (1/4"-20) threaded insert at the bottom for use with mounting hardware,
- Tap-tempo delay
- Aux Outputs
- Dedicated Reverb on Aux 1
- T4S:Additional Aux out - Aux 2
- T8S:Additional Aux outs - Aux 2 Aux 3, Aux 4
- 3-band Parametric EQ per channel
- Master out 6-band EQ,
- USB playback (WAV/MP3) from thumb drives
- New industrial design
- New magnetic cover
Removed
- Removed the L1® Cylindrical Radiator® stand and the mic stand adapter (replaced by the common 1/4"-20 insert)
- Removed the preamp outs based on customer feedback that it was used very infrequently
- Total number of Scenes is now five Bose Scenes (that can be overwritten) and six user scenes. The total number read/writeable scenes is eleven. The T1® has eleven user read/writeable Scenes and five Bose read only Scenes.