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  • To bypass an effect like reverb on your T1® ...this to compare the sound with and without Reverb to really hear what the Reverb is doing to the sound in the room.
    290 bytes (47 words) - 04:54, 26 March 2017
  • #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
    57 bytes (7 words) - 10:39, 8 August 2014
  • #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
    57 bytes (7 words) - 04:54, 26 March 2017
  • ==Selecting a type of reverb == The Reverb Type function allows you to select the type of reverb that is applied to all input channels. The decay time (Time) and balance (B
    3 KB (525 words) - 13:15, 8 April 2018
  • #REDIRECT [[T1® ToneMatch Mixer Reverb]]
    41 bytes (5 words) - 13:15, 8 April 2018
  • {{T4S/T8S Reverb Settings}} ==Selecting a type of reverb ==
    3 KB (555 words) - 14:17, 29 May 2019
  • {{T4S/T8S Reverb Settings}}
    27 bytes (6 words) - 15:25, 25 May 2018
  • ;Question - What's a good starting point for reverb for vocals? ==== Global Reverb ====
    568 bytes (76 words) - 10:43, 26 September 2018
  • {{ToneMatch Mixer No Reverb on Aux
    228 bytes (32 words) - 22:38, 1 March 2019
  • {{ToneMatch Mixer No Reverb on Aux
    234 bytes (32 words) - 21:22, 1 March 2019
  • #REDIRECT [[T8S No Reverb on Aux 234]]
    38 bytes (7 words) - 21:22, 1 March 2019
  • Try using Digital Delay instead of Reverb for your vocals. Unlike Reverb, Digital Delay processing can be routed to {{ToneMatch Mixer}} Aux outputs.
    407 bytes (64 words) - 13:24, 2 June 2019
  • {{ToneMatch Mixer No Reverb on Aux}}
    72 bytes (14 words) - 13:29, 2 June 2019

Page text matches

  • {{T4S/T8S Reverb Settings}} ==Selecting a type of reverb ==
    3 KB (555 words) - 14:17, 29 May 2019
  • ==Selecting a type of reverb == The Reverb Type function allows you to select the type of reverb that is applied to all input channels. The decay time (Time) and balance (B
    3 KB (525 words) - 13:15, 8 April 2018
  • === No Reverb on Aux === Q: Why is there no Reverb on the Aux output of the {{T1}}?
    5 KB (923 words) - 20:02, 9 July 2018
  • ==== Reverb ==== ...y only be altered for all channels. This is achieved through adjusting the Reverb Type audio engine mode.
    31 KB (4,908 words) - 04:28, 9 April 2017
  • ;Question - What's a good starting point for reverb for vocals? ==== Global Reverb ====
    568 bytes (76 words) - 10:43, 26 September 2018
  • ...I put one side of the amp through the speaker input of a Fender Princeton Reverb cabinet (w/ a Weber C10Q) the 284 sounds just like my Fender amps. So, if y ...ng for moron. Between this and my experience with the MPXG2, I'm sure that reverb is the only thing they do well.
    34 KB (5,610 words) - 15:00, 18 January 2021
  • ...Cc Messages can be used as on/ off switches for e.g. Delay, Chorus, Reverb, Whammy – or what about floating control of Reverb level, the Depth of a Chorus
    30 KB (3,215 words) - 13:19, 12 November 2008
  • ** Dedicated Reverb on Aux 1 * New Reverb engine
    3 KB (453 words) - 01:38, 17 May 2021
  • == Reverb == ...ose tool for a solo performer in venues suitable for up to 50 people. The Reverb control on the {{S1 Pro}} is roughly analogous to the Mix parameter on the
    14 KB (2,204 words) - 22:04, 15 September 2021
  • ===== Reverb ===== This is to fix the reverb:
    12 KB (1,725 words) - 19:23, 6 August 2023
  • * Reverb<br>Although I don't use Reverb very often, it would have been nice to have for other performers ...hannels. Two of them have phantom power and controls for treble, bass, and reverb. With the L1 Mix app, I can use the same ToneMatch Presets as the ToneMatch
    5 KB (829 words) - 18:18, 30 November 2021
  • ...u run first through the overdrive and then the reverb or first through the reverb and then through the overdrive. ...t of the original signal present in the output. A typical example would be reverb and a delay which are used for vocals.
