Stage Layouts / Corner

This describes a stage layout in the corner at a House Concert / Fundraiser

Stage Layouts

Please Note: I would NOT set up in a corner like this again. It sounded great for the audience but on stage it was a little boomy.

The room was approximately 50 x 50' with an extension off the opposite corner. So we were playing to people as far away as 85 feet at the far end.

This is pretty close to scale for the distances, so the performers were about 3-4 feet in front of the L1™s. Not a lot of room given the 2500+ square feet we were trying to fill.

Warm Up Acts

Here is how things looked for the warm up acts that were duos.

I was on the left side as you view this, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settings with the bass at -6.0 db or so. I had the ParaEQ at -12db at 50 Hz with the width at .5.

I play finger style, no picks - so when I dig in, especially for soloing, I get a bit of finger "thump". The parametric EQ really helps with that.

My partner for the night plays mainly with a pick so he doesn't have that issue.

Headliner - Solo

Here is how our headliner looked on stage. He ran through the Model II.

It felt a little bottom heavy but not nearly as much as it did in the duo setup.

We have done other shows where it was just him, with no warm-up acts. We used a single L1™ Classic in the same position as the L1™ above. Things sounded fine.

Minor note: We pulled the other microphone stands off to the sides during this part of the show.

Not shown: There was a T1™ on the microphone stand on the right. Inputs were:

1. - Vocal microphone
2. - Guitar - internal pickup
3. - AKG C1000s just for 'air'

He was all over the stage. He literally dances his way through his set most often like a graceful waltz. When he was 'on the mic' he was really 'on the mic' (close microphone technique). The same was true for the AKG microphone on his Guitar. He used it like an effect. Not all the time, but when there was a particular sound he wanted.

And I know you want to know... there was one little squeal at the beginning of the show as he stepped off the stage to hit the switch for the lights. We reoriented the Guitar microphone so it was aimed as you see it in the sketch above. No issues with feedback for the rest of the night.

Finale

Toward the end of the last set our headliner called the owner and me up to the stage. We thought he was going to acknowledge the cause (Cancer research) and the house (the owner's purpose built room for musical performances) and he did. He also mentioned the wonderful sound system and thanked me yet again for doing the sound. But then he surprised us.

It took about 60 seconds to pull the other microphone stands (with T1™s mounted on them) back into the stage area.

Here is how we ended the night.

Moved the B1s

What I should have done.

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