    4 KB (675 words) - 11:34, 8 July 2010
  • === No Reverb from USB === [[Image:T1 No Reverb from USB.gif]]
    8 KB (1,290 words) - 18:04, 27 March 2019
  • ...d on and off, you would use bypass. If you wanted to hear how a particular reverb sounded you could turn it on and off, on and off. And so on. Most effects h == Bypass Reverb ==
    2 KB (376 words) - 21:57, 14 November 2023
  • == Reverb Boom-a-Rama == [[Image:reverb.jpg]]
    14 KB (2,567 words) - 00:59, 16 October 2008
  • To bypass an effect like reverb on your T1® ...this to compare the sound with and without Reverb to really hear what the Reverb is doing to the sound in the room.
    290 bytes (47 words) - 04:54, 26 March 2017
  • == Reverb Settings == {{T4S/T8S Reverb Settings}}
    9 KB (1,484 words) - 23:55, 13 December 2023
  • * Reverb OFF You can adjust the Reverb, Bass, and Treble after you get your basic sound working.
    3 KB (433 words) - 22:23, 16 November 2019
  • == EQ, Effects and Reverb == ...nal processing with the {{T1}}. Set the zEQ and ParaEQ and all effects and reverb to Bypass.
    3 KB (527 words) - 08:57, 26 November 2022
  • ...serial method and the mix controls on the Lexicon unit to manage how much reverb is applied to the signal.
    2 KB (323 words) - 13:41, 26 December 2006
  • ...ix 14% and Depth 73%. Then I added reverb at Mix 12% and Brightness at 7% (reverb type is Large, Time 2.20s, and Bal 50%). ...ove the L1, and the walls and floor were a fabulously reflective concrete. Reverb and Chorus had to go off here, because they would only muddy things more. E
    9 KB (1,614 words) - 19:04, 15 October 2008
  • *Reverb Mix 19% Bright 91% *Reverb Type Medium Room Time 1.7 Bal 50%
    2 KB (257 words) - 02:35, 21 May 2013
  • # Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best so # Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.
    4 KB (656 words) - 15:13, 3 February 2020
  • #***Turn off Reverb * The L1 Pro32 built-in mixer has ToneMatch Presets, Bass, Treble, and Reverb. <br>
    3 KB (441 words) - 20:35, 8 December 2021
  • <td>Reverb Wireless control over volume, tone, reverb and system EQ
    12 KB (941 words) - 15:01, 12 June 2021
  • <td>Reverb Wireless control over volume, tone, reverb and system EQ
    13 KB (1,143 words) - 16:24, 23 September 2023
  • ...r 2 set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off. ...2. Set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off.
    3 KB (516 words) - 01:51, 5 January 2023
  • ...r 2 set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off. ...2. Set the ToneMatch switch to OFF and Tone controls to 12:00 o'clock and Reverb off.
    5 KB (706 words) - 01:49, 5 January 2023
  • ...lower than you expect. If the volume is too high, you will be feeding the reverb more than reaching your audience. ...ncies in your mix. These low and low-mid frequencies can contribute to the reverb and the perception of 'muddy' sound.
    4 KB (665 words) - 14:02, 3 December 2006
  • ...ontain any ToneMatch preset, zEQ, Para EQ, Comp/Gate, Modulation, Delay or Reverb. ...aining any ToneMatch preset, zEQ, Para EQ, Comp/Gate, Modulation, Delay or Reverb that you have assigned to any of the T1 channels
    5 KB (893 words) - 05:16, 26 March 2017
  • Features include mono or stereo operation, 6 flexible effects loops, a spring reverb tank, a first-rate adjustable noise gate, cabinet-voicing simulator circuit The FS-77 footswitch controls the preamp's channel selection and reverb, effects loop and graphic EQ for each channel.
    2 KB (263 words) - 00:24, 31 December 2015
  • * T8S Aux 1 (if reverb required) or Aux 2 or 3 or 4 (if no reverb required)
    785 bytes (144 words) - 10:03, 29 July 2018
  • * Reverb OFF You can adjust the Reverb, Bass, and Treble after you get your basic sound working.
    2 KB (357 words) - 22:23, 16 November 2019
  • Try using Digital Delay instead of Reverb for your vocals. Unlike Reverb, Digital Delay processing can be routed to {{ToneMatch Mixer}} Aux outputs.
    407 bytes (64 words) - 13:24, 2 June 2019
  • * Reverb OFF You can adjust the Reverb, Bass, and Treble after you get your basic sound working.
    2 KB (298 words) - 15:39, 13 June 2020
  • <td>Reverb <td>Yes<br>Wireless control over volume, tone, reverb and system EQ
    7 KB (1,045 words) - 15:04, 12 June 2021
  • <td>Reverb Wireless control over volume, tone, reverb and system EQ
    11 KB (979 words) - 16:27, 23 September 2023
  • <td>Reverb Wireless control over volume, tone, reverb and system EQ
    11 KB (856 words) - 21:13, 11 June 2021
  • ...h Volume, Treble, Bass, Reverb - OR Tap on the words Volume, Treble, Bass, Reverb
    496 bytes (86 words) - 23:11, 4 December 2021
  • If you are using vocal effects like reverb, chorus, or delay, turn them off until you can get sufficient [[Gain Before
    16 KB (2,433 words) - 20:03, 1 July 2023
  • ...m that when we bring up the master volumes, they will hear all the natural reverb from the room as it responds to them at performance levels.
    7 KB (1,205 words) - 14:43, 31 December 2016
  • ...nd a mono or stereo microphone receive. You could put it in a studio, in a reverb room (or in the bathroom) during the mix, or you might use it live. The pos
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...nt or microphone. I would run a relatively clean sound with no effects (no reverb, chorus or delay). You are listening for tone.
    5 KB (858 words) - 11:55, 13 April 2011
  • ...nd a mono or stereo microphone receive. You could put it in a studio, in a reverb room (or in the bathroom) during the mix, or you might use it live. The pos
    42 KB (7,262 words) - 13:29, 2 September 2008
  • ...larity by simplifying and drying out the sound. (dialing back a lot on the reverb and delays).
    3 KB (595 words) - 14:02, 28 May 2021
  • ...quencies and less absorption at low frequencies. Less absorption makes the reverb time longer, the reverberant field level higher, and the critical distance
    4 KB (705 words) - 05:44, 26 March 2017
  • ...or those other gigs, but I forget. I go in and change presets, and look at reverb & echo, but always forget about the Gate.
    4 KB (718 words) - 04:48, 26 March 2017
  • ...lay, parametric EQ, etc. on each channel. The only thing that is shared is reverb. This is equivalent of having pretty much 4 multi-effects processors at the
    2 KB (360 words) - 04:45, 26 March 2017
  • The other effects (Mod, Delay) and Reverb operate the same way. You can only choose one function within the family of
    7 KB (1,047 words) - 15:58, 16 June 2019
  • ...d before the audience can be very disruptive to your psyche. (Sing without reverb? You've got to be kidding).
    16 KB (2,913 words) - 11:43, 9 May 2011
  • ...organic" quality to the mix that you really can't create using dry tracks, reverb and mixing. It was sort-of molecular air-mixing of the music. Also, we had
    15 KB (2,673 words) - 03:45, 27 April 2013
  • ...ither the VL2 Mic Out or the Guitar Out. I also do not use any of the VL2 reverb or other effects.
    2 KB (428 words) - 18:09, 26 March 2017
  • ...al applications, given the outdoor area and music style, a light amount of reverb, gave a nice enhancement to the vocal, with out feedback problems. Using mo
    4 KB (614 words) - 14:24, 11 March 2020
  • ...s perfect for checking overall instrument tone and balance, especially the reverb levels. Multiple monitoring systems are typical in most all studios, and t
    5 KB (798 words) - 18:12, 26 March 2017
  • ...to make adjustments to paramaters such as zEQ, Parametric EQ, Compression, Reverb etc for the individual channels and then save each complete set as a differ
    2 KB (270 words) - 04:24, 26 March 2017
  • FX Mute specifically mutes: Delay, Mod (Chorus, Flange,Phaser,Trem) and Reverb.
    307 bytes (43 words) - 22:27, 2 August 2011
  • [[Image:reverb.jpg]]
    13 KB (2,304 words) - 10:55, 24 April 2011
  • * If you are using vocal effects like reverb, chorus or delay, turn them off until you can get sufficient [[Gain Before
    3 KB (528 words) - 16:12, 7 January 2009
  • ...c act. (ex: I use either two customized Blues Jr's in stereo, my '65 Super Reverb, or my ProTube Twin Amp on stage) The tonematch's Noise Gate solved the fee
    1 KB (206 words) - 13:31, 29 November 2018
  • Note: You cannot send Reverb through the Aux Output - see: [[T1 ToneMatch® Audio Engine / Aux]] for det
    3 KB (477 words) - 04:48, 26 March 2017
  • # on the rest of them it functions as a solo boost and adds a bit of reverb and engages the compressor as well.
    1 KB (185 words) - 15:46, 4 April 2010
  • ...quencies and less absorption at low frequencies. Less absorption makes the reverb time longer, the reverberant field level higher, and the critical distance
    8 KB (1,382 words) - 23:43, 11 June 2011
  • ;Reverb: Bypassed
    24 KB (3,721 words) - 12:54, 8 August 2023
  • #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
    57 bytes (7 words) - 10:39, 8 August 2014
  • is like a reverb/delay with no control over parameters. When hooked
    3 KB (476 words) - 19:52, 26 December 2014
  • ...ecessary, ParaEQ if necessary, then I might add some effects like Delay or Reverb.
    3 KB (446 words) - 00:54, 4 July 2023
  • ...T8S}}. Although functionally similar there are too many differences (e.g., Reverb parameters, Panning, Aux routing).
    1 KB (222 words) - 16:11, 18 April 2023
  • <li>Channel 4 - Reverb</li>
    4 KB (493 words) - 04:55, 26 March 2017
  • #REDIRECT [[T1 ToneMatch® Audio Engine / Reverb Bypass]]
    57 bytes (7 words) - 04:54, 26 March 2017
  • <td>Reverb
    6 KB (861 words) - 01:41, 7 March 2022
  • # Turn off the reverb
    3 KB (510 words) - 17:52, 2 May 2022
  • #REDIRECT [[T1® ToneMatch Mixer Reverb]]
    41 bytes (5 words) - 13:15, 8 April 2018
  • {{T4S/T8S Reverb Settings}}
    27 bytes (6 words) - 15:25, 25 May 2018
  • ...hree channels (with volume controls, ToneMatch Presets, tone controls, and reverb) and is same whether the unit is in tilt-back, monitor, tabletop or on a sp
    1 KB (168 words) - 22:09, 3 April 2021
  • #Turn off the reverb
    1 KB (240 words) - 22:55, 22 October 2018
  • * Reverb
    1 KB (205 words) - 06:33, 2 December 2018
  • * Reverb
    2 KB (311 words) - 13:34, 21 January 2019
  • <li>Turn off the reverb</li>
    2 KB (427 words) - 01:52, 13 August 2021
  • <li>Turn off the reverb</li>
    3 KB (517 words) - 17:00, 4 January 2024
  • {{ToneMatch Mixer No Reverb on Aux
    228 bytes (32 words) - 22:38, 1 March 2019
  • {{ToneMatch Mixer No Reverb on Aux
    234 bytes (32 words) - 21:22, 1 March 2019
  • #REDIRECT [[T8S No Reverb on Aux 234]]
    38 bytes (7 words) - 21:22, 1 March 2019
  • * There are no Presets or Tone Controls or Reverb for the Aux input
    2 KB (281 words) - 22:22, 16 November 2019
  • {{T4S/T8S Reverb Main Aux 1}}
    55 bytes (13 words) - 11:39, 23 May 2019
  • {{ToneMatch Mixer No Reverb on Aux}}
    72 bytes (14 words) - 13:29, 2 June 2019
  • I usually run the vocals dry in the PA (no reverb or time-related effects) because there's usually plenty of natural reverber
    10 KB (1,649 words) - 11:55, 21 November 2023
  • ..., it is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for {{T
    2 KB (332 words) - 23:06, 12 April 2023
  • ...small tablet mounted on my microphone stand. I can work with the built-in reverb and ToneMatch Presets. For more demanding situations, I can still use my T1
    7 KB (1,279 words) - 16:07, 23 September 2023
  • ...Pro32 have three channels (two with ToneMatch Presets, Tone controls, and Reverb). The third channel can receive Bluetooth audio or line-level inputs. Both
    15 KB (2,619 words) - 15:00, 31 October 2023
  • ..., it is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for {{T
    1 KB (252 words) - 01:41, 27 August 2022
  • ..., it is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for {{T
    2 KB (336 words) - 12:43, 3 February 2023
  • ..., it is the combined signal of all inputs and ToneMatch processing, EQ and Reverb. That includes inputs, 1, 2, 3, Bluetooth, and ToneMatch Port (used for {{T
    2 KB (373 words) - 15:02, 22 April 2023
  • ...Pro16 have three channels (two with ToneMatch Presets, Tone controls, and Reverb). The third channel can receive Bluetooth audio or line-level inputs. Both
    7 KB (1,176 words) - 02:40, 27 January 2024
  • * Set Reverb fully counter-clockwise (this is off)
    4 KB (677 words) - 00:26, 29 February 2